Posts Tagged ‘E.Thomas’
Posted in Frontpage Feature, Reviews, Reviews › S on Monday, July 8th, 2019
Much like my recent discovery of Blind Guardian, I was a late bloomer when it came to Sweden’s divisive war/history themed power metal vanguards Sabaton. It wasn’t until I randomly heard “Winged Hussars” (arguably still my favorite Sabaton track) from 2016s The Last Stand on a random spotify playlist that I became hooked. I grabbed […]
Tags: 2019, E.Thomas, Nuclear Blast Records, Power Metal, Review, Sabaton
Posted in Reviews, Reviews › F on Friday, July 5th, 2019
The ups and downs of melodic death metal have been well documented in these pages, as well as elsewhere, so I won’t bore you with the current state (clue-its down), but with In Flames‘ latest release, I The Mask, not sucking, there could be life left in the genre yet. And here comes Luxembourg’s Feradur […]
Tags: 2019, E.Thomas, Feradur, Melodic Death Metal, Review, Self-Released
Posted in Reviews, Reviews › N on Thursday, July 4th, 2019
There are things that should not go together but some how, despite all odds, work: Peanut Butter and Jelly, French Fries and Milkshake, Chicken and Waffles, Deep fried things that should not be deep fried (God bless America!) , the list goes on. But one element added to metal can that should not work but […]
Tags: 2019, Banjo, E.Thomas, No One Gets Out Alive, Review, Rotten Roll Rex, Slam
Posted in Reviews, Reviews › M on Tuesday, July 2nd, 2019
****We interrupt your regularly scheduled slate of death and black metal to bring you this female fronted symphonic/power metal review***** I’m a very cyclic music listener and reviewer, I do a lot of my listening and reviewing in batches; a 4 or 5 death metal albums in a row, 4 or 5 black metal albums […]
Tags: 2019, E.Thomas, Moonlight Haze, Power Metal, Review, Scarlet Records, Symphonic Metal
Posted in Reviews, Reviews › S on Tuesday, June 25th, 2019
Sühnopfer (German for ‘Atonement’) is a French, one man black metal project featuring Ardraos, who has been around a while and has surfaced in a number of well known and lesser known French bands like Peste Noire, Aorlhac, Veratyr, Endymion, Antrum Mortis and others. This project, while productive with 2 full lengths and various demos […]
Tags: 2019, Debemur Morti Productions, E.Thomas, Melodic Black Metal, Review, Sühnopfer
Posted in Reviews, Reviews › P on Tuesday, June 18th, 2019
You’d think it was 1988 all over again, what with Opprobrium (then Incubus) releasing albums (also on High Roller Records), Jeff Becerra and Possessed roaming around after 37 years, and now another early death/thrash band, Protector has released a solid album also, though this band’s hiatus wasn’t as long, they went dark for a long […]
Tags: 2019, Death/Thrash Metal, E.Thomas, High Roller Records, Protector, Review
Posted in Reviews, Reviews › K on Wednesday, June 12th, 2019
KHNVM ( pronounced as kha-nooom) is a multinational Magdeburg /Bangladeshi duo comprised on ‘Obliterator’ on guitar,bass and vocals and hes aided by drummer Krzysztof Klingbein (Aggressor, Resurrection and Thunderwar), and while a solid, furious death metal offering, the the first offering from Testimony Records that hasn’t truly blown me away like say Demonbreed, Sentient Horror […]
Tags: 2019, Death Metal, E.Thomas, KVHVM, Review, Testimony Records
Posted in Frontpage Feature, Reviews, Reviews › M on Monday, June 10th, 2019
For the Fallen, the 2017 post Bolt Thrower debut of Memoriam, featuring long time Bolt Thrower members Karl Willets and Andrew Whale (joined by current and former Benediction dudes Frank Healy and Scott Fairfax) was a solid homage to fallen Bolt Thrower comrade Martin “Kiddie” Kearns (RIP), and was as expected, a Bolt thrower/Benediction sounding […]
Tags: 2019, Death Metal, E.Thomas, Memoriam, Nuclear Blast Records
Posted in Reviews, Reviews › D on Friday, June 7th, 2019
