In 2022 UK deathcore/slam titans  Ingested dropped Ashes Lie Still, a more experimental and tempered album that showed the band’s more introspective side as frontman Jason Evans dealt with the loss of his father. The band also clearly saw some of the success Whitechapel had with their duo of The Valley and Kin, as more […]

As heralded by their single “Rebirth” (which appears on this album as a remixed bonus track) from earlier this year,  one of the UK’S leading deathccore/slamming death metal acts, Ingested is a band reborn. Now a three-piece consisting of drummer Lyn Jeffs, guitarist/backing vocalist Sean Hynes and vocalist Jason Evans and aided on this album […]

I own the Ingested albums, and I kinda liked 2018s Level Above Human, 2015s The Architect of Extinction, and 2009s Surpassing the Boundaries of Human Suffering. But I have never really loved the Brits output, preferring countrymates Infant Annihilator  or Dyscarnate when it comes to British slams and breakdowns and always reaching for the likes […]

Ingested were one of the (at that time) early deathcore bands, who burst onto that scene early with 2009’s Surpassing the Boundaries of Human Suffering.  Despite having some of the most god-awful typewriter sounding way-too-high-in-the-mix triggered drums I have ever heard, it was actually a very solid album and fans of the genre were quickly […]

After many, many years stuck in the wilderness, the UK is finally getting back into the Death Metal arena with legions and legions of quality bands. Despite the intricate nuances of these new minions, they all comfortably sit under the encompassing banner of “Death Metal,” be it the blitzkrieg insanity of Infected Disarray, the guttural perfection of Embryonic Depravity or the freakishly bizarre Crepitation and Amputated, these bands are Death Metal to the bone. Ingested, produced one of my favourite (and most played) albums of 2009, they are another cast iron example that extreme music is healthy and vibrant on these shores. Ingested first came to my attention as the standout band of the North-West Slam Fest 3 way split extravaganza that was released in 2007. The potential demonstrated on that juicy entrée was mouth watering, and they satisfyingly outdid themselves on their full length. I spoke with drummer Lynn Jeffs, on whom the band’s guttural insanity is pivoted, he had plenty to say on the scene, his tenure in Annotations of an Autopsy, and the future plans for Ingested.

It took its sweet time, but finally, the UK is finally churning out quality, quality metal. Granted, there’s not the level of innovation that graced this island in the 80s and early to mid 90s but, there is a high volume of quality but more importantly, diversity. What’s more, it’s not just simply hordes of […]