Posts Tagged ‘Erik T’
Posted in Frontpage Feature, Reviews, Reviews › L on Monday, October 10th, 2022
Have a seat, and grab a snack. This is gonna be a long one. Way back in 2015 I reviewed a pretty nondescript EP, Maleficium, from this New Jersey band called Lorna Shore. It was Ok, odd band name, and a few keyboards, but nothing really stood out. The same can be said for the […]
Tags: 2022, Blackened Deathcore, Century Media Records, Deathcore, Erik T, Lorna Shore, Review
Posted in Reviews, Reviews › I on Thursday, October 6th, 2022
When I blindly downloaded the promo for the second album from Turkey’s Inhuman Depravity, I was fully expecting an utterly ‘broodle’ death metal onslaught of Comatose Records proportions. what I got was a far more varied and surgical old-school technical death metal record that reminded me if bands like Suffocation, Deeds of Flesh, and in […]
Tags: 2022, Brutal Death Metal, Erik T, Gruesome Records, Inhuman Depravity, Review
Posted in Reviews, Reviews › T on Tuesday, October 4th, 2022
I wasn’t sure what to expect when I blindly hit ‘play’ on Bexadde, on Germany’s FDA Records after getting the CD in the mail along with the new Slaughterday. With that moniker, I was maybe expecting some fuzzed-out stoner doom? But I certainly not modern atmospheric/post-black metal, not exactly what FDA Records is known for. […]
Tags: 2022, Atmospheric Black Metal, Erik T, FDA Records, Post Black Metal, Review, Toadeater
Posted in Reviews, Reviews › G on Thursday, September 29th, 2022
I have no excuse why it has taken me to review the debut album from Baltimore’s Greylotus. I got nothing. It’s even sadder considering, I listen to it a lot, and it’s going to be a clear-cut album of the year contender for me, so let’s get to it. Basically, Greylotus’s Dawnfall is if you […]
Tags: 2022, Erik T, Greylotus, Review, Technical Death Metal, The Artisan Era
Posted in Reviews, Reviews › S on Tuesday, September 27th, 2022
For almost a decade, German duo Slaughterday has been rendering their Autopsy worshiping ( Slaughterday is a song from the Mental Funeral album) tones with 3 albums and a couple of EPs. And with album number 4, even with the word ‘doom’ in the title, they continue that trend with another killer album. With an album […]
Tags: 2022, Death Metal, Erik T, FDA Records, Review, Slaughterday
Posted in Reviews, Reviews › A on Friday, September 23rd, 2022
Can someone in the Norfolk (UK) area please go and check on NRE? Seriously, from what I’m hearing on his sixth and final album under his And Now The Owls Are Smiling moniker, he must have undergone some drastically emotional shit since 2021s Dirges, a despondent but still atmospheric and at times melodic black metal […]
Tags: 2022, And Now The Owls Are Smiling, Atmospheric Black Metal, Black/Doom Metal, Clobber Records, Erik T, Review
Posted in Reviews, Reviews › I on Tuesday, September 20th, 2022
I randomly grabbed the 2018 release, Hard 2 Kill, in a used bin back in 2018, and was pleasantly surprised with the Southern groovy take on death metal/thrash from these Texans. But I never really appeared on my radar again until I saw the fucking epic album cover for their newest effort, and thought “Oh […]
Tags: 2022, Death Metal, Erik T, Groove Metal, I AM, MNRK Heavy, Review, Thrash
Posted in Reviews, Reviews › H on Thursday, September 15th, 2022
Hilning is the solo project of former Afgrund vocalist/guitarist, Aldriendir (aka Andreas Baier), and as if you could not tell from the cover art, it’s a radical departure from Afgrund’s savage, Nasum-styled grindcore. Unfortunately, where Afgrund kicked out some pretty goddamn solid material in their 3 album existence from 2007-2012, I’m not sure Aldriendir’s foray […]
Tags: 2022, Black Metal, Erik T, Hilning, Review, Suicide Records
Posted in Reviews, Reviews › F on Thursday, September 8th, 2022
