Posts Tagged ‘Erik T’
Posted in Reviews, Reviews › I on Wednesday, June 29th, 2022
California’s Inanimate Existence has been releasing quality albums for a few years now, but never seems to quite break into the discussion of absolute top-tier tech death with say, First Fragment, Gorod, Obscura, and such. Even when they had Riley McShane (Continuum, Alleageaon) in their ranks back in 2014, they were juuuuuust on that cusp. […]
Tags: 2022, Erik T, Inanimate Existence, Review, Technical Death Metal, The Artisan Era
Posted in Reviews, Reviews › C on Wednesday, June 22nd, 2022
Here is yet another project from the mind of Matthew Schott (listed here as ‘Repulsive Dirtnap Casket Crusher’) with the help of some other mysteriously unknown figures (Filth Esophagus Vacuum: vocals, SixSixSix Chambers of Rotten Mold: guitars/leads, Four Filthy Shelves of Putrid Decay: bass), to go along with Valdur, Oreamnos and Sxuperion. And what we […]
Tags: 2022, Bloody Mountain Records, Cabinet, Death Metal, Erik T, Review
Posted in Frontpage Feature, Reviews, Reviews › A on Monday, June 20th, 2022
First off, hats off to Alestorm for the whole Iron Maiden, Seventh Son of a Seventh Son homage/parody for their very own seventh album. Well played lads. Second, this is an Alestorm album, so by now, you know what you are getting, especially as the band has really locked into a sort of pirate/party metal […]
Tags: 2022, Alestorm, Erik T, Napalm Records, Pirate Metal, Review
Posted in Reviews, Reviews › W on Thursday, June 16th, 2022
The last time I heard Alabama’s Writhing Shadows, its was when I reviewed a group of cassettes from then fledgling label, Gurgling Gore, that included featured Wharflurch and Seep. Well, both the label and band has been productive since then with numerous cassette releases, with Writhing Shadows having released a split, an EP, a single, […]
Tags: 2022, Death Metal, Erik T, Gurgling Gore, Review, Writhing Shadows
Posted in Frontpage Feature, Reviews, Reviews › W on Monday, June 13th, 2022
Italy’s premier Dwarven-themed power metallers are back with album number 5, and although I only discovered them after 2017s Stonehymn, (where they truly leaned into the Dwarven imagery and themes), they have been one of my favorite power metal bands since. 2019s Wintersaga brought us the youtube hit and earworm “Diggy Hole”, (sitting at 34 […]
Tags: 2022, Erik T, Napalm Records, Power Metal, Review, Wind Rose
Posted in Reviews, Reviews › B on Saturday, June 11th, 2022
I’m not quite sure that to make of Bellgrave’s Back As King. The internet tells me this German veteran act started as a doom/death band back in the early 00s and then turned onto a sort of hard rock death/doom band with some still sort of gravelly semi death metal vocals (courtesy of Danny Hoff, […]
Tags: 2022, Bellgrave, Death 'n' Roll, Erik T, Review, Self-Released
Posted in Reviews, Reviews › S on Friday, June 10th, 2022
It seems like forever ago when Sweden’s Soreption was a contender for my 2014 album of the year with Engineering the Void. The perfect blend of stuttering Meshuggah syncopation and tech death wizardry as well as sudden bursts of orchestral elements just hit m perfectly. However, the 2018 follow up, Monument of the End, didn’t […]
Tags: 2022, Erik T, Review, Soreption, Technical Death Metal, Unique Leader Records
Posted in Frontpage Feature, Reviews, Reviews › E on Monday, June 6th, 2022
I don’t think there is any doubt that the first three albums from Entrails, 2010s Tales From the Morgue, 20011s The Tomb Awaits, and possibly the band’s 2013 Metal Blade debut, Raging Death are the pinnacle of the Swedish death metal revival. However, subsequent albums Obliteration, World Inferno and Rise of the Reaper didn’t quite […]
Tags: 2022, Entrails, Erik T, Hammerheart Record, Napalm Records, Review, Swedish Death Metal
Posted in Frontpage Feature, Reviews, Reviews › T on Monday, May 30th, 2022
Detroit’s death/doom mongers Temple of Void has parlayed 3 solid albums (notably the last 2 efforts, 2017s Lords of Death and 2020s The World That Was on Shadow Kingdom Records) into a deal with heavyweight label Relapse Records. And as you’d expect on a jump to the ‘majors’, the band has upped the ante, but […]
Tags: 2022, Death/Doom Metal, Erik T, Relapse Records, Review, Temple of Void
Posted in Articles, Features, Frontpage Feature, Interviews, Interviews › P on Monday, May 23rd, 2022
Question: name a Swedish death metal band that has been around for over 20 years, and has released 14 consistently good albums in that time span? Chances are you were not thinking of The Project Hate MCMXCIX, the brainchild of one Lord K Phillipson, a gentleman whom I have conserved with over the internet over the years since the third album, Hate, Dominate, Congregate, Eliminate. His supporting cast has changed over the years (though he has been finally locked into a stable group of hired guns for a while now), but one thing remains; the absolutely monstrous albums he and his troupe kicks out.
