I’ve been waiting for this one for a while. A while back one of the other esteemed staff here, Steve K, tagged me on a video for the song “Deconstruction” and I was hooked, purchasing/ downloading the band’s various songs and EPs. So, who is The Weeping Gate? Well, they hail from Little Rock, Arkansas. They […]

Album number 6 from Italy’s master of symphonic/orchestral brutal death metal sees more lineup changes, much like 2019s Veleno. And while they certainly weathered the changes admirably (replacing long-time members Christiano Trionfera and Tommaso Ricardi departing, Francisco Paoli moving from drums to vocals), with a really good album that even showed some more controlled and restrained songs, […]

If you did a ‘Big 4’ of symphonic deathcore, who ya got? For me, the first 3 are easy shoo-ins; Lorna Shore, Mental Cruelty, and Shadow of Intent. But who is the 4th band when you take into account things like productivity, quality, longevity, and consistency? Worm Shepherd? Maybe.Immortal Disfugurement? Only one album. But I’m […]

Finland’s Assemble The Chariots has been on my radar for a few years now after I heard the single “Empress” back in 2021. They have a ton of singles and EPs  since 2009, all digitally released, but no full-length album- and as a result when they announced Unyielding Light, it became one of my most […]

There’s a stunning level of consistency between this Italian orchestral death metal band’s 2021 debut, Apotheosis, and their latest EP, Veils Of Transcendence, despite the label change from Germany’s Rising Nemesis Records to homegrown label, Dusktone (who have been more on my radar recently for their reissues of Stormlord and Spite Extreme Wing albums). It’s […]

While power and black metal was/has often been the primary vehicles for keyboards/ orchestration in metal, I still fondly recall some of my early exposure to more epic keys and orchestration (not just intros or a bit here or there for atmosphere) in death metal such as Nocturnus (arguably the first to do so?), Amorphis, […]

Mortem Obscuram initially got on my radar with their debut Eradication of the Human Endeavor back in 2021, a solid if unspectacular release of blackened/symphonic technical deathcore/death metal. It was OK, but I really didn’t give it that much attention, post-release. But boy, with The Wretched Divinity, they certainly have not gotten on my radar- […]

When I heard Japan’s Imperial Circus Dead Decadence‘s 殯――死へ耽る想いは戮辱すら喰らい、彼方の生を愛する為に命を讃える――。 last year, it ended up being my second favorite album of the year. It was the utterly bonkers love child of Sigh, Cradle of Filth, and an anime soundtrack, and I thought I’d never hear anything quite like it ever again. I was wrong. Enter Countrymates […]

As the days and months and years keep piling up, it’s become more clear to me than ever that the idea of growing “mature with age” can mean two very different things: There’s the literal, more widely recognized notion where time and experience allows you to take stock of the things that actually matter in […]

When you run the risk of being simply known as “the band that Will Ramos of Lorna Shore used to sing for”, you’d better deliver on your album that you recorded after Ramos’s departure  …. And Boy to A Wake in Providence respond and let the blackened deathcore world know they are NOT simply going […]

You’d think an epic, symphonic death metal band named after Icarus’s father would deliver a Greek mythology-based album. But what we have here is a concept album about Sir John Franklin’s ill-fated, 1845 artic expedition where two ships, Erebus and Terror, and their crews of 129 went missing (also the loose basis of the excellent […]

In my ongoing quest to discover symphonic death metal of any sort here in 2022, I’ve stumbled across some awesome, obscure stuff this summer alone,  like Japan’s Imperial Circus Dead Decadence ( whose 殯――死へ耽る想いは戮辱すら喰らい、彼方の生を愛する為に命を讃える―― might be my album of the year- which was just going to be too much of a challenge to review/type), The […]

Listen, when it comes to power metal, like my porn tastes, I have very specific, odd niches that I enjoy. For some reason, I skip right past the ‘normal’ power metal like Primal Fear, Firewind, Hammerfall, Iced Earth and such and dive headfirst in with unfettered glee into the uber cheesiest, symphonic cosplay-loving, LARPing, cape-wearing […]