While a Christian metal label, Rottweiler Records has been home to slightly more unorthodox Christian metal, mostly straying away from the heavily populated metalcore/deathcore realms reserved for Facedown and Strikefirst records (that said, the recent Voluntary Mortification does fit in that genre). They have been able to locate Christian brutal death metal bands ( Taking […]
Tags: 2022, Erik T, Forsaken Eternity, Melodic Death Metal, Review, Rottweiler Records, Symphonic Black Metal
Posted in Reviews, Reviews › K on Tuesday, September 6th, 2022
The 2020 solo debut, Verisaarna, from Hex Inferi ( ex Horna), was a blistering, icy cold blast of classic black metal in the Marduk-ian realm of relentlessness, with some innate Finnish nastiness thrown in. And while Kataklysmi is not quite as palpably frosty, it delivers much of the same frozen swathes of black metal, maybe […]
Tags: 2022, Black Metal, Erik T, Kryptamok, Purity Through Fire, Review
Posted in Reviews, Reviews › P on Tuesday, August 30th, 2022
Like The Mist From the Mountains and I Am The Night from earlier this year, Pestilent Hex is a Finnish symphonic black metal supergroup of sorts. However, this particular project is from a duo (L.L and M.M) who also perform in Desolate Shrine, Ordinance, Convocation and Corpsessed. And whereas the the two projects above have […]
Tags: 2022, Debemur Morti Productions, Erik T, Pestilent Hex, Review, Symphonic Black Metal
Posted in Reviews, Reviews › D on Thursday, August 25th, 2022
You’d think an epic, symphonic death metal band named after Icarus’s father would deliver a Greek mythology-based album. But what we have here is a concept album about Sir John Franklin’s ill-fated, 1845 artic expedition where two ships, Erebus and Terror, and their crews of 129 went missing (also the loose basis of the excellent […]
Tags: 2022, Daidalos, Erik T, Extreme Metal Music, Melodic Death Metal, Review, Symphonic Metal
Posted in Reviews, Reviews › S on Tuesday, August 23rd, 2022
Austrian technical deathcore/technical death metal outfit Spire of Lazarus has been on my radar for a bit now since they released two video game-themed albums under the moniker Dayum. Both 2017s Dark Souls and 2019s Ghost of Sparta (which is being re-released at the same time as this album, under the new name with Reality […]
Tags: 2022, Deathcore, Erik T, Reality Fade, Review, Spire of Lazarus, Technical Deathcore
Posted in Reviews, Reviews › K on Friday, August 19th, 2022
I imagine being a Swedish death metal band, playing Swedish-styled, HM2 death metal AND hailing from Stockholm carries a little weight with it, what with Entombed Grave and Dismember all hailing from your hometown. However, youngsters Katakomba are up to the task and have delivered a fine, if not damn brilliant homage to their hometown […]
Tags: 2022, Death Metal, Erik T, Katakomba, Redefining Darkness Records, Review, Swedish Death Metal
Posted in Frontpage Feature, Reviews, Reviews › A on Monday, August 15th, 2022
Ho hum, album number 12 from these now fully established scene veterans, who have blown up in one of metal’s most consistent and best-selling acts. And if past logic shows us anything this should be a better Amon Amarth album based on the band’s affinity for good, then not as good, then good then not […]
Tags: 2022, Amon Amarth, Erik T, Melodic Death Metal, Metal Blade Records, Review
Posted in Reviews, Reviews › A, Reviews › E on Friday, August 12th, 2022
I grabbed this promo to review as I dug the 2020 debut from Germany’s Eisenkult, …gedenken wir der finsternis back in 2020 ( though I somehow completely missed last year’s Von Himmel, Hoch Herab) as it was a super melodic, medieval black metal release, and I love that shit. So it appears somewhere between the […]
Tags: 2022, Black Metal, Eisenkult, Erik T, Purity Through Fire, Review
Posted in Reviews, Reviews › X on Monday, August 8th, 2022
In my ongoing quest to discover symphonic death metal of any sort here in 2022, I’ve stumbled across some awesome, obscure stuff this summer alone, like Japan’s Imperial Circus Dead Decadence ( whose 殯――死へ耽る想いは戮辱すら喰らい、彼方の生を愛する為に命を讃える―― might be my album of the year- which was just going to be too much of a challenge to review/type), The […]
