No longer in their rebellious youth, Fog of War is evolving from a traditional thrash party act into a politically charged, free-thinking evangelist machine. What inspired the band to redefine their tried-and-true, crush-your-face-in-the-mosh-pit riffs into funky, cross-genre musicianship? With Fog of War deliberating on their latest album, which promises an evolved sound and powerful message, everyone has been curious about the new direction of this 10-year-old thrash act. We recently sat down to for an exclusive interview with them to find out more about these exciting new changes.

The announcement of the Ghoul Tour was a very exciting moment for the american fans of Dir en Grey. With the Japan-based band’s last US Tour canceled due to the hospitalization of their vocalist Kyo, it had been been a decent number of years since the last US show. Famous for their on-stage self-mutilation, shocking performances, and otherkin-identifying fanbase. Dir en Grey would also be supported by Dagoba, a metal band from France, who had released their fifth full-length album, Post Mortem Nihil Est earlier in the month. It was clear that this event simply could not be missed. On the day of, I set off to attend the show with high expectations.

To get a pulse on what’s been happening in Oakland’s underground metal culture, we spent a day in the lives of 6-year bay area veteran ZH, who has straddled the line of punk, thrash, and metal, to eventually define their own sound with the release of their most recent album: Entitled to Enlightenment.

What happens when you discover a new band? You go see them play — that’s what. Noel Holmes discovered Nile and soon found himself at one of their live shows back in March 2013. This is what happened.

Are there any bands out there that still play early era metal? Does the San Francisco Bay Area have a true underground metal scene? Can bearded fans of satanic death metal get along with metalcore scene kids? These burning questions have brought me to Music Ink in San Jose, California, where a group of local bands have taken over a music school to hold the very first Screams of Metal Festival.

A 12-hour metal festival—featuring Autopsy, Absu, Abysmal Dawn, Impaled and Exodus—on a WWII aircraft carrier. How fucking metal is that? Slaughter by the Water 3, the Bay Area’s own metal festival, was held this year aboard the USS Hornet in Alameda, CA. In this epic, exclusive TOTD feature, we sit down with the show’s organizer, then step aboard for a gig report on a venue that could literally destroy all other venues. All horns on deck!