Struck By Lightning is the new project of former Mouth of the Architect frontman/keyboardist Gregory Lahm, but those expecting an ambient, massive wall of post rock will be sorely disappointed. Instead, Lahm’s new iteration is a more traditional, dissonant, caustic form of angular hard core based metal rooted in the likes of Coalesce, Botch, Cable […]

On paper, the combination of female vocalist London Wilde (an experienced metal lass with various writing, engineering and vocal credits to her name since 1994, even performing bass tracks on the 2004 Chastain album In An Outage) and Dave Starr, a 25 year metal veteran who served as bassist for relatively legendary Bay area Thrashers […]

I kinda dug the last album from these young Minneapolis pseudo grinders, back when they were called A Second From the Surface. Though it was still sort of squealing, chaotic nu grind at its core, it had a hearty punk backbone and some surprising melodies thrown into the mix. Little has changed other than the […]

Another release on my hometown’s September Riot Records, this time from Dubuque Iowa three piece Lost Apparitions, and while label mates Estrus called themselves progressive, Lost Apparitions are actually a much more progressive, experimental act. Plying a sort of catchall, angular and jangly post rock/post hardcore that reminded me of instrumental acts like Sleeping In […]

How the fuck is it that 3 my favorite albums of 2009 are self released (two being Kalisia and Be’lakor) and one of them, Cephalectomy’s An Epitaph to Tranquility is a FREE FUCKING DOWNLOAD????? That’s right. The full length follow up to 2004 excellent Eclipsing the Dawn (not counting the 28 minute single track, The Dream […]

I have a very vague recollection of this Swedish bands full length debut 2006, Serene Catharsis as a mix of gruff Swedish death metal with a slight melodic, progressive lean, and this re-issue of their 2005 WIll and Perception demo EP along with two new tracks and a reworked 2004 demo track (“Common Walls”) seems […]

Ok, I’ll admit I’m reviewing this because September Riot Records is based in my hometown, and even though the band Estrus hail from Central Illinois, its always nice to see some local folks get involved in an otherwise barren Central Missouri metal scene, even if it is pretty standard modern hot topic styled metalcore/screamo. Despite […]

Ugh. I feel queasy. While not overly impressed with the last offering from this Netherlands madman who goes by the name of Mories, there’s something about this album that literally hooks me, reels me in an gives me a tangible sense of disgust and self loathing. Maybe it’s the more perverse, sexually depraved nature of […]

The last couple of years has been spectacular for old school classic Swedish styled death metal; you’ve had albums from the likes of veterans such as Bloodbath, Séance, Necrovation, Evocation, Dismember as well as new blood from Hail of Bullets, DeathEvocation and Fatalist just to name a few. Heck, even Entombed returned from the land of suck on 2007s Serpent Saints. What was missing was a big name reunion- a glorious name from the past, the return of a legend (Séance doesn’t quite count). And that happened earlier this year (at least here in the US) when Ibex Moon Records released Death …the Brutal Way from Dutch death metal legends, Asphyx. Complete with the duo that was mostly responsible for the legendary The Rack, suddenly busy vocalist Martin Van Drunen, founding member Rob Bagchus returned to the fray in spectacular fashion and I caught up with Mr. Bagchus to find out how this legendary comeback came about and other things….

As when I heard the re-issue of Marduk’s Dark Endless last year, I had no idea that the current iteration of one of Sweden’s more respected second tier black/death metal acts, Necrophobic was so different from their more recognized, current sound. Like Marduk, Necrophobic’s first sound was one rooted in early Swedish death metal, namely […]

You’d expect competent Opeth worship to come from Sweden and such, but not necessarily from the US, however as bands like Daylight Dies, Iron Thrones and Gwynbleidd showed on 2006 excellent Amaranthine EP back in 2006, Opeth worship can come from anywhere. In the case of Gwynbleidd, the depths of Brooklyn, NY (albeit by way […]

My only real knowledge or experience with Boston’s Doomriders is that they feature Converge bassist Nate Newton and Cave In Drummer JR Conners, two bands I like but aren’t awfully obsessed with, so when I gathered that this outfit was a more rock based band to boot, my hopes weren’t extremely high. That all changed […]