Tags: 2022, Erik T, Melodic Death Metal, Review, Self-Released, Symphonic Metal, Xaon
Posted in Reviews, Reviews › U on Friday, August 5th, 2022
I’m always on the lookout for heraldic, medieval black metal in the vein of Véhémence, Eisenkult, Sühnopfer, Abduction, Ungfell, Hanternoz, Passéisme, Heltekvad and such. And here we have the debut EP from one-man band, Frenchman Alexis Chiambretto, and this 4 song 22-ish-minute debut is a must-have if you enjoy any of the above bands. You […]
Tags: 2022, Black Metal, Erik T, Purity Through Fire, Review, Unholdun
Posted in Reviews, Reviews › V on Tuesday, August 2nd, 2022
What the heck is this? Christian Deathcore? Good Christian Deathcore even? What is it……. 2010 or something????? It’s been a while since I covered and enjoyed a Christian metal record, let a alone a Deathcore one that recalls a peak of the genre and bygone era when the likes of Earth From Above (still the […]
Tags: 2022, Christian, Deathcore, Erik T, Review, Rottweiler Records, Voluntary Manslaughter
Posted in Reviews, Reviews › M on Thursday, July 28th, 2022
As a listener and certainly as a reviewer, there’s always a certain point when you are checking out a potential album where you say to yourself “Nope, I don’t like this” and move on ” or say “Yep, I’m digging this” and keep listening. On Seraphic Punishment, the debut album (though they have been releasing […]
Tags: 2022, Death Metal, Erik T, Maul, Redefining Darkness Records, Review
Posted in Reviews, Reviews › F on Tuesday, July 26th, 2022
Listen, when it comes to power metal, like my porn tastes, I have very specific, odd niches that I enjoy. For some reason, I skip right past the ‘normal’ power metal like Primal Fear, Firewind, Hammerfall, Iced Earth and such and dive headfirst in with unfettered glee into the uber cheesiest, symphonic cosplay-loving, LARPing, cape-wearing […]
Tags: 2022, Erik T, Fellowship, Power Metal, Review, Scarlet Records, Symphonic Metal
Posted in Reviews, Reviews › M on Tuesday, July 19th, 2022
I grabbed the debut full-length album from Barcelona’s Mankind Grief as Lacerated Enemy has released a couple of solid blackened deathcore releases already in 2022 ( Hurakan’s Via Eterna and Downfall of Mankind‘s Vile Birth) and Monarch had a song on it called “LV-426”, so I was hoping for a full-on Alien/Aliens themed album. Alas, […]
Tags: 2022, Blackened Deathcore, Deathcore, Erik T, Lacerated Enemy Records, Review
Posted in Reviews, Reviews › K on Friday, July 15th, 2022
Now THAT is an album cover. T-shirt immediately purchased. But how is the music? Well, Lacerated Enemy has taken a break from symphonic/blackened deathcore and delivered us a fucking monster of a slam/brutal death metal record from France’s Kanine. And if you thought Organectomy (whose Nail Below Nail releases the same day as Karnage) or […]
Tags: 2022, Brutal Death Metal, Deathcore, Erik T, Kanine, Lacerated Enemy Records, Review, Slam
Posted in Reviews, Reviews › I on Tuesday, July 12th, 2022
You have to admire the balls on the PR company that sent out the email for the promos for Imperious, the debut album from Colorado duo Inexorable…”For Fans Of: Dying Fetus, In Flames, Dark Tranquillity, Dimmu Borgir and Children of Bodom“. Fucking hell!!!!!!- Sign me up! Admittedly, the bait and switch worked on me. Hook, […]
Tags: 2022, Death Metal, Erik T, Review, Sliptrick Records, Symphonic Metal
Posted in Reviews, Reviews › I on Wednesday, June 29th, 2022
California’s Inanimate Existence has been releasing quality albums for a few years now, but never seems to quite break into the discussion of absolute top-tier tech death with say, First Fragment, Gorod, Obscura, and such. Even when they had Riley McShane (Continuum, Alleageaon) in their ranks back in 2014, they were juuuuuust on that cusp. […]
Tags: 2022, Erik T, Inanimate Existence, Review, Technical Death Metal, The Artisan Era