Posts Tagged ‘Death Metal’
Posted in Reviews, Reviews › B on Thursday, January 31st, 2019
As we plunge into 2019, the often patchy January release schedule provides ample opportunity to delve into the overlooked gems of 2018, particularly those that dropped during December, generally a month of slim returns. However, Sulphur Aeon and Beaten to Death headed the bands bucking the trend of end of year mediocrity. Another band of […]
Tags: 2019, Blade of Horus, Death Metal, Lacerated Enemy Records, Luke Saunders, Review
Posted in Reviews, Reviews › M on Wednesday, January 23rd, 2019
Last year I had this unique thing happen around this time of year where The New Morbid Angel album came out and then right around the time of hearing it I discovered the Polish band Redemptor. I felt it was rather unique that releases that time of year within the same genre had such similar […]
Tags: 2018, Comatose Records, Death Metal, Mass Infection, Nick K, Review
Posted in Reviews, Reviews › G on Thursday, January 10th, 2019
I’ll go ahead and assume that Germany’s Godskill is named after killing Gods, and not the skill said God possesses. Anyway, what we have here is a late 2018 release that is a pretty solid second album from these burly melodic death metalers. Imbuing the chunky Danish scene akin to Illdisposed, Corpus Mortale, Dawn of Disease and […]
Tags: 2018, Death Metal, E.Thomas, Godskill, MDD Records, Melodic Death Metal, Review
Posted in Reviews, Reviews › A on Wednesday, January 9th, 2019
Plowing their way through England’s Midlands since ’05, The Atrocity Exhibit provides a drippy, gooey take on punk-riddled sludge-grind that feels distinctly, well, English. There’s a scuzzy take on this genre here that could only come from the UK and it’s a sound purveyed by killer fairly recent bands like Among the Missing, Mistress and […]
Tags: 2019, Death Metal, Grindcore, Jay S, Review, The Atrocity Exhibit, Wooaaargh Records
Posted in Reviews, Reviews › F on Tuesday, January 8th, 2019
Upstate New York’s Foaming At The Mouth have been kicking it around for 5 years. They’re listed as in the Adirondacks, but we all know Kyle lives in Antarctica-no fooling this guy. The 2 piece is comprised of Internal Bleeding’s, Kyle Eddy on drums/vocals and Jeff Leifer on guitars/vocals. Writhing is their labor of love […]
Tags: 2018, Death Metal, Foaming at the Mouth, Frank Rini, Review, Self-Released
Posted in Reviews, Reviews › H on Tuesday, January 1st, 2019
The Heretic’s Fork (an expectedly awful medieval torture device) is one of those ‘mysterious’ bands with no bio, information, facebook, or bandcamp page, heck these guys are not even up at Metal Archives. But here is what I’m assuming is their debut album, and its 8 tracks of muddy, chaotic, dissonant brutal death metal. At 27 minutes and […]
Tags: 2018, Death Metal, E.Thomas, P2 Records, Review, The Heretic's Fork
Posted in Reviews, Reviews › C, Reviews › R, Reviews › S on Thursday, December 20th, 2018
This is a split cd which also includes the following bands, in addition to Sacrificial Slaughter: Coathanger Abortion and Rottenness. Mike Juliano’s HPGD label has always been one of favorite underground labels where I have discovered new and exciting bands. If you have never heard either one of these bands, this is a good place […]
Tags: 2018, Coathanger Abortion, Death Metal, Frank Rini, Horror Pain Gore Death Productions, Review, Rottenness, Sacrificial Slaughter
Posted in Frontpage Feature, Reviews, Reviews › S on Sunday, December 16th, 2018
Back in 2013, Germany’s Sulphur Aeon made quite a splash in the death metal genre with their churning Lovecraftian based debut album, Swallowed By the Ocean’s Tide, then followed it up with the more miasmal, Gateway to the Antisphere is 2015, an album that had lofty expectations but still grew on me. Both albums made my year-end […]
Tags: 2018, Death Metal, E.Thomas, Review, Sulphur Aeon, Van Records
