Sentient Horror‘s debut 2016 album, Ungodly Forms was a killer release of Stockholm styled death metal that gave the likes of Entrails a run for their money, despite hailing from New Jersey. And now the band is back with a 5 track, 20 minute, stop gap EP between albums, and it shows a slightly different […]

I’ve been on a Bongzilla kick of late, and If you are unfortunate enough to be my friend on Facebook, you will know I recently asked for some recommendations similar to Bongzilla. I was craving more fuzzed out , nasty sludge with harsh vocals.  The recommendations were solid with Dopethrone, Eyehategod and Demonic Death Judge being the […]

Despite being one of the least productive bands around (at least when it comes to albums), England’s Solstice is still one of the more revered bands in the traditional/Epic/Classic Doom/ heavy metal genre, largely on the strength of their last full length sophomore album 1998′ New Dark Age. Since that release, the band has released […]

So about 8 years ago and for another webzine,  I reviewed the second album from Australia’s Arkheth, IX & I: The Quintessence of Algaresh, a sprawling, brilliant, epic 2 CD , 10 song, 150 minute album of Symphonic black metal in the vein of Emperor, Keep of Kalessin, Dimmu Borgir et al.  Well, apparently  my review […]

Based on the cover, name and album title, I was fully bracing for some thrash metal here, but it turns out Massachusetts’ Scalpel are a death metal band with a fondness of older 90s death metal and East Coast Death metal. There’s not much that needs to much explanation here. Scalpel’s second effort of no […]

Hailing from the tiny country of Luxemborg, Mindpatrol’s third album is an ambitious, solid, concept based album of extreme/progressive melodic death metal that might appeal to fans of Opeth, Loch Vostok, Ne Obliviscaris and other ‘kitchen sink’ bands. As with most progressive bands, Mindpatrol’s Vulture City has a deep concept with this effort being about the […]

If you enjoyed Temple of Void‘s Lords of Death last year, Washington D.C’s Genocide Pact will make you happy with their second album, their Relapse Records debut, Order of Torment as it present the same sort of simple, groove based mid tempo doom/death metal, just with a little less experimentation. As with Temple of Void,  […]

California’s  Ruin have been around since 1991 with an array of cassettes, Demos and splits under their belt. There are rumors of the band being arrested and institutionalized and they are clouded in mystery. But finally released they their debut album in 2017, Drown in Blood in the spring of last year, and it was […]

I’m not familiar with California’s Valdur other than they started out as a standard USBM band back about a decade ago and this very site reviewed their 2009 split with Fellow Californians Lightning Swords of Death, whom  i have heard. So I was in fact expecting some black metal, but what I got was an […]

US based folk/epic/viking metal is somewhat of a rarity. I’d have to go back to maybe Hammer Horde to find one that really hit everything on the head. But here comes Pennsylvania’s Frost Giant and their ambitious and often down right brilliant debut. Listen- there is a lot going on here- not just epic folk […]

Vvilderness is the brain child of one Hungarian man, Vvildr, and Devour the Sun is his Vvilderness debut (he has some other purely instrumental bandcamp releases under  the moniker ‘Release the Longships’). Originally independently released on bandcamp last year, Russia’s Casus Belli and Australia’s Beverina Records has picked up the rights and is releasing a […]

I’m not a big ‘stoner’ metal guy, but I do like me some big fuzzed out riffs and sludgy guitars, and the press sheet for Outlander, the second album from Norway’s  Mammüth dropped both, so I checked it out on a whim. I’m glad I did- though outside of my usual musical strike zone, Mammüth deliver a pretty […]

For three albums now, Finland’s Decaying have delivered their Bolt Thrower/Asphyx take on war themed death metal with solid results. But with the switch from Hellthrasher Productions to FDA Records, the band appear to have deiced to change things up a bit and spread their creative wings a little. Not that the band still does […]

I’ve been impressed with new label Raw Skull Recordz and their early releases from Bullcreek and Graceless, but the debut full length  from Sweden’s Gravestone is clearly the label’s best effort so far (at least until the new Just Before Dawn?) . You know exactly what you are getting here as the band features Penki Samuelsson from […]

When I fall for a band,  I fall HARD. In 2015 it was Vallendusk, and early last year it was Sabaton, and my latest infatuation has been with Hungary’s prolific Celtic/folk metal act Dalriada (formerly known as Echoes of Dalriada). I discovered them on Spotify while listening to the Asmegin radio station, the song “Hajdútánc” […]

I’m not familiar with The Netherlands’ Bleeding Gods, but they have some Dutch scene veteran’s in their fold (Houwister, Grind Minded, Debauchery, Divine Sins) and a 2015 debut album under their belt. And with a few key words like ‘symphonic’ and ‘Hercules’,  ‘war’ and ‘death metal’ popping up, I decided to give their second effort a […]

If you have ever asked yourself “what happened if black one man black metal was rendered with a classic Swedish death metal guitar tone?”, Frenchman Stephane Thirion is here to answer your question with his self released third album,  A fleur de peau (‘Sensitive’? ‘On edge’?). First off , I was thankful this wasn’t a Kataklysm […]

It’s been 5 years since Death Strike, the solid second effort from this Dismember/Grave worshiping Dutch act, and although this was released on vinyl and digital last year, I waited with baited breath for the CD version from FDA Records, and it was worth the wait. The formula is the same; well executed Dismember meets  […]

Though only a 5 year wait, down from the 7 year wait for Old Morning’ s Dawn, Summoning are back with another effort of their now predictable, but effective Tolkien inspired, dungeon synth based black metal and there is very little deviation from the last few efforts. And to many, the minimalist, tinny guitars and […]

I was fairly impressed with Discreation’s 2015 effort Procreation of the Wretched , a solid European death metal record from a group of Germans I had never heard of. The album took a while to get going, but its last 2/3 was pretty damn good. End of Day, does not take a while to get […]

There are some similarities between Germany’s Corrosive and Sweden’s Entrails. Both were active in the 90s but never really became fully productive until the reformed on the 00s. Also, both play a beefy, killer form of Old school death metal with a heavy emphasis on killer grooves and Stockholm based riffage. Corrosive isn’t quite on […]

Even though he has long championed his home country (India) and other Asian bands , Transcending Obscurity Records owner Kunal Choksi has outdone himself with the second effort from Mumbia’s Gutslit. You’d would have no idea these guys were from India once you hit play, as the band culls from a plethora of brutal influences […]

As usual. when the dust has settled on a year, a few late year releases find their way into my hands and miss  the deadline for year end lists, but certainly need some attention, and this is the case  with the second album from the UKs Monolith Cult, a new act to me. In my […]

Though still maligned as a genre, Deathcore had a a pretty solid year in 2017 with Aversion’s Crown, Thy Art is Murder, Oceano, Through the Eyes of the Dead, Fit For An Autopsy, Slaughter to Prevail, Conjonctive, Shadow of Intent, Boris the Blade and Reaping Asmodiea releasing solid efforts, and as the year closed out, […]

Holland’s Graceless are a new act, but feature a number of veterans from the Dutch scene from the likes of the excellent Nailgun Massacre and Soulburn, Master and Grand Supreme Bloodcourt. And the end result is what you’d expect from a collaboration of those folks. If you enjoy any of these band members other projects you […]