What the fuck is up with Deathcore vocalists? CJ McCreery (ex-Lorna Shore), Lucca Schmerler (ex-Mental Cruelty), CJ McMahon (ex-Thy Art is Murder), Jay Evans (ex-Ingested), and Worm Shepherd‘s Devin Duarte. All ousted/left due to some controversy or general shittiness. Well, Like Lorna Shore back in 2020 with Immortal, Worm Shepherd‘s third album was already mostly recorded before the […]

Entheos, coming in hot! After what seems like a short amount of time, Entheos is back with an EP to follow up what was my album of the year, Time Will Take Us All. When I saw the band last time, I mentioned this to the frontwoman and overall badass, Chaney Crabb, and she asked […]

Nowadays, deathcore for me is like porn; what used to turn me on doesn’t work anymore. Whereas good old-fashioned, man-on-woman and a BJ or belly finish scene did the trick, now, I need a 40-person gang bang, a goat, goggles, Disney cosplay, and a hairdryer to even get remotely hard. And as for deathcore, a […]

I have reviewed Connecticut’s Vomit Forth’s prior releases and since their debut album, Seething Malevolence, on Century Media Records, the band started to gain a lot more momentum, with tours and such.  However, they have not crossed the threshold to reach the heights of labelmates Frozen Soul and Sanguisugabogg. However, that could all change with […]

After a killer year in 2022, but then a relatively slow year in 2023, Symphonic/blackened Deathcore is back to having a superb 2024 with killer releases from Synestia/Disembodied Tyrant, Drown in Sulfur, Eden Adversary, Ruins of Perception, A Wake in Providence, The Archaic Epidemic, Vile Revelation, Downfall of Mankind and of course, Immortal Disfigurement (the […]

If you did a ‘Big 4’ of symphonic deathcore, who ya got? For me, the first 3 are easy shoo-ins; Lorna Shore, Mental Cruelty, and Shadow of Intent. But who is the 4th band when you take into account things like productivity, quality, longevity, and consistency? Worm Shepherd? Maybe.Immortal Disfugurement? Only one album. But I’m […]

The last Christian metal record I covered was Voluntary Mortification‘s Suffer to Rise back in 2020, which also happened to be Rottweiler Records, which is fast becoming the premier label for extreme Christian Music with bands like A Hill to Die Upon,  Death Requisite, xDOULOSx, Krig, Desolate Tomb, Symphony of Heaven and such, much like […]

Synestia is a new symphonic deathcore duo consisting of Minnesota’s Sam Melchior (all instruments, writing) and Finland’s Ville Hokkanen (vocals). In 2022 they released their fantastic debut album, Malificium, but it was digital only and got kind of bulldozed by that year’s slew of stellar releases in the genre from Shadow of Intent,  Worm Shepherd, […]

In 2022 UK deathcore/slam titans  Ingested dropped Ashes Lie Still, a more experimental and tempered album that showed the band’s more introspective side as frontman Jason Evans dealt with the loss of his father. The band also clearly saw some of the success Whitechapel had with their duo of The Valley and Kin, as more […]

Shattered Earth Records is a relatively new label with ties to the excellent Dragoncorpse and has awesome bands like Hanging the Nihilist, Spitpool, Obscure Mantra, Loathsome and The Pelennor Field Tragedgy (yes, epic Tolkien-themed deathcore) on their roster. So when they sent me the new release from Memento Mori, I had to check it out….eventually […]

After a solid career that saw TLTSOL emerge as a solid upper-tier US deathcore act with 6 albums, guitarist Wyatt McLaughlin saw his band gutted back in 2022. He rebuilt TLTSOL and delivered a solid EP, The Disquisition of an Execution in 2023 to get the new lineup greased up and ready for what was to […]

Cariosus is a new young Chicago duo comprised of Alex Pfister on vocals/bass and Kevin Kryszak on guitars (I can’t find any drummer information, so maybe programmed? They sound fine if so). The duo plays a form of modern metal that pulls from metalcore, melodic death metal, deathcore and such that leans into bands like […]

