Toronto Canada’s tech deathsters Apogean make their debut with Cyberstrictive. Vocalist Mac Smith filled in for Bill Robinson of Decrepit Birth recently. Off the bat, Zach Ohren’s (The Faceless, All Shall Perish, Immolation, etc.) mixing and Mastering work is elite. Things get kicked off with “Blue Night Sonata.”  The technical prowess of these guys is […]

Stortregn’s (‘downpour’) development from a melodic black metal band into a more technical, shredding death metal band with a few black metal elements has been a splendid development, and fittingly with the style shift, the band found themselves on the perfect label, The Artisan Era, literally the preemptive label for shreddy/melodic, sometimes symphonic tech death/black […]

I have no excuse why it has taken me to review the debut album from Baltimore’s Greylotus. I got nothing. It’s even sadder considering, I listen to it a lot, and it’s going to be a clear-cut album of the year contender for me, so let’s get to it. Basically, Greylotus’s Dawnfall is if you […]

California’s Inanimate Existence has been releasing quality albums for a few years now, but never seems to quite break into the discussion of absolute top-tier tech death with say, First Fragment, Gorod, Obscura, and such. Even when they had Riley McShane (Continuum, Alleageaon) in their ranks back in 2014, they were juuuuuust on that cusp. […]

I last heard this Seattle band back in 2016 when I reviewed their second self-released EP, Enduring Creation. However, I wasn’t sure what label they would fit on and what the audience was for their very heavily keyboard-drenched form of technical black-ish metal. Well, 6 years later we have our answer with a match made […]

So after an absolutely ridiculously good year for tech-death in 2021 with the likes of First Fragment, Obsidian I, Obscura, Hannes Grossman, Inferi, Stortregn, Alustrium and others, it took exactly one month for 2022 to see its first stellar tech-death record. Leiden (suffer or endure?) is the second album from this Tacoma, Washington act who […]

“Good Things Come to Those Who Wait” – Lady Mary Montgomerie Currie. I’m not sure there is a more apt proverb than the above one when it comes to Dessiderium, (loosely meaning ‘an ardent desire or longing for something lost’), the solo project from Alex Haddad, also the guitarist/vocalist for tech-death metallers Arkaik. Both for […]

I’ve been covering Inferi since 2009s End of an Era, and since then they have become The Artisan Era’s flagship band and one of the mainstays of the melodic/shredding technical death metal genre in the US scene. They have not been super prolific, with 2 more albums, an EP and a redo of End of […]

Talk about a match made in heaven…….Switzerland’s  Stortregn, a formerly pure 90s melodic black metal band turned more technical, surgical, shredding death metal with some of their black metal remnants left behind, on The Artisan Era, arguably the flagship label for this style with bands like Inferi, Demon King, Enfold Darkness and such. I’ve reviewed […]

Abiotic have had an odd trajectory. They released an honestly bland debut in 2012, then a good follow up in 2015. While a little half-baked, it seemed like a step in the right direction, and made me think the only way to go for them was up. Then, silence. Enter 2021 and their new album, […]

Well, Well! 2021 is getting started with some pretty fun metal releases right off the bat.   Founded by former members of Enfold Darkness the Final Tyranny wastes zero time in getting the listener’s attention with opening track Tyrannical Reign of the Deceiver.” The opening drum fill leads to a very aggressive beginning of a very […]

In the before times, earlier this year, I made it out to two shows. One of those was the Shadow of Intent tour which featured Signs of the Swarm, Brand of Sacrifice, and today’s review subject, Inferi. It was the first date of that tour at a really bad ass venue to which I had […]

Around three years ago I reviewed this amazing progressive technical death metal band from Amsterdam.  I was absolutely floored by their debut album Esoteric Entity. The band’s second album, Neoconception is a concept album revolving around an asteroid hitting earth. “Downfall” opens things up and the madness begins.  If you are not familiar with Spectrum […]

Starting 2020  with the same productivity (Myth of I, Aronious, Sutrah) as they ended 2019 (Immanifest, Singularity, Flub, Equipoise, etc) The Artisan Era is quickly rivaling Unique Leader Records when it comes to tech death, even if The Artisan Era seems to have a a little more focus on symphonics. However, there may be some […]

I can’t stop listening to the barrage of amazing Technical Death Metal coming from The Artisan Era.  Recently I reviewed Montreal’s Sutrah which blew my out of the water. Now I am taking a gander at a group from Green Bay Wisconsin called Aronious.  This is a time consuming album to process at being close […]

I must admit that I am quite sold on everything that The Artisan Era has been putting out recently.  See last year’s unbelievable release by Singularity as an example.  Montreal’s Sutrah have my continuing to pick my jaw off the floor with their 2020 EP Aletheia.  In the bio description they are compared to  Lykathea […]

I was immediately intrigued by this release as it’s another symphonic/tech black/death whatever release from The Artisan Era who have already wowed me in 2019 with the likes of Singularity, Oubliette, Mordant Rapture, The Odious Construct, Warforged and such, but also that the band features former members of Council of the Fallen, one of the […]

The Artisan Era is really starting to come into its own as a label, and is starting to hone in on a pretty specific sound. With bands like Inferi, Equipoise, Warforged, The Odious Construct, Arkaik, Aethereus, Oubliette, Flub, Enfold Darkness, Mordant Rapture and The Zenith Passage, the label certainly has some of the better technical […]

I’m a sucker for tech death, yet I’m also a picky bastard, all too aware of the downsides that finds bands regularly being swallowed by the pitfalls of the often maligned subgenre. The curiously named Flub arrive with their full-length debut platter of technical wizardry, compiled by current and ex members of established acts, Alterbeast, […]

Nashville Tennessee’s Inferi have become quite the force in U.S underground Melodic Death Metal.  I was turned on to this group back in 2014 when I was recommended their album, The Path of Apotheosis.  At the time I felt like Inferi were quite far ahead of other similar melodic death groups in terms of technique […]

I’ve been a fan of Patrick Loisel since his Kralizec days ( I highly recommend you track down 1999s Origin)  and Augury has certainly continued that legacy. And while not very prolific, when Augury does drop and album, the world takes note. 2004s Concealed and 2009s Fragmentary Evidence both are critically acclaimed and arguable classics […]

An oubliette, from the French word ‘oublier’ – to forget – is a dungeon. A particularly horrible and lonely sort of dungeon, little more than a hole in the ground. In you go, curled and cramped, and then a lid or stone is slid across the opening, trapping you in blackness while your body succumbs to pain, hunger, […]

Back in 2009 I reviewed the second album, The End of an Era from this Tennessean melodic black/death metal act. It was a solid The Black Dahlia Murder inspired slab of shredding metal, but nothing that really upped the game at all. Well, with a significant lineup change (now with even more former and current […]