I have reviewed Connecticut’s Vomit Forth’s prior releases and since their debut album, Seething Malevolence, on Century Media Records, the band started to gain a lot more momentum, with tours and such.  However, they have not crossed the threshold to reach the heights of labelmates Frozen Soul and Sanguisugabogg. However, that could all change with […]

I have reviewed all of Blood Incantation’s prior albums and am a huge fan of their studio and live work.  The band was smart with not releasing a COVID album and their last album Hidden History of the Human Race, from 2019, just like their debut Starspawn, was on Dark Descent Records.  The stable line-up […]

I’m a big WWI buff. I’ve even been to Ypres trenches, Sanctuary Wood and laid a wreath at the Menin gate in Belgium.  And in my review of the most recent God Dethroned album, The Judas Paradox, I lamented the fact that God Dethroned was no longer focused on WWI, a subject I of course […]

Hideous Divinity is back with their fifth full-length album, Unextinct.  The band opted to go the longest length of time in their career without ever releasing an album, as Simulacrum was released a year prior to COVID.  The band was patient not to release a COVID album because they knew there would be no touring […]

Marduk are a steadfast part of the Black Metal scene. From the beginnings with their more death metal debut, Dark Endless to their Dracul trilogy and fast forwarding to their ultra-military Germania and the mighty as cannot be fucked with, the Black Metal equivalent of Slayer’s Reign in Blood; you know what the fuck I’m […]

It almost seems silly to type the phrase “old-school deathcore.” It means bands such as All Shall Perish, Despised Icon, and Suicide Silence, at least in my view. I’m sure it means something different to others. Nowadays, with the awareness to know I am sounding like an old man yelling at clouds, it’s symphonic deathcore […]

Canada’s favorite metal Warriors of Ice, Voivod, return with what should be their 16th album, but it’s actually re-recording of songs throughout their 40+ years of existence.  I am not a tremendous fan of bands re-recording their classic albums, but going back to re-record select songs, from a band’s discography, I am more apt to […]

Starting as a standard brutal death metal/slam band, Germany’s started adding some keyboards around 2019’s Inferis, but it was for 2021’s excellent A Hill to Die Upon, where they went full-on symphonic deathcore, and on the heels of Lorna Shore‘s genre igniting Immortal, comparisons to Lorna Shore were inevitable…. and warranted. However, they also had […]

I reviewed the debut album, Crypt of Ice, in 2021, from newcomers Frozen Soul.  I really enjoyed their previous demo material and the debut album furthered their sound in terms of musical ability and the songs fleshed out more.  The comparisons to old-school bands like Obituary and mainly Bolt Thrower were some of the reasons […]

Certain things will always bring me back to my adolescence, like every time I see a 90s Dodge Caravan (my first car), eating a chicken cutlet wedge (that was just a thing where I grew up, I dunno), seeing someone wear a studded belt, or gods help me, if I ever have a chance to […]

I am endlessly picked on in the Teeth of the Divine break room for admitting in a vulnerable moment that thrash is perhaps my least favorite metal sub-genre. So, one might ask why the hell I am reviewing the new Enforced album. Firstly, mind your business. Secondly, I was able to procure it in the […]

One could argue, that along with Distant’s Heritage, To the Grave‘s Director’s Cuts, Chelsea Grin‘s double album, and Suicide Silence’s newest, the debut from Ov Sulfur is up there as one of 2023’s early high-profile deathcore releases. Featuring former Suffokate vocalist Ricky Hoover (who has beefed up considerably in the 9 years since his Suffokate […]

There is only 1 Suicide Silence album I do not have in my collection and if you guessed it was their self-titled affair from 2017 you would be correct.  I am not a fan of that album or the musical direction they went in.  I was especially disappointed in it after they released the great […]

If you get naked, cry, and sacrifice babies at the altar of death doom, you probably like Insomnium. So, I guess the GOP can start looking for pedophiles at their shows (or in their mirrors). I’m only here to help. I’m no fanboy, but I do enjoy their output, particularly my favorite of theirs, One […]

The Netherlands’ Distant has the unenviable task of now being on the same label as Lorna Shore after a stint on Unique Leader. And then, as one of the first, larger profile deathcore bands to release an album in 2023, after Lorna Shore‘s Pain Remains changed the game for deathcore (labelmates Ov Sulfur look to […]

Two years ago,  I reviewed Sanguisugabogg’s Tortured Whole debut album and previous to that I reviewed their Pornographic Seizures EP.  With their debut album, I said  “Sanguisugabogg’s blow-up throughout the underground metal scene is really only just the beginning”.  And that is precisely what happened with the band right after the release of the debut. […]

If you’re like me, and for your sake I hope not, you’ve been looking forward to a follow up to The Offering’s stunning 2019 debut Home. Its mix of power, trad, and metalcore would have placed well on my AOTY list, but I wasn’t writing for the site yet. It was thoroughly enjoyable and remains. […]

Have a seat, and grab a snack. This is gonna be a long one. Way back in 2015 I reviewed a pretty nondescript EP, Maleficium, from this New Jersey band called Lorna Shore. It was Ok, odd band name, and a few keyboards, but nothing really stood out. The same can be said for the […]

I think someone at Century Media follows the underground and most relevant to my point the American death metal scene, very closely. They have poached from the awesome small California label, Maggot Stomp with Sanguisugabogg, Frozen Soul and now Connecticut’s Vomit Forth. The ‘Bogg and Frozen Soul are experiencing massive success with their albums, videos […]

What do you call Witchery at this point in their career? A super group? A collective, ever-evolving side project (aside from guitarists Patrick Jensen and Rickard Rimfalt, the last two remaining original members)? What was once basically a catch-all side gig for former members of Seance along with legendary bassist Sharlee D’Angelo (Mercyful Fate, Arch […]

I’ve reviewed the last several releases from Misery Index and knowing singer/bassist Jason Netherton all these years from my Internal Bleeding time and his stint in Dying Fetus- well those were some legendary shows folks. Time flies and Complete Control is the bands seventh full length album. If you were expecting anything less than their […]

Canada’s favorite metal weirdos, Voivod, and one of the elite in all of extreme metal, return with their 15th proper studio album, Synchro Anarchy.  Their last 2 return to form albums Target Earth and The Wake have been nothing short of exceptional.  In support of the 2013 Target Earth album I saw them live on […]

I’m pretty new to Wilderun’s form of symphonic classical, folk, and progressive, heavy metal/death metal smash-up, with the reissue of 2019s Veil of Imagination being my first exposure to the band to which I then picked up their more folk-tinged prior records. I described the band as a mix of Opeth, Dream Theater and Blind […]

I honestly don’t know how they keep doing it. Seriously, Belgium’s Aborted has been on a consistent roll for damn near a solid decade now. The band, having just released their eleventh full-length album entitled Maniacult, are once again steamrolling over the scene and their peers with a fantastic display of seething viciousness that nary […]

New Jersey’s Lorna Shore has come a long way since I reviewed their 2013 EP, Maleficum, a decent but standard deathcore release that had a few symphonic elements here and there. But through  2015s Psalms and 2017s Flesh Coffin, they gradually added more epic, symphonic elements, but they really didn’t register as something special at […]