You’d be forgiven for thinking that The Famine were a Christian metal band (not that there’s anything wrong with that) due to their CD artwork, label affiliation, song titles like “The New Hell” and “The Cross and the Holy See” and for the fact that former and current members came from early Christian death metal […]

Formed in 1993 under the name of Ravner, then resurfacing after a brief hiatus in 2006 as Hat (Norwegian for ‘hate’), Hat are a duo of corpse-painted, spike clad Norwegians playing brittle, frosty, hateful orthodox black metal culled straight from the early ’90s. While that little description is probably more than apt for me to […]

I had no idea Protest the Hero was dropping a new album, so when this showed up in my mailbox, I was like a small child on Christmas. Now, I know that Protest the Hero are a like Between the Buried and Me, in that they are a pretty divisive act with one side thinking […]

To me, The End Record’s roster has gone downhill quicker and more noticeably than any label in recent memory. Back in the ’90s and early ’00s, they were releasing game changing albums by bands like Arcturus, Epoch of Unlight, Agalloch, Love History, Antimatter, Scholomance, Sculptured and such. Now with a few exceptions (These Are They, […]

I wasn’t overly impressed with Abacinate’s 2008 debut  albummRuination, as it was a simple mix of hardcore and death metal. It wasn’t quite brutal enough to be considered deathcore or death metal, and came across as a hardcore sheep simply trying to unconvincingly wear death metal clothing. But on their follow-up, Genesis (are these guys […]

Fans of Protest the Hero, With Passion (RIP), The Human Abstract and Between the Buried and Me, take note. Detractors of all four, go click elsewhere. Plying a borderline pretentious, yet brilliant amalgamation of chaotic, spazzy tech metal, death metal, power metal and thrash, Californian six piece Journal have delivered an epic self-released masterpiece that […]

I really wanted to like Margin of Error’s second self-released effort a little more, as it mixes deathcore with a sort of electronica/industrial sort of The Berzerker sheen, but in the end, the fusing of the two elements isn’t quite as impressive as it could have been. With a thick heavy production that has a […]

I have a vague recollection of enjoying the shoe-gaze influenced black metal debut, Renihilation, of this New York act,  but I have to admit that after it was reviewed by my TOTD-colleague Jordan Itkowitz, I sort of forgot about about it. It simply melded into the many of so called hipster black metal releases that […]

It wasn’t until 2000’s Destroy the Opposition that I discovered Dying Fetus, who were being touted as the heirs apparent to the then-on-hiatus Suffocation. Based on Destroy the Opposition and Killing on Adrenaline, which I picked  up shortly after hearing Destroy the Opposition, those claims were certainly founded at the time. But for those that […]

Regarded as Dying Fetus‘s first ‘real’ release, though not their first album, Infatuation with Malevolence was originally released in 1995 on Wild Rags Records and it compiled two demos: 1993’s Bathe In Entrails and 1994’s Infatuation with Malevolence. Serving as an erstwhile precursor to the bands full-length debut album, 1996’s Purification Through Violence, Infatuation with […]

Still one of my very favorite Bargain Bin finds, this duo of CDs was found at a CD Warehouse in Southeast Missouri after literally hours of perusal. I had never heard of the band, but assumed by the cover, logo, album titles and labels that this was worth a look. And thanks to the old listening station, was able to preview both CDs, and I was sold after preview of mere seconds of each.

There are a few bands that come to mind when you simply mention a genre. Mention East Coast death metal and folks will more often than not say Suffocation or Dying Fetus. Mention Floridian death metal and Obituary, Cannibal Corpse or Morbid Angel will be the first bands to pop out of most people’s mouths. […]

I had this Canadian death metal outfit’s monstrous self-released debut album, Archaeaeon, recommended by the fine readers of this very site, but I had no idea that they were working on a second album… let alone on the mighty Profound Lore Records where they slither along nicely next to the likes of Portal, Vasaeleth and […]

While labels like Deathwish Inc, Bridge 9, Epitaph and Victory are often considered the preeminent contemporary hardcore labels, the fact remains that Halo of Flies actually has one of hardcore’s very best bands tucked away on their label;  Milwaukee’s DIY act, Protestant. Having released numerous vinyl, splits and 7” records I was happy to see […]

As most of you know, I’m a sucker for old school, Stockholm-styled Swedish death metal. And with the recent resurgence of the genre, I’ve very much enjoyed nostalgic acts like Axis Powers, Interment, Entrails, Fatalist, Brutally Deceased, Morbider and Evocation bringing back the glory. Not forgetting the slew of re-issues of previously undiscovered, obscure or […]

Despite having plied their brand of Eastern European folk metal since 1995, I’m still relatively unfamiliar with Latvia’s Skyforger, having only heard the Paragon Records 2006 re-issue of their 1998 debut, Kauja Pie Saules (The Battle of Saule). I’ve missed the three albums and a compilation that have been released since 1998. When hearing the […]

It appears Eastern Europe is experiencing a resurgence in bands playing old school Swedish death metal. Led by the Czech Republic’s Morbider (who’s 2009 CD When Darkness Returns, I highly recommend, especially if you enjoyed Entrails‘ effort last year) and the debut from Lavadome Records, Brutally Deceased’s Dead Lover’s Guide. Swedish death metal aficionados will […]

Hold on to your asses, it looks like we have two related, regular blogs in a row! A weekly one no less! Could we be onto something here or am I simply feeling the after effects of a two week meth-binge and shopping spree? Who knows? Stay tuned…

Here’s a release I saw on numerous ‘2010 year end’-lists, but I never got around to listen to it in a timely fashion myself and thus, I couldn’t determine if it should be a best of 2010 ‘best of’ contender. But with a 2011 US release date via The Anja Offensive, I can now use […]

Other than Metallica, I wasn’t really that much into the Bay Area thrash of the late ’80s, preferring the European likes of Sabbat, Xentrix and Kreator and the more extreme sounds of Slayer. As the genre has made a denim clad comeback, albeit now somewhat over saturated, I’m slightly surprised that Arizona’s Hemoptysis hasn’t garnered […]

I know it may seem this site has turned into metalcoreofthedivine.com as of late, but in all fairness we are A) trying to clean out the backlog of 2010s releases, and B) we are traffic whores and the ‘core be bringing the traffic, yo. In all seriousness, just click on the review of Hate‘s Erebos […]

So here’s yet another stab at a somewhat regular Teeth of the Divine feature: Bargain Bin reviews! We have long been mulling over some sort of retro reviews, classic reviews or long lost reviews, but ultimately this idea seems to be able to accommodate all of those ideas. Enjoy!

There’s an old adage in American Football: You should never lose your staring job to injury. While Drew Bledsoe, Trent Green and Joe Montana might beg to differ, here comes Poland’s Hate to ably replace Behemoth while Nergal recovers from his recently diagnosed leukemia (get well soon!). Long waiting in the shadows of the likes […]

Listen, I have no excuses as to why I didn’t get around to listening to and reviewing this album on a more timely basis. It’s even more baffling when you consider that I thoroughly enjoyed Withered‘s previous efforts, 2005’s Memento Mori and 2008’s critically acclaimed Folie Circulaire (which made my 2008 year end list). I […]

Buried under 2010’s avalanche of Old School Swedish death metal awesomeness―from the likes of Entrails, Interment, Nominon and Brutally Deceased―was the third effort from Sweden’s  Evocation. Like Entrails, Evocation were actually around in the early ’90s, and included members from the relatively successful Cemetery, but never quite took off until their resurrection with 2007’s excellent […]