Montreal Technical Death Masters Cryptopsy returns with their eighth studio album As Gomorrah Burns. It was written over the last two years during the pandemic and they wrote and recorded this in a cabin to add to the horror movie-like ambiance.  This is the first full-length album since their 2012 self-titled release featuring original guitarist […]

New York’s Contrarian has been an active contributor to the progressive death metal scene for quite some time now. Having released five full-length records through Willowtip Records Contrarian has decided to release an album of older material. What makes this release interesting is that all the tracks are instrumental. Founding members Jim Tasikas and Ed […]

Is this déjà vu?  I think it may.  Six years ago Hammerheart Records reissued these Pestilence albums in deluxe 2 cd slipcases.  The bonus content was fabulous and not only did I buy all of these, I purchased an album cover shirt for each of them.  I even did some reviews on Teeth of the […]

I love head-banging. It is a great feeling to release pent-up energy at a Metal show, the crowd is into the experience; each head is like those fucking drinking birds you can get at the novelty store. Unfortunately for me, my head-banging days are pretty much over. I just kind of shake my head like […]

OK, there is a lot to get to here; Pronostic is a Canadian progressive/melodic technical death metal project that hasn’t released anything since 2015s , An Atomic Decision, and before that their 2012 debut Deviated Inner Spectrum. The project is the brainchild of both guitarists/vocalists Alexandre Lauzon and Charles Pilotte, both relative unknowns in the […]

The other day I was driving my mom around and the car decided it wanted to keep playing this album. She was commenting that it isn’t music and even did a growl (which was kind of fucking adorable, I’m not going to lie), however, Death Metal is extreme music for extreme people (and my mom’s […]

Ya know, I had completely forgotten about this North Carolina duo. This is surprising considering I rather enjoyed the debut from a few years ago, and the fact my enthusiasm, some would even say fanboyish obsession with any sort of metal with symphonic/orchestral elements. Throw in another couple of my weaknesses- history/mythological tales and modern, […]

France’s tech-death metal gods, Gorod, return with The Orb – their seventh album.  Holy smokes I did not realize how time has flown by and the band is self-releasing this through Bandcamp. For me, the best tech-death metal bands are First Fragment, Gorod and Obscura.  I know, I know there’s like a bajillion of tech-death […]

I usually don’t review digital-only releases, but when you stumble across a symphonic tech-death supergroup based on one of the greatest video games series’ of all time, I’ll make an exception. Video gamers will recognize the moniker as one of the weapons from the Gears of War series, and indeed Hammer of Dawn is a […]

I have no excuse why it has taken me to review the debut album from Baltimore’s Greylotus. I got nothing. It’s even sadder considering, I listen to it a lot, and it’s going to be a clear-cut album of the year contender for me, so let’s get to it. Basically, Greylotus’s Dawnfall is if you […]

This is an instance where I actually bit off far less than I can chew. Damn it, I was really looking forward to a new full-length from Xenobiotic after really enjoying 2020s Mordrake and my body was FUCKING READY. Apparently Xenobiotic weren’t and that’s kind of a problem. Anyway, this little teaser, presumably before their next […]

Though not quite the tech-death onslaught that 2021 was, 2022 has still had some stellar releases from the likes of Aethereus, Inanimate Existence and GreyLotus. And while GreyLotus’ Dawnfall might be my top contender right now, Exocrine’s fifth album is certainly right up there as well. France’s Exocrine got on my radar with 2020s Maelstrom, […]

California’s Inanimate Existence has been releasing quality albums for a few years now, but never seems to quite break into the discussion of absolute top-tier tech death with say, First Fragment, Gorod, Obscura, and such. Even when they had Riley McShane (Continuum, Alleageaon) in their ranks back in 2014, they were juuuuuust on that cusp. […]

Kansas’s technical death metal powerhouse Origin return with their eighth full length record Chaosmos. Paul Ryan, Mikey Torres, Jason Keyser, and John Longstreth waste zero time pummeling the listener with the opening track “Ecophagy.”  The track starts off with a strong hook and then proceeded to get progressively more technical as the track goes on. […]

It seems like forever ago when Sweden’s Soreption was a contender for my 2014 album of the year with Engineering the Void. The perfect blend of stuttering Meshuggah syncopation and tech death wizardry as well as sudden bursts of orchestral elements just hit m perfectly. However, the 2018 follow up, Monument of the End, didn’t […]

Jeremy Turner from Unmerciful turned me on to this unique project of Origin lead guitarist Paul Ryan. Ryan called Maentra.  Based out of San Francisco Maentra play a really unique mix of death metal, grindcore, and tinges of industrial. Kundalini Rising kicks off with “Muladhara”.  I was surprised to hear that Ryan does not play […]

I last heard this Seattle band back in 2016 when I reviewed their second self-released EP, Enduring Creation. However, I wasn’t sure what label they would fit on and what the audience was for their very heavily keyboard-drenched form of technical black-ish metal. Well, 6 years later we have our answer with a match made […]

Man… now that is an album cover. In the annals of heavy metal/extreme music, the writings of JRR Tolkien have long resided in largely black metal  (Summoning), power metal (Blind Guardian), ‘garb-core’ (Battlelore) and even death metal (Khazaddum). But what the world was clearly lacking was some Tolkien-based, technical, blackened deathcore. Well, here comes Washington […]

So after an absolutely ridiculously good year for tech-death in 2021 with the likes of First Fragment, Obsidian I, Obscura, Hannes Grossman, Inferi, Stortregn, Alustrium and others, it took exactly one month for 2022 to see its first stellar tech-death record. Leiden (suffer or endure?) is the second album from this Tacoma, Washington act who […]

Krakow Poland’s Redemptor return with their fourth full length album Agonia.  I had previously reviewed the groups 2017 release Arthaneum which was one of my favorite albums of that year. Agonia is an excellent follow up album that has a slow build to it which is worth the wait.  Opening with “Tectonic Plates” Daniel Kesler’s […]

Listen, if you guys want me to stop reviewing material from Transcending Obscurity Records, you’re going to have to tell them to calm it down with the excellent new releases… Don’t, though. That brings us to the new, excellent album from a band with an intriguing name, The Last of Lucy. I didn’t like it […]

“Good Things Come to Those Who Wait” – Lady Mary Montgomerie Currie. I’m not sure there is a more apt proverb than the above one when it comes to Dessiderium, (loosely meaning ‘an ardent desire or longing for something lost’), the solo project from Alex Haddad, also the guitarist/vocalist for tech-death metallers Arkaik. Both for […]

For 3 albums now, Canada’s young tech-death masters have shredded their way into the upper echelon of the genre. From 2011’s barely registering debut, All Shall Align, to 2014swatershed album,  The Lucid Collective, which put them on the map, to 2017s Relentless Mutation, which signaled they were now masters of their craft they have improved […]

I have reviewed 2 of the 3 last Obscura albums, including the magnificent 2016 magnum opus, Akroasis. But for some reason, we/I never covered 2018s Diluvium album, despite it being yet another standout in the band’s consistently brilliant releases, thought it saw them take a more melodic turn. So I thought I would return to […]

So here is one of my more obscure forays into 2021’s bumper crop of deathcore and it’s from Ukranian act, Lieweaver who split the middle ground between burly mid-paced downtempo deathcore and more technical death metal stylings and also throw in a few atmospheric keyboards here and there. It’s not doing anything particularly original or […]