Swedish death metal, the old school kind, exists in our CD collection (Carnage, Entombed, Unleashed, Dismember) and in our memories, for most of us in this for the long are still actively searching for bands that remind of the days when American death metal just didn’t cut it anymore. That sentiment still holds true, for the most part. Bands such as God Macabre, Utumno, Hetsheads and the cult line-up on the Projections of a Stained Mind all were direct descendants of Nihilist and Carnage, and to that end shared a similar sound. For Gorement, another lost gem in the sands of time, the above statement plays a part in their sound, but unlike most of the pure death metal acts, these five guys were also heavily influenced by the likes of early Paradise Lost and Benediction. Really, Gorement’s only full-length album, the masterful The Ending Quest (circa 1994), played well on this diverse foundation, and materialized as an album that still speaks volumes not only of the timeframe in which it was released, but also about how the songcraft of death metal a decade later is slowly diminishing into involved but substance-less drivel. While searching for a full copy of The Ending Quest, I ran across a band called Genuflection to Limbo and found out that Gorement guitarist Patrik Fernlund is still involved in music. While I thought Fernlund would see Gorement’s chapter as long closed, the axeman agreed to talk about a band he put to rest over eight years ago. And hopefully this chat will spur more interest in Gorement and the band’s impressive but scant catalog – if anything The Ending Quest is due for re-release like yesterday, but legal issues could shelve the project for at least another two years.