Posted in Reviews, Reviews › W on Friday, December 7th, 2018
On Weak Aside’s last album, The Next Offensive, I had to go after the band’s lackluster moniker as the everything was else was so damn solid. This time, the German warmongers are just as good as before, so I’ll go after that eyesore of an album cover…. I digress, Forward Into Darkness continues the band’s confident and […]
Tags: 2018, Death Metal, E.Thomas, FDA Records, Review, Weak Aside
Posted in Reviews, Reviews › D on Wednesday, December 5th, 2018
In what has already been an unbelievably busy year for technical, brutal death metal, it has been almost impossible to keep up. With so many bigger releases this year like: Hate Eternal, Morbid Angel, Deicide, Aborted, and Monstrosity ( Just to name a few). It would be quite easy to miss out a lot of […]
Tags: 2018, Apostasy Records, Deadborn, Death Metal, Nick K, Review
Posted in Reviews, Reviews › P on Wednesday, November 28th, 2018
Long Island’s Pyrexia return with their 5th long player and with a host of new cast members how can CEO, Owner, Manager, Founding member, guitarist, Chris Basile keep it together, you ask? Well the bastid does and I’ve known Mr. Basile for quite a long time, but he is a riff machine. Let’s bring in […]
Tags: 2018, Death Metal, Frank Rini, Pyrexia, Review, Unique Leader Records
Posted in Reviews, Reviews › S on Friday, November 23rd, 2018
It is no secret my love of the releases of Everlasting Spew Records knows no bounds. They continue to put out incredible release after incredible release. This might be one of their best ones of the year. International Super group Serocs puts on a literal clinic with their 2018 release The Phobos/Deimos Suite. Where to […]
Tags: 2018, Death Metal, Everlasting Spew Records, Nick K, Review, Serocs
Posted in Reviews, Reviews › S on Friday, May 25th, 2018
I dug the 2014 debut, Nightmare Vortex, from these German, Autopsy lovin’ ( Slaughterday is a song from the bands Mental Funeral album ) fiends, but for some reason completely missed the 2016 follow up, Laws of the Occult, which has been rectified since getting this EP for review, and its a little barnstormer of an EP The […]
Tags: 2018, Death Metal, E.Thomas, FDA Records, Review, Slaughterday
Posted in Reviews, Reviews › D on Friday, May 11th, 2018
This is death metal. This is just DEATH FUCKING METAL. I mean after 8-10 good spins of this album, that’s about the best way to sum this up. If you haven’t heard of Depravity, it might be because they’re in the middle of the ocean on the continent of Australia, and this is their first […]
Tags: 2018, Death Metal, Depravity, Kevin E, Review, Transcending Obscurity Records
Posted in Reviews, Reviews › G on Wednesday, May 9th, 2018
To say I was pleased as Punch when I saw the new album, The Lupine Anathema and other Bloodcurdling Tales of Horror and the Macabre, from The Grotesquery in the review queue, here at Teeth of the Divine, is more than just an understatement. Considering the fact that the band had seemed to call it […]
Tags: 2018, Death Metal, Kristofor Allred, Review, The Grotesquery, Xtreem Music
Posted in Reviews, Reviews › N on Wednesday, April 4th, 2018
Forgive me if you will, for as much as I like to use band comparisons for the ease and convenience of conveyance, I don’t want to be that guy who constantly mentions one band while reviewing another…but I’m gonna be that guy who constantly mentions one band while reviewing another. Though in the case of […]
Tags: 2018, Death Metal, Kristofor Allred, Neoceasar, Review, Xtreem Music
Posted in Frontpage Feature, Reviews, Reviews › S on Monday, April 2nd, 2018
California’s Skeletal Remains have composed and performed one of the year’s best death metal albums with their 3rd studio full length record Devouring Mortality. The attention to detail exhibited is outstanding. Starting off with Dan Seagrave’s brilliant cover artwork (Morbid Angel, Entombed, Malevolent Creation), these guys clearly wanted to present the look of an early […]
