I’ve said multiple times thrash is my least favorite metal sub-genre. Shortly after I am reminded of another thrash band I highly enjoy. It’s still perhaps my least favorite sub-genre, but it’s like picking your least favorite child. For most it’s difficult, but for me, it’s simple. It’s Danny. As for the EP, prepare for […]

I randomly grabbed the 2018 release, Hard 2 Kill, in a used bin back in 2018, and was pleasantly surprised with the Southern groovy take on death metal/thrash from these Texans. But I never really appeared on my radar again until I saw the fucking epic album cover for their newest effort, and thought “Oh […]

OK, so we all have particular tastes and preferences that we can’t help or do anything about, right? To that end, when it comes to music, I think we all have certain kinds sounds we’re just absolute suckers for. You hear something in that wheelhouse, and it hits you like a friggin’ Mack track driven […]

For a little while now, we’ve found ourselves in a new golden era of Thrash, and being that it was pretty much my gateway drug into the world of metal, I couldn’t be more thrilled that thrash itself has expanded and become home to such a wide-reaching spectrum of bands and sounds. From the dizzying, […]

Vultures are, far and away, the gnarliest friggin’ birds you’re ever gonna come across. I’m not talking about those oddly and simultaneously ugly and pretty King Vultures, or those powerful evil-wizard-looking bearded vultures, OR those badass mythical motherfucker Griffon Vultures. No, I’m talking your everyday, nightmare-inducing, boiled-skull-looking turkey vulture. LOOK AT THAT FUCKING THING. Terrifying. […]

Wehrmacht hailed from Oregon and had a nice underground run in the 80’s.  Other than some demos, their body of work is with their two albums:  The 1987 debut Shark Attack and 1989 follow-up Biērmächt both released on New Renaissance Records.  Wehrmacht played a blistering style of crossover thrash metal, which at the time was […]

France’s Griffar started out as a pagan black metal band; their 2000 release Of Witches and Celts featured lengthy, highly melodic compositions and a buzzy, wall-of-sound approach. After a few aborted attempts to return over the last decade, they’ve finally reformed with an updated and more muscular sound. Griffar now sounds like late 90s melodic black […]

Just as black metal keeps mutating into even more virulent strains, thrash continues vomiting up fresh new abominations as well. Not exactly sure what to call Australia’s charmingly titled Vomitor – necro-thrash seems to be the best fit, as it seems a filthy antipodal cousin to Darkthrone and Mayhem, as well as newer, bestial black […]