Posts Tagged ‘Deathcore’
Posted in Reviews, Reviews › A on Friday, April 2nd, 2021
Sometimes I sit around and wonder, “Man I wish there were more bands that sound like Despised Icon“, and lo and behold here comes Slovak Metal Army with the new EP from the Czech Republic’s Anime Torment, a veteran band with 2 full-lengths under their belt, but a new band to me. 20 Minutes of […]
Tags: 2021, Anime Torment, Deathcore, Erik T, Review, Slovak Metal Army
Posted in Reviews, Reviews › R on Thursday, January 14th, 2021
Yo, bro, do you like deathcore? Well, bro, do you, bro? I don’t know why I decided to start this review in such a way, but I figured I would just let you, dear reader and disciple, know what you’re getting into immediately. So, if you want to back out, I get it… but not […]
Tags: 2021, Deathcore, J Mays, Repaid in Blood, Review, Self-Released
Posted in Reviews, Reviews › A on Wednesday, August 19th, 2020
Fuck, I really overlooked this, the fourth album from Australia’s Aversion’s Crown. So, sorry for the belated review. I’ve enjoyed the last 2 efforts (2017s Xenocide and 2014s Tyrant), but can’t say I’ve revisited them much since their release. But holy shit am I glad I revisited this on a whim after hearing the closing […]
Tags: 2020, Aversion's Crown, Deathcore, Erik T, Nuclear Blast Records, Review
Posted in Frontpage Feature, Reviews, Reviews › I on Monday, August 17th, 2020
I own the Ingested albums, and I kinda liked 2018s Level Above Human, 2015s The Architect of Extinction, and 2009s Surpassing the Boundaries of Human Suffering. But I have never really loved the Brits output, preferring countrymates Infant Annihilator or Dyscarnate when it comes to British slams and breakdowns and always reaching for the likes […]
Tags: Death Metal, Deathcore, Erik T, Ingested, Review, Slam, Unique Leader Records
Posted in Reviews, Reviews › P on Thursday, July 23rd, 2020
I always like to support the local scene, which is more important than ever until somehow the world decides to unfuck itself. For me, there is a “local” scene just a few minutes away, but I really mean Pittsburgh, which is obviously larger and within an hour. Supporting this local scene is why I attended […]
Tags: 2020, Deathcore, J Mays, Lord of the Sick Recordings, Post Mortal Possession, Review
Posted in Reviews, Reviews › I on Wednesday, May 6th, 2020
I decided to check out the promo from Texas’s I Am Destruction, as it was a Unique Leader release, and that’s usually a fire hit. Also, this band and features guitarist Paul Dundas, who used to play is fellow Texans I Am, who I recently discovered and really liked, hoping for a similar styled and […]
Tags: 2020, Deathcore, Erik T, I Am Destruction, Review, Unique Leader Records
Posted in Frontpage Feature, Reviews, Reviews › S on Monday, February 17th, 2020
For a while there, in the mid /late 00s, at deathcore’s peak, Suicide Silence were mentioned in the same breath as genre darlings the likes of Whitechapel, Oceano, All Shall Perish, Despised Icon and such. Even after the tragic death of vocalist Mitch Lucker in 2012, the band were joined by Eddie Hermida (ex-All Shall […]
Tags: 2020, Deathcore, E.Thomas, Nuclear Blast Records, Review, Suicide Silence
Posted in Frontpage Feature, Reviews, Reviews › L on Monday, February 10th, 2020
I’ve been listening to New Jersey’s Lorna Shore since 2013/14’s EP, Maleficium, and 2015 debut full length Psalms . And while I enjoyed the band’s synth tinged take on deathcore, I never expected them to blow up into the full on symphonic blackened deathcore act that delivered Flesh Coffin in 2017. Well, after some delays […]
Tags: 2020, Century Media Records, Deathcore, E.Thomas, Lorna Shore, Review, Symphonic
Posted in Frontpage Feature, Reviews, Reviews › D on Monday, December 16th, 2019