Though plying the same basic musical style and shtick as the relatively enjoyable 2008 debut, Total Brutal, Tim Lambesis’s (As I Lay Dying) Arnold Schwarzenegger themed metal act has grown somewhat. First off, professional Arnold impersonator Josh Robert Thompson (The Howard Stern Show, The Late Late Show) now provides the excellent and amusing Arnold quips […]

Death metal is full of brilliant, legendary songs. Songs that helped shape the genre, define a band or create a classic album. These are songs that every death metal fan knows by heart or can name at the mere hearing of a single note or chord; “Left Hand Path”, “Override of the Overture”, “Black Winter Day”, “Unas, Slayer of Gods”, “You’ll Never See”, “Infecting the Crypts”, “Hammer Smashed Face”, “Chopped In Half”, “Leprosy”, “Corporeal Jigsaw Quandary”, “Chapel of Ghouls” – “Victory March”- the list goes on and on. But what about those other songs that fleshed out albums both classic and overlooked? Songs by bands revered and unheard of that simply never caught the ear of the public, the fans or the critics?

A new Dying Fetus album isn’t quite the event is once was as since the bands crowning moment, 2000s Destroying the Opposition a revolving line up has kept John Gallagher from attainting perfect chemistry that was achieved with the classic Netherton, Voyles (who of course left after Destroy the Opposition to form Misery Index) and […]

Finally given a proper label release (and a nifty new cover) after a self released push from band members (notably the wonderful Jackie Perez Gratz) and friends earlier this year, Giant Squid’s second offering should finally get the attention it deserved before the tragic death of the band’s publicist, Adrian Bromley. And Translation Loss is […]

Originally released on vinyl back in 2008, this re-issued split features 3 songs from Bay Area sludgsters Stormcrow and 14 tracks (including 5 bonus tracks for those that own the original Agipunk Records release) from Vancouver grindcore acts Massgrave. The 3 lengthier Stormcrow tracks are festering, crusty, sludgy numbers that are self described ‘stenchcore’ and […]

I really wanted to like this. After all, it’s on Profound Lore Records, features the legendary Dan Lilker (Nuclear Assault, Brutal Truth), members of doom act Orodruin and they play a totally old school form of death/black/thrash metal culled straight from the early wave of extreme acts likes of Venom, Celtic Frost, Nifelhiem, Sodom, Bathory […]

Even after two utterly punishing albums in 2005s The Healing Process and 2007s The Ills of Modern Man, Canada’s Despised Icon have a bull’s eye directly on their back for the deathchore haters and scene haters to take pot shots at. From their cocked hats and Vans to their clinical triggered sound and shift from […]

Man oh man, this some heavy shit. Sitting squarely in the middle of the sludge genre, California’s Armed For Apocalypse, (featuring Cayle Hunter of Will Haven and The Abominable Iron Sloth) cull heavily from Crowbar and the expected gamut of down tempo, earthy, lumbering sludge bands like The Abominable Iron Sloth (duh), Blessing the Hogs, Blutch, […]

Though regarded along with Heaven Shall Burn as one of Germany’s premier metalcore outfits and having been around since 1999 with 6 albums under their belt, Caliban have yet to garner huge success in the US and get the acclaim of their stateside metalcore peers. And while I don’t see that really changing with album […]

Though not quite as awe-inspiring as country mates Be’lakor, here’s some more quality Australian metal , this time in the form of unsigned but high quality Melbourne melodic death metal act, Orpheus. Though only a 6 track (one being an intro), 21 minute affair, Orpheus show enough skill and song writing ability to play with […]

So, album number four from Vancouver’s heavy metal stalwarts has some major changes from 2007s Fire up the Blades; a change in label from Roadrunner to Century Mediocre, the departure of ‘harsh’ vocalist Jamie Hooper, bassist Nick Cates and Saxon fighting drummer Alexei Rodriguez, a change from Joey Jordison (Slipknot) to a Jack Endino (High […]

I rather enjoyed the 2005 self released second album, Rebirth from these Cali deathcore mongers who have/had strong ties to All Shall Perish. However, a lack of productivity since the bands 2001 debut, the immense growth of the genre and numerous line up changes, put the band behind the eight ball as far as the […]

Call me jaded, but after the far blacker presentation and delivery of 2007s impressive Nocturnal, I just wasn’t that excited for the bands fourth effort, especially after seeing the cover art and knowing longtime guitarist John Kempainen was out of the fold (even if replaced by ex-Arsis guitarist Ryan Knight). Something about Nocturnal seemed blacker […]