I’ve enjoyed Denmark’s Dawn of Demise for 12 years, 4 albums and 1 EP now, despite absolutely nothing changing in the band’s sound since 2006s Hate Takes its Form, to 2016s The Suffering. Simple, chugging, groovy death metal. However, with the band’s fifth album, an increased sense of melody has upped the ante a little, […]
Tags: 2019, Dawn of Demise, Death Metal, E.Thomas, Review, Unique Leader Records
Posted in Reviews, Reviews › T on Wednesday, June 5th, 2019
The fourth album from Germany’s Thormesis, Freier Wille – Freier Geist, was my first exposure to this band, but that album was on and off my year end list for 2015, though it ultimately didn’t make the cut. The follow up, 2017s Trümmerfarben, didn’t strike me as positively for some reason and I didn’t even review […]
Tags: 2019, E.Thomas, MDD Records, Melodic Black Metal, Review, Thormesis
Posted in Reviews, Reviews › D on Thursday, May 30th, 2019
Der Rote Milan is a black metal band from Germany that has couple of members of solid death metal band Ichor in its ranks, so I thought their second effort, Moritat was worth a look, especially seeing as the version I got for review was packaged in a pretty cool deluxe A5 digibook format with […]
Tags: Black Metal, Der Rote Milan, E.Thomas, Review, Unholy Conspiracy Deathwork
Posted in Frontpage Feature, Reviews, Reviews › F on Monday, May 27th, 2019
Though I enjoyed every release from Italy’s Fleshgod Apocalypse, going back to 2009s Oracles, I’ve enjoyed some, like 2011s Agony (My album of the year) and 2016s King, more than others (2013s Labyrinth), but King, really saw the band create the perfect balance between the tech death chaos and the sweeping orchestral majesty that is […]
Tags: 2019, E.Thomas, Fleshgod Apocalypse, Nuclear Blast Records, Review, Symphonic, Technical Death Metal
Posted in Reviews, Reviews › G on Thursday, May 23rd, 2019
Anders Biazzi (ex Amon Amarth, ex Blood Mortized, Just Before Dawn) and his arguably more busy Just Before Dawn cohort Jonny Pettersson (Wombbath Ashcloud, Nattravnen, Henry Kane, Heads for the Dead,) and drummer Brynjar Helgetun (Crypticus. Megascavenger, Just Before Dawn, Putrevore) are back with the second album under the Gods Forsaken moniker. However, some new […]
Tags: 2019, Death Metal, E.Thomas, Gods Forsaken, Review, Soulseller Records
Posted in Frontpage Feature, Reviews, Reviews › E on Monday, May 20th, 2019
Bear with me me here…….. back in 1992, whilst in college, I read in Pitch Weekly ( a free, alternative Kansas City paper) , that Entombed were playing at a local VFW. Of course, I was going, so that night, I loaded up up beers and other substances and headed out with a friend. Well, […]
Tags: 2019, Death Metal, E.Thomas, Entombed, live, Review, Threeman Recordings
Posted in Frontpage Feature, Reviews, Reviews › A on Monday, May 13th, 2019
Over the course of the Amon Amarth‘s 10 album, 20+ year career, they have been one of the most consistent bands in metal. If you were to plot a line with their albums on it, they are almost all certainly in a straight line when it comes to quality with a couple that go over […]
Tags: 2019, Amon Amarth, E.Thomas, Melodic Death Metal, Metal Blade Records, Review, Viking/Folk Metal
Posted in Reviews, Reviews › C on Friday, May 10th, 2019
Germany’s Corrosive stomped onto my radar last year with their second album, Lucifer Gave US the Faith, a big, beefy mix of Grave, Entrails, Illdisposed and Hypocrisy, that delivered a damn solid assault of groovy Swedish death metal and the follow up is improved enough to put these guys on the cusp of the genre’s […]
Tags: 2018, Corrosive, Death Metal, E.Thomas, MDD Records, Review
Posted in Frontpage Feature, Reviews, Reviews › W on Monday, May 6th, 2019
For a while, Whitechapel were the true darlings of deathcore’s peak, with 2008s This Is Exile being the genre’s arguable apex along with All Shall Perish‘s The Price of Existence. However, since then, the band hasn’t quite been on the same level; a ‘dumbing down’ of the lyrics, a simplification of the music into a […]