And what makes it even more impressive is that the last 6 albums have been donation funded, paid for by fans of the project, via ‘donation experiments’ whereby fans can donate money, and upon a certain amount being reached, he commences assembling his musical avengers and recording the album and sends those results digitally to those that donated. There is even a limited CD run if the fans, again want to pay for the whole CD-making process.
Tags: 2022, Erik T, Interview, The Project Hate MCMXCIC
Posted in Reviews, Reviews › A on Monday, May 23rd, 2022
Sharing 3/5 of its members with new, very popular deathcore act Crown Magnetar, you’d be forgiven for simply assuming Detroit’s And Hell Followed With was a new, flash in the pan band that sounds exactly like Crown Magnetar. And they do play deathcore, so you’d be partially correct. However, let’s not forget that AHFW were […]
Tags: 2022, And Hell Followed With, Deathcore, Erik T, Hollowed Records, Review
Posted in Reviews, Reviews › S on Wednesday, May 18th, 2022
I’m surprised how low profile a release from a band comprised of death metal legend Chris Reifert (Autopsy, ex Abscess, ex The Ravenous) and his new Autopsy bass player, Greg Wilkinson (Brainoil, Deathgrave, ex Graves at Sea) has been. Even for Peaceville. I wouldn’t have even heard of this project if it wasn’t for a […]
Tags: 2022, Death/Doom Metal, Erik T, Peaceville Records, Review, Static Abyss
Posted in Reviews, Reviews › K on Monday, May 16th, 2022
I think we can all agree that Willowtip has been one of the most consistently reliable US-based extreme metal labels around since they kicked out the Creation is Crucifixion/Fate of Icarus split back in 1998. From legendary bands like Rune, Watchmaker, Defeated Sanity, and Impaled, to recent bands like Hath, Cathexis, Contrarian and Ominous Ruin, […]
Tags: 2022, Erik T, Katharos, Review, Symphonic Black Metal, Willowtip Records
Posted in Reviews, Reviews › D on Wednesday, May 11th, 2022
I was just recently randomly listening to Unsane, Insane, and Mentally Deranged, the debut album from Sweden’s Murder Squad, an early 00s supergroup featuring members of Grave, Entombed and Merciless with a guest appearance from Autopsy’s very own Chris Reifert. And I thought to myself, ‘Man. I have not heard a homage to Autopsy delivered […]
Tags: 2022, Disfuneral, Erik T, Redefining Darkness Records, Review, Swedish, Swedish Death Metal
Posted in Frontpage Feature, Reviews, Reviews › I on Monday, May 9th, 2022
If you consider yourself an Emperor fan, there are 2 releases this spring/summer of 2022, that you need to be aware of. If you are a fan of the more technical, latter, Prometheus, IX Equilibrium era stuff, then the upcoming release from Sweden’s, Katharos, Of Lineages Long Forgotten, will be right up your alley. However, […]
Tags: 2022, Erik T, I Am The Night, Review, Svart Records, Symphonic Black Metal
Posted in Reviews, Reviews › S on Thursday, May 5th, 2022
Following up on 2020s excellent second album, Eisenzeit, Germany’s war-mongering death metal cohorts Scalpture (I’m still not sure what a Scalpture is…) return with album number 3, and boy is it a scorcher. Continuing the band’s war-obsessed themes and sound that’s part Hail of Bullets, part Asphyx (especially in the vocal department), and part Bolt […]
Tags: 2022, Death Metal, Erik T, FDA Records, Review, Scalpture
Posted in Reviews, Reviews › H on Tuesday, May 3rd, 2022
France’s Hurakan (the Mayan god of wind, storm, and fire?) has apparently undergone a bit of rebirth from their first two more brutal death metal/slamming death/tech death albums, which feature songs titles like “Brutal Slamming Shit”, “Intergalactic Moo Moo Imperator”, “Xenometh” and “Transdimensional Whorehouse Spaceship”. They have changed logos, and now jumped on the more […]
