Up until 2017s The aptly named The Dismal Circle, I was unfamiliar with Germany’s death-doom veterans Ophis (‘snake’), but that album was a solid effort with some suitably crumbling, hefty death/doom that had strains of classic Morgion engrained in the moping lumbers. And that has continued for album number 5, and is possibly even a […]

Canada’s one-man project Haiduk (a term for Balkan freedom fighters) came out of the gate like barnstormers back 2021 with Spellbook, a pretty blistering black/death/thrash combo that had a lot of energy and influences from Dew-Scented Hypocrisy and even Dissection. However, the follow-up, 2015s Demonicon, with an increasing mechanical/programmed tone (especially the drums), came across […]

“What does music mean to you? I don’t know. But it’s full of emotion It’s not happy. No. It’s not happy”- from “Eternal Unrest”. Crikey. so I thought Christian Consentino was the only solo artist from Australia making epic, classically inspired, symphonic progressive black metal. Well, apparently there is another one who has been around a […]

“Good Things Come to Those Who Wait” – Lady Mary Montgomerie Currie. I’m not sure there is a more apt proverb than the above one when it comes to Dessiderium, (loosely meaning ‘an ardent desire or longing for something lost’), the solo project from Alex Haddad, also the guitarist/vocalist for tech-death metallers Arkaik. Both for […]

I’ve enjoyed Tacoma Washington’s Alda for a few albums now, particularly 2011s :Tahoma: and 2015s Passage, their last effort, on a match made in heaven label, Bindrune Recordings. But after 6 years of silence, and a split from Bindrune, I wasn’t sure where the band was at, considering some of their peers (Panopticon, Falls of […]

Here s a pleasant little surprise in what’s been a pretty dry run of folk/Viking /pagan metal over the last couple of years, as only Blodiga Skald’s 2020 effort, The Undrunken Curse got me remotely excited for that genre recently. Arise is the second album from newish Swiss act, Nidhoeggr (the dragon that’s eternally chewing […]

It warms my heart to see a band I have covered for two self-released albums now (2016s Memento Mori and 2019s Prokopton– which made my 2019 year-end list) have all the hard work pay off and get signed to a ‘big ‘ label, in this case, Napalm Records, and now deservedly rubbing shoulders with the […]

Listen, there’s no denying the place of Peter Tägtgren and Hypocrisy in the pantheons of metal over the last almost 30 years. I personally hold Penetralia, Osculum Obscenum, and The Fourth Dimension in super high regard with the latter arguably being the peak of their career as they shifted into more melodic death metal realms […]

Holy fuck! Talk about a blast from my past!  Back in my early days at DigitalMetal.com, I loved me some Eastern European death/doom.  Back then, I covered a Slovakian band’s 2000 release, Four Elements Mysterium (still one of my favorites from the era/genre), and excellent, but less gothic doom 2002 follow-up, Tunes of Despondency. They […]

Back in 2020, I reviewed the debut EP from this D & D, Forgotten Realms named, then-unknown act, Galdrum. I loved it and it ended up on my year-end list, and I ended my review stating I was really looking forward to what the band was going to release next. And apparently, the metal world […]

With my recent obsession and onslaught of technical death metal, symphonic deathcore, and black metal in 2021, I thought it was time to return to an old favorite and see what’s going on in the shambling world of moldy, mid-paced death doom metal. The likes of Worm, Hooded Menace, Malignant ALtar, and Outre Tombe, certainly […]

For 3 albums now, Canada’s young tech-death masters have shredded their way into the upper echelon of the genre. From 2011’s barely registering debut, All Shall Align, to 2014swatershed album,  The Lucid Collective, which put them on the map, to 2017s Relentless Mutation, which signaled they were now masters of their craft they have improved […]

It’s been 5 years since Swedish/German act Abscession released their excellent debut album, Grave Offerings, one of the best slabs of HM2 Swedish death metal of the last few years, with one of the best songs in the genre “Gargoyle” of the last few years also. And now partnered with Transcending Obscurity Records (allowing for […]