Tags: 2018, Dark Descent Records, Death Metal, Nick K, Old School, Review, Skeletal Remains
Posted in Reviews, Reviews › I on Thursday, March 29th, 2018
If you need a bit of an energy jolt for that one writing project you can’t quite finish and you don’t want another can of RedBull, may I suggest listening to the latest from Infected Dead? I will say this upfront, Just by looking at the cover, I was expecting a standard run of the […]
Tags: 2018, Death Metal, Hostile Media, Infected Dead, Review, Will 'Bones' Lee
Posted in Reviews, Reviews › S on Friday, March 16th, 2018
Sentient Horror‘s debut 2016 album, Ungodly Forms was a killer release of Stockholm styled death metal that gave the likes of Entrails a run for their money, despite hailing from New Jersey. And now the band is back with a 5 track, 20 minute, stop gap EP between albums, and it shows a slightly different […]
Tags: 2018, Death Metal, E.Thomas, Old School, Redefining Darkness Records, Review, Sentient Horror, Swedish
Posted in Reviews, Reviews › D on Friday, March 9th, 2018
Cut from the same cloth as such old school classic death metal bands bands like Entombed, Dismember, and Grave, Netherlands quartet Deathmarch have put together a pretty tasty little debut EP. It consists of 5 tracks that total right at 21 minutes and is a perfect fix when you want to get back to basics. […]
Tags: 2018, Black Lion Records, Death Metal, Deathmarch, Kevin E, Review, Swedish
Posted in Reviews, Reviews › S on Tuesday, March 6th, 2018
Based on the cover, name and album title, I was fully bracing for some thrash metal here, but it turns out Massachusetts’ Scalpel are a death metal band with a fondness of older 90s death metal and East Coast Death metal. There’s not much that needs to much explanation here. Scalpel’s second effort of no […]
Tags: 2018, Death Metal, E.Thomas, Review, Scalpel, Self-Released
Posted in Reviews, Reviews › F on Thursday, March 1st, 2018
“Hailing from Melbourne, Australia, Faceless Burial are a power trio of unimaginable death metal might. Theirs is an unremittingly dark and dexterous sound which draws in a variety of death metal traditions: the gooey grind of early ’90s Finland, the spiraling surge of classic Tampa, the bazooka-blown fury of old Brazil, the atonal angularity ushered […]
Tags: 2018, Blood Harvest Records, Death Metal, Faceless Burial, Iron Lung Records, Kristofor Allred, Review
Posted in Reviews, Reviews › G on Monday, February 26th, 2018
If you enjoyed Temple of Void‘s Lords of Death last year, Washington D.C’s Genocide Pact will make you happy with their second album, their Relapse Records debut, Order of Torment as it present the same sort of simple, groove based mid tempo doom/death metal, just with a little less experimentation. As with Temple of Void, […]
Tags: 2018, Death Metal, E.Thomas, Genocide Pact, Relapse Records, Review
Posted in Reviews, Reviews › B on Thursday, February 22nd, 2018
The question of whether you really need to check out Boia, and their debut EP, Chivalry of Death, is simply this: “How much do you bleed for Altars of Madness?” Now don’t get me wrong, any self-respecting metalhead has at least one copy of the seminal debut from Morbid Angel in their collection, but that […]
Tags: 2018, Boia, Calligari Records, Death Metal, Kristofor Allred
Posted in Reviews, Reviews › R on Wednesday, February 21st, 2018
California’s Ruin have been around since 1991 with an array of cassettes, Demos and splits under their belt. There are rumors of the band being arrested and institutionalized and they are clouded in mystery. But finally released they their debut album in 2017, Drown in Blood in the spring of last year, and it was […]
Tags: 2018, Death Metal, E.Thomas, Horror Pain Gore Death Productions, Review, Ruin