Canadian modern metal act Threat Signal are no strangers to the rough and merciless tides of the music industry. Having only been around for a mere 7 years, the band is already the billionth victim of the MLC (Multiple Line-up Changes) Syndrome, and is precariously close to losing its roots entirely with only singer Jon Howard left from the original roster. With that said however, the band as an entity itself has evolved a lot since its early days. For a recording project that was initially accomplished entirely on Jon’s home computer, it sure has paid off well by getting Jon on-board the world-renowned Nuclear Blast roster; a dream that motivates countless metal bands worldwide to pursue their chosen path diligently, but which is often dashed with the cruel flick/click of an uninterested finger. Teeth of the Divine speaks with Jon to discover what plagued the stability of Threat Signal’s line-up over the years, find out what the new record is all about, discuss what the big guy Zeuss brings to the production table, and how Threat Signal was probably “djent” before “djent” even got coined.

In my interview with Jon Howard, he sarcastically derided the term “djent” when asked about Threat Signal’s genre classification. Similarly, I dislike that term. Many people like to call Threat Signal a “djent” band, but I like to be simple and just consider them a modern death metal band. This new record sees Threat Signal […]

I think I liked Threat Signal more when they were basically a Fear Factory clone (right down to Christian Olde Wolbers producing). Yeah, ok, shades of Soilwork’s melodic thrash/death and Strapping Young Lad’s atmospherics were present as well. But the point is that I didn’t find the mimicry on Under Reprisal to be a problem; […]