As one of the godfathers, if not THE godfather, of the deathcore genre, Despised Icon have enjoyed a special place at the top for fans of the style. Though the band themselves have rejected the label, they have no doubt played a huge part in spearheading a genre that is oft-hated, but no doubt has […]
Tags: 2019, Deathcore, Despised Icon, Kevin E, Nuclear Blast Records, Review
Posted in Reviews, Reviews › F on Friday, November 1st, 2019
New Jersey’s Fit For An Autopsy got on my radar back when they started in 2008, as they initially featured one of my favorite vocalists of the era, vocalist Nate Johnson from very short lived deathcore act Deadwater Drowning as well as noise-mongers Premonitions of War. Even after Johnson left, Ive purchased all the albums, listened to […]
Tags: 2019, Deathcore, E.Thomas, Fit For An Autopsy, Nuclear Blast Records, Review
Posted in Frontpage Feature, Reviews, Reviews › I on Monday, October 14th, 2019
I’m not very familiar with the UKs Infant Annihilator, other than the ridiculous prices their first 2 albums are being sold for, and that some of the members are in down tempo act Black Tongue. But The Battle Of Yaldabaoth is my first time actually hearing them, and if it’s any indication, those prices are […]
Tags: 2019, Deathcore, E.Thomas, Infant Annihilator, Review, Self-Released, Technical Death Metal
Posted in Frontpage Feature, Reviews, Reviews › S on Monday, September 2nd, 2019
I’m on a bit of a symphonic metal kick of late, especially deathcore,jamming the likes of Carnifex, Ov Lustra and When Plagues Collide on a regular basis. So here is Connecticut’s Shadow of Intent, who are one of the online deathcore community’s darlings with 2 albums under their belt (Primordial and Reclaimer). They have made […]
Tags: 2019, Deathcore, E.Thomas, Shadow of Intent, Symphonic
Posted in Reviews, Reviews › O on Friday, August 30th, 2019
Most will roll their eyes at blackened deathcore with symphonic elements , but Arizonians Ov Lustra (“Of Glory? Of Shining?”Of Mirrors?) has absolutely knocked it out of the park with this ‘debut’ EP, utilizing some of the most effective orchestration I’ve heard in any metal genre with perfect results. Formerly known as Sun Speaker and […]
Tags: 2019, Black Lion Records, Deathcore, E.Thomas, Ov Lustra, Review, Symphonic
Posted in Frontpage Feature, Reviews, Reviews › C on Monday, August 19th, 2019
After Whitechapel’s The Valley, you could argue that Thy Art is Murder’s’ Human Target, and Carnifex’s 7th album are 2019s other ‘big name’, veteran deathcore releases. And while I have yet to hear Human Target, The Valley was phenomenal, so where does World War X stand? Well, I had some reservations when I saw/heard first […]
Tags: 2019, Black Metal, Carnifex, Deathcore, E.Thomas, Nuclear Blast Records, Review, Symphonic
Posted in Reviews, Reviews › A on Tuesday, August 6th, 2019
Hailing from North Vancouver, Canada Angelmaker return with their third official release and this is their second full-length album-follow-up to their powerful 2015 Dissentient album. Once again independently released by the band this self-titled album sees the 6-piece deathcore act steamroll their deathcore competition. 14 songs in 49 minutes the band brings the quality and […]
Tags: 2019, Angelmaker, Deathcore, Frank Rini, Review, Self-Released
Posted in Reviews, Reviews › B on Friday, July 26th, 2019
Believe it or not, deathcore is having a pretty good year in 2019: Enterprise Earth, When Plagues Collide, Ingested, Angelmaker, Organectomy (though arguably more slam) have dropped solid releases and once genre kings Whitechapel, delivered a return to form with powerfully introspective The Valley, with Carnifex, Shadow of Intent and Thy Art is Murder still to […]
Tags: 2019, Brand of Sacrifice, Deathcore, E.Thomas, Review, Unique Leader Records
Posted in Reviews, Reviews › D on Thursday, July 18th, 2019
Down tempo (or lazy eyed deathcore as I lovingly call it), is one of my guilty pleasures. It takes the best part of deathcore, the breakdowns, and beats them to death repeatedly for an entire album with little or no deviation. If bands like Black Tongue, Calmed By the Tides of Rain, Traitors, Falsifier and […]