A couple of years ago, I discovered Argentine Symphonic death metal band Mortuorial Eclipse, but they have not released anything since 2018s excellent Urushdaur. However, it appears Italy’s new act Obscura Qalmah (Hidden meaning/tradition) is a more than adequate stand-in with their burly, bombastic take on symphonic blackened death metal. Formed from the members of […]

Believe it or not, Norway’s Blood Red Throne has been knocking about for around 25 years and 10 albums now. Initially formed when Tchort of Emperor fame and Død (aka the incredibly affable Daniel Olaisen) met playing in Satyricon, Olaisen is the only remaining member since the band’s formation and Tchort left after 2009s Souls […]

So here is one of my more obscure forays into 2021’s bumper crop of deathcore and it’s from Ukranian act, Lieweaver who split the middle ground between burly mid-paced downtempo deathcore and more technical death metal stylings and also throw in a few atmospheric keyboards here and there. It’s not doing anything particularly original or […]

So here’s an odd one, so bear with me here. I fell in love with this dreamy, ‘whispering’ Dutch atmospheric black metal duo with 2020s Bloem, which made my year-end list that year and subsequently purchased prior albums Dromers and Luwte.  I had no idea this album was even coming out until I found out […]

Osiah, Lorna Shore, Signs of the Swarm, Crown Magnetar, Worm Shepherd, Lieweaver, Distant, Slaughter to Prevail, Mental Cruelty, Dead/Awake, and others, : “We released the heaviest deathcore releases of 2021!” Bound in Fear: “…Hold my beer”. The UKs Bound In Fear snuck onto my 2019 year-end list with The Hand of Violence (“Stigmata” and “Hate […]

Stop me if you’ve heard this before – the best technical death metal album of the year is Ominous Ruin, no wait! it’s Hannes Grossman, oh no, shit it’s Ophidian I.  That’s it! PHEW.  I hope nothing else comes out that will change that…. Obscura , Archspire, and First Fragment “Oh, Hai!” Shit. Listen, there’s a […]

Do you like Summoning?  Do you llike long songs with epic orchestration over militant, mid-paced black metal with songs of ancient battles and distant lands played by a European duo? Do you wish Caladan Brood would hurry the fuck up and release a follow-up to Echoes of Battle? If you answered yes to any of […]

For two albums now, Dani Filth has delivered a reinvigorated Cradle of Filth since gutting the lineup after 2012s forgetful The Manticore and Other Horrors. Both 2015s Hammer of the Witches and 2017s Cryptoriana – The Seductiveness of Decay, with the same re-vamped line-up, delivered classic Cradle of Filth writing and energy that signaled Dani […]

I’ve been covering Inferi since 2009s End of an Era, and since then they have become The Artisan Era’s flagship band and one of the mainstays of the melodic/shredding technical death metal genre in the US scene. They have not been super prolific, with 2 more albums, an EP and a redo of End of […]

I had no idea what to expect when checking out New Jersey’s Replicant, I just had not heard a Transcending Obscurity release in quite a while and while grabbing the killer new Abscession, I checked out Veilburner’s excellent Lurkers in the Capsule of Skull (due to the review here), and Replicant’s second album, Malignant Reality on […]

There was a time in the late 90s early 00s that I was all fucking in on Viking metal, Enslaved were still sort of Viking based, Moonsorrow were releasing downright epic albums like Voimasta ja kunniasta and Kivenkantaja, Amon Amarth were blowing up and releasing albums every month. And at the forefront of my Viking […]

‘M’ or ‘Mories’ or his real name, Maurice De Jong, as he is known here, is the Netherlands’ black metal version of Rogga Johansson. He’s in double-digit bands, though I’ve onlyheard  Gnaw Their Tongues,  and arguably his most known creation and De Magia Veterum, as I reviewed releases by both on this very site.   And […]