Tags: 2019, Deathcore, E.Thomas, Metal Blade Records, Review, Whitechapel
Posted in Reviews, Reviews › M on Tuesday, April 30th, 2019
I’m fairly new to Sweden’s Meadow’s End despite my love of all things that melds symphonics and metal, having only recently discovered the band’s 2016 release, Sojourn (in part to a brilliant piece of evocative cover art), and thusly grabbing the bands other 2 previous releases and pre ordering this, the band’s fourth effort. What […]
Tags: Black Lion Records, E.Thomas, Meadow's End, Melodic Death Metal, Review, Symphonic
Posted in Reviews, Reviews › B on Thursday, April 25th, 2019
At its onset, the third album from Norway’s Blodhemn, (a new act to me) is an odd beast that’s not sure if it wants to be a more enigmatic and off kilter type of black metal akin of Enslaved, or a more vitriolic and melodic entity in the vein of Grafvitnir, and after a while […]
Tags: 2019, Black Metal, Blodhemn, E.Thomas, Soulseller Records
Posted in Frontpage Feature, Reviews, Reviews › A on Monday, April 22nd, 2019
I was curious as to how After the Burial would follow up the emotional 2016 album, Dig Deep, the tragedy laden homage to deceased former guitarist Justin Lowe. Having come up with bands like Born of Osiris, Periphery, The Faceless and such, After the Burial have arguably been the most consistent in their delivery since […]
Tags: 2019, After the Burial, E.Thomas, Progressive Metal/Djent, Sumerian Records
Posted in Reviews, Reviews › O on Thursday, April 18th, 2019
If you are reading this review, I’m going to assume you know this history behind this veteran Louisiana brother act. If you don’t, here is the cliff notes version: Two brothers from Louisiana form a band called Incubus and band release two pretty influential releases in Serpent Temptation (1988) and Beyond the Unknown ( 1990) […]
Tags: 2019, Death/Thrash Metal, E.Thomas, High Roller Records, Opprobrium, Review
Posted in Reviews, Reviews › I on Tuesday, April 16th, 2019
I was pretty impressed with my first exposure to Stephane Thirion and his third album, A fleur de peau, from his one man project, In Shadows And Dust. It delivered black metal rendered with a Stockholm death metal guitar tone with good effect, and apparently the guys over at Redefining Darkness were also impressed, enough to […]
Tags: 2019, Black Metal, Crust, E.Thomas, In Shadows and Dust, Redefining Darkness Records, Review
Posted in Reviews, Reviews › A on Thursday, April 11th, 2019
Remember in the mid/late 1990s when metal took a hard lean to Gothic overtures and bands like Sentenced, Anathema, Tiamat, Katatonia, Samael, Cemetery, Paradise Lost, Rotting Christ softened up and bands like Godgory, Sculpture, Crematory, Agathodaimon were a dime a dozen on Nuclear Blast Records? Well, Finland’s Asphodelus are here to remind you of that […]
Tags: 2019, Asphodelus, Death/Doom Metal, E.Thomas, Gothic, Review, Terror from Hell Records
Posted in Reviews, Reviews › S on Friday, April 5th, 2019
I’ve said in prior reviews from this new-ish Ohio based label, I really like the direction the label is headed with a real focus of real death and black metal and some very cool forays into HM 2 boss styled death metal such as Inoculated Life, In Shadows and Dust, upcoming Nocturnal Hollow album and […]
Tags: 2019, Death Metal, E.Thomas, Redefining Darkness Records, Review, Six of Swords
Posted in Frontpage Feature, Reviews, Reviews › F on Wednesday, April 3rd, 2019
I rather enjoyed Fallujah’s semi meteoric rise from fairly typical Unique Leader modern tech death through 2014s The Flesh Prevails, (which made my 2014 year end list) and 2016s ambitious Dreamless, as the band expanded into far more atmospheric and progressive pastures. However, some lineup churn (notably original vocalist/guitarist Alex Hoffman and longtime guitarist Brian […]
Tags: 2019, E.Thomas, Extreme Progressive Metal, Fallujah, Nuclear Blast Records, Review