Tags: 2019, Deathcore, Distant, Down Tempo, E.Thomas, Review, Unique Leader Records
Posted in Frontpage Feature, Reviews, Reviews › W on Monday, May 6th, 2019
For a while, Whitechapel were the true darlings of deathcore’s peak, with 2008s This Is Exile being the genre’s arguable apex along with All Shall Perish‘s The Price of Existence. However, since then, the band hasn’t quite been on the same level; a ‘dumbing down’ of the lyrics, a simplification of the music into a […]
Tags: 2019, Deathcore, E.Thomas, Metal Blade Records, Review, Whitechapel
Posted in Reviews, Reviews › W on Friday, February 8th, 2019
It’s been a fair while since a ‘real’ ( I use that term due to the crossover between death metal and deathcore in bands like Ingested, Fit For For an Autopsy, Lorna Shore and Organectomy and such) deathcore record tickle my fancy, probably something in 2017 or early 2018 (maybe Lorna Shore‘s Flesh Coffin?). But here is the late […]
Tags: 2019, Deathcore, E.Thomas, Review, Self-Released, When Plagues Collide
Posted in Reviews, Reviews › C on Friday, January 5th, 2018
Though still maligned as a genre, Deathcore had a a pretty solid year in 2017 with Aversion’s Crown, Thy Art is Murder, Oceano, Through the Eyes of the Dead, Fit For An Autopsy, Slaughter to Prevail, Conjonctive, Shadow of Intent, Boris the Blade and Reaping Asmodiea releasing solid efforts, and as the year closed out, […]
Tags: 2017, Cranley Gardens, Deathcore, E.Thomas, Review, Self-Released
Posted in Reviews, Reviews › W on Thursday, June 21st, 2012
Evolution in metal is an interesting beast, and one that has three distinct paths for bands who decide to travel down its twisty road. Evolve too far and you risk alienating your fan base, and in extreme cases become a virtual laughingstock (Morbid Angel, Machine Head, Cryptopsy – you all should know exactly which albums […]
Tags: 2012, Deathcore, Kevin Ellis, Metal Blade Records, Review, Whitechapel
Posted in Reviews, Reviews › D on Friday, May 18th, 2012
Here’s one that will get most so called ‘real’, old school metal heads’ panties in a bunch. Dub-Slam? Slam-Step? Techno-slam-core? Dropcore? Disfiguring the Goddess is the brainchild of Dubstep/DJ/electronica musician ‘Big Chocolate’ aka vocalist Cam Argon formerly of Burning the Masses, Misericordiam and Abominable Putridity and numerous other brutal acts guest appearances and remixes. Being […]
Tags: 2012, Deathcore, Disfiguring the Goddess, E.Thomas, Review, Self-Released
Posted in Reviews, Reviews › A on Wednesday, December 21st, 2011
As You Drown‘s first album, Reflection was one of my top 25 albums of 2009, so I was pretty psyched to hear these Swede’s follow up. I’ve sort of mentally linked As You Drown to Australia’s The Red Shore,who released their 2nd album ( I know its their third but here in the US, albums […]
Tags: 2011, As You Drown, Death Metal, Deathcore, E.Thomas, Metal Blade Records
Posted in Reviews, Reviews › E on Tuesday, December 13th, 2011
So I reviewed the demo compilation by this New York tech metal act a couple of years ago and was rather impressed, especially by the shredding abilities of guitarists Nick Llerandi and Billy Anderson who added some very nice sweeps and solos to the semi deathcore/tech death metal/metal core stylings. However, my only real gripe […]
Tags: 2011, Deathcore, E.Thomas, Ever Forthright, Myriad Records, Review
Posted in Reviews, Reviews › C on Friday, November 18th, 2011
For four albums now I’ve viewed California’s Carnifex as a solid second tier deathcore act. Not quite up there with Whitechapel, Oceano, I Declare War or All Shall Perish (my opinion of course) but mired in the vast, faceless but quality rabble with the likes of Chelsea Grin, Molotov Solution, Betray the Martyrs, Rose Funeral, […]
Tags: 2011, Carnifex, Deathcore, E.Thomas, Review, Victory Records