Tags: 2022, Blackened Deathcore, Deathcore, Erik T, Hurakan, Lacerated Enemy Records, Review, Symphonic Metal
Posted in Reviews, Reviews › N on Friday, April 29th, 2022
Spacefaring hype beast, John Goblikon is back with his musical band in tow after an almost 4 year layoff since the aptly named Welcome to Bonkers back in 2018. And not much has changed from this hard to pigeon-hole, but fun as fuck band, as they still play a sort of melodic death metal with […]
Tags: 2022, Erik T, Melodic Death Metal, Nekrogoblikon, Review, Self-Released
Posted in Reviews, Reviews › F on Wednesday, April 27th, 2022
I’ve been a big fan of Maine’s Falls of Rauros for a while now with the band’s last 2 efforts, 2017s Vigilance Perennial and 2019s Patterns in Mythology making my year-end lists, with the former being in my top three for 2017. So it kind of pains me to say that that trend might end […]
Tags: Atmospheric Black Metal, Eisenwald Records, Erik T, Falls of Rauros, Gilead Media, Review
Posted in Frontpage Feature, Reviews on Monday, April 25th, 2022
Though they started releasing albums in 2010, one could argue that the 2011 releases by Entrails (The Tomb Awaits) and Corpsessed ( The Dagger & The Chalice EP) were the label’s watershed, ‘we have arrived’ releases. Of course, Corpsessed waited another three years to release a debut full-length, Abysmal Thresholds in 2014, but by then […]
Tags: 2022, Corpsessed, Dark Descent Records, Death Metal, Erik T, Review
Posted in Reviews, Reviews › C on Friday, April 22nd, 2022
It’s been 2 years since Ulcerate released Stare into Death and be Still. So if you are fiending for that twisty-turny style of dissonant , experimental death metal, may I offer up Canada’s husband and wife duo, Crown of Madness? With a shared love of video games and death metal, this couple has delivered a stellar, […]
Tags: 2022, Crown of Madness, Death Metal, Erik T, Review, Self-Released
Posted in Frontpage Feature, Reviews, Reviews › D on Monday, April 18th, 2022
The undisputed heirs to Dismember‘s throne (here’s hoping for a reunion after the 2022 Maryland Deathfest), Demonical is back with album number 7, and as expected, there are absolutely zero surprises or curveballs from a band that features former members of Centinex and Grave. They can pretty much do this in their sleep. Essentially delivering […]
Tags: 2022, Agonia Records, Death Metal, Demonical, Erik T, Review, Swedish Death Metal
Posted in Reviews, Reviews › R on Wednesday, April 13th, 2022
Rampant mimicry is a large part of metal; Whether in the rip-off or homage category. There are 1000s of Cannibal Corpse clones. Just as many Suffocation clones and don’t get me started on Bolt Thrower and Entombed/Dismember. And those bands have their place, especially as the originals flag or call it quits. Some are really […]
Tags: 2022, Erik T, Review, Runeshard, Symphonic Black Metal, Wolfspell Records
Posted in Reviews, Reviews › F on Tuesday, April 12th, 2022
Sometimes production can make me overlook average or bad music. I’ll gladly listen to just OK albums if they have a killer guitar tone. Lord knows Ive got some pretty average CDs in my collection, that I retain merely due to the killer Stockholm HM 2 buzz (I’m looking at you Torture Pulse‘s God Leash), […]
Tags: 2022, Death Metal, Erik T, FDA Records, Feaces Christ, Grindcore, Review
Posted in Reviews, Reviews › D on Friday, April 8th, 2022
Here’s a short, tasty review for a short, tasty, 20 minute, 4 song EP from the always reliable FDA Records. Dead Chasm is an Italian trio with members from a number of mid-tier/obscure Italian acts like Kadaver, Torment, Funest, Stench of Profit, and others. But they have come together to form a very impressive debut […]
Tags: 2022, Dead Chasm, Death Metal, Erik T, FDA Records, Review