You have to admire the balls on the PR company that sent out the email for the promos for Imperious, the debut album from Colorado duo Inexorable…”For Fans Of: Dying Fetus, In Flames, Dark Tranquillity, Dimmu Borgir and Children of Bodom“. Fucking hell!!!!!!- Sign me up! Admittedly, the bait and switch worked on me. Hook, […]

So a handful of excellent blackened/symphonic deathcore (or whatever you want to call it) releases have come out in 2022 to basically keep fans satiated until Lorna Shore drop Pain Remains later this year; Shadow of Intent, Hurakan, Downfall of Mankind, Worm Shepherd (who will somehow be releasing a second album later this year…) to […]

France’s Hurakan (the Mayan god of wind, storm, and fire?) has apparently undergone a bit of rebirth from their first two more brutal death metal/slamming death/tech death albums, which feature songs titles like “Brutal Slamming Shit”, “Intergalactic Moo Moo Imperator”, “Xenometh” and “Transdimensional Whorehouse Spaceship”. They have changed logos, and now jumped on the more […]

I last heard this Seattle band back in 2016 when I reviewed their second self-released EP, Enduring Creation. However, I wasn’t sure what label they would fit on and what the audience was for their very heavily keyboard-drenched form of technical black-ish metal. Well, 6 years later we have our answer with a match made […]

I had to check and see if this second album from Spain’s customed troupe, Crusade of Bards wasn’t on Napalm Records a few times, just to be sure.  They have ‘that ‘ sort of sound with symphonic, female-fronted operatic bombastic, gothic-tinged metal, and a few heavier elements (gruffs death metal vocals etc) sprinkled in here […]

I’m pretty new to Wilderun’s form of symphonic classical, folk, and progressive, heavy metal/death metal smash-up, with the reissue of 2019s Veil of Imagination being my first exposure to the band to which I then picked up their more folk-tinged prior records. I described the band as a mix of Opeth, Dream Theater and Blind […]

Symphonic or blackened deathcore blew the fuck up in 2021. Though it was certainly a thing before 2020, After the success of Lorna Shore‘s Immortal in 2020, the genre simply exploded with already established and new bands like Mental Cruelty, Shadow of Intent, Sin Deliverance, Dead World Reclamation,  Darker By Design, Carnifex, Assemble the Chariots, […]

Very late last year, I was introduced to Boston’s Seven Spires, with their second album, Emerald Seas, and immediately fell in love with them, largely due to vocalist Adrienne Cowan (who surprisingly used to be the keyboard player for deathcore act, Winds of Plague). Her range and power on songs like “Bury You” , “Succumb” […]

I’ve interviewed Alestorm twice over the years, both at this very site. And in both interviews, legendary Brit fantasy metal act Bal-Sagoth comes up as a huge influence on Alestorm’s Chris Bowes. Now, he developed that influence a little bit in his power metal outfit Gloryhammer, but I’ve been waiting for him to truly flesh […]

In the promo materials, Mental Cruelty is described as “haunting death metal.” As I’ve yet to be visited by any ghostly apparitions, I call shenanigans! However, when it comes to what style of music these dudes play, it’s more along the lines of symphonic brutal blackened deathcore. Think somewhere along the lines of Lorna Shore, […]

“Impressive…most impressive.” These words from the dark Sith lord himself, Darth Vader, are what rang through my mind upon my initial experience with Bloodtide Rising, the sophomore full-length album from North Carolina’s Xael…okay, I’m full of shit. What I really thought was, “Fuck me, this is some kick ass shit!” And it is. I mean […]

Remember the movie rule of 2? (i.e Armageddon vs Deep Impact) that so often applies in music? So I recently discovered two US symphonically laced, shreddy, tech death/deathcore/metalcore/melodic death metal /The Artisan Era core bands and the same time. First is Tempe, Arizona’s Dead World Reclamation, and their second album, Aura of Iniquity, and second, […]