This UK deathcore band has been busy over the last few years in terms of writing and playing shows.  Osiah’s last full-length album in 2021, Loss, I felt was pretty damn monstrous and their best album.  The band somewhat falls into the category of technical deathcore and while there are those prevalent influences, I find […]

France’s Embrace Your Punishment started as a pretty standard hardcore Hatebreed-ish band with some death metal hues back in 2014s Honor Before Glory, but has got progressively heavier with 2019s Nameless King, especially vocally. And now with album number 3, Made of Stone, are an absolute beast of a band that blends hardcore, brutal death […]

Unique Leader Records? Check. Caelen Stokkermans cover art? Check. Blackened Technical deathcore? Check. Cool band moniker? Check. Christian Donaldson (Cryptopsy) mix/master? Check Album title I can identify with? Check. Yeah, I’m definitely reviewing and digging this. Portugal’s The Voynich Code is named after the Voynich Manuscript, a mysterious 15th-century codex full of images and writings […]

I realize Deathcore is a polarizing form of extreme metal and quite honestly I could give 2 shits.  Many people and fans, as well as current and former members of my alma mater, Internal Bleeding have even said our earlier work had a direct influence on Deathcore.  The main points discussed were our second album, […]

Despite being one of the first deathcore bands to dabble with black metal keyboards, Carnifex seems to have never quite fully committed to being a full-on symphonic/blackened deathcore band. The last two albums, 2019s World War X and 2021s Graveside Confessions, flip-flopped between more Whitechapel-styled deathcore and slightly more blackened deathcore that they introduced with […]

Mortem Obscuram initially got on my radar with their debut Eradication of the Human Endeavor back in 2021, a solid if unspectacular release of blackened/symphonic technical deathcore/death metal. It was OK, but I really didn’t give it that much attention, post-release. But boy, with The Wretched Divinity, they certainly have not gotten on my radar- […]

It seems my reviews are becoming scarce, but when I do review something these days, it’s almost always an AOTY sleeper. It might be that I don’t spend time on anything unless I enjoy it. This is because I am typically doing one of three things; working, sleeping, or attending concerts, with the occasional opportunity […]

This summer, two major deathcore heavyweights will be vying for your attention. On one hand, is Signs of the Swarm and the subtly evolved and technical Amongst the Low & Empty. A still brutal, but intricate, deft evolution of modern Deathcore. On the other hand, is the pure fucking beatdown of Colorado’s Crown Magnetar and […]

It almost seems silly to type the phrase “old-school deathcore.” It means bands such as All Shall Perish, Despised Icon, and Suicide Silence, at least in my view. I’m sure it means something different to others. Nowadays, with the awareness to know I am sounding like an old man yelling at clouds, it’s symphonic deathcore […]

I love head-banging. It is a great feeling to release pent-up energy at a Metal show, the crowd is into the experience; each head is like those fucking drinking birds you can get at the novelty store. Unfortunately for me, my head-banging days are pretty much over. I just kind of shake my head like […]

Starting as a standard brutal death metal/slam band, Germany’s started adding some keyboards around 2019’s Inferis, but it was for 2021’s excellent A Hill to Die Upon, where they went full-on symphonic deathcore, and on the heels of Lorna Shore‘s genre igniting Immortal, comparisons to Lorna Shore were inevitable…. and warranted. However, they also had […]

Belgium’s When Plagues Collide released a damn solid debut album of symphonic/blackened deathcore back in 2019, Tutor of the Dying, before the genre really took off. And honestly, it probably should have got more attention but then Lorna Shore happened, Mental Cruelty happened, Worm Shepherd happened, and Shadow of Intent happened. And then 1,234 other […]

Who knew there were not one but TWO excellent symphonic/blackened deathcore bands right here in my backyard in, Missouri? One is Kansas City’s Vile Revelation, who released their killer debut EP Ov Vultures and Flesh back in 2022 (though I only discovered it earlier this year, hence no review) and Abaddonia, hailing from the darkest […]