Posts Tagged ‘Candlelight Records’
Posted in Frontpage Feature, Reviews, Reviews › I on Monday, March 4th, 2024
I don’t know if Ihsahn’s new album qualifies for one of my most anticipated of 2024 because I received the (streaming-only) promo slightly before it came out. It still hit me out of nowhere. I will confess to being a fan, but his solo works haven’t done much for me on the last few records. […]
Tags: 2024, Atmospheric Black Metal, Candlelight Records, Ihsahn, J Mays, Review
Posted in Reviews, Reviews › S on Wednesday, November 8th, 2023
Shade Empire, if nothing else, is a band who has time and again shown a willingness to let their sound morph and mutate into new forms, almost with every single release. When they entered the chat back in 2004 with their debut Sinthetic, they brought with them a Melodeath attack akin to fellow fins’ Mors Principium […]
Tags: 2023, Candlelight Records, Melodic Death Metal, Shade Empire, Steve K, Sunholy, Symphonic Black Metal
Posted in Reviews, Reviews › A on Monday, January 2nd, 2023
To this day, Defeat from California’s Armed for Apocalypse is one of the best and heaviest sludge albums I’ve ever reviewed. A meaty, filthy guitar tone with an almost doom/death metal backbone, it was and still is an incredibly heavy album. They followed that up with The Road Will End in 2018, a solid follow-up, […]
Tags: 2023, Armed for Apocalypse, Candlelight Records, Erik T, Review, Sludge Metal
Posted in Reviews, Reviews › N on Tuesday, August 31st, 2021
The UKs Necronautical (which I’m now learning means ‘to explore death’, and not something maritime related…) first appeared on my radar their second effort, 2016s, The Endurance at Night on the then reborn , legendary UK label, Cacophonous Records. They were a solid , enjoyable, but unspectacular symphonic black metal act with innate Cradle of […]
Tags: 2021, Candlelight Records, Erik T, Necronautical, Review, Symphonic Black Metal
Posted in Reviews, Reviews › S on Friday, August 7th, 2020
Sometimes as a reviewer here at Teeth of the Divine I will randomly click on something and just let it buck while I am working on something else. That was the case for me with Shrapnel’s’ Palace of the Insane. Hailing from Norwich England this Shrapnel’s third full length and have been around since 2009. […]
Tags: 2020, Candlelight Records, Nick K, Review, Shrapnel, Spinefarm Records, thrash metal
Posted in Frontpage Feature, Reviews, Reviews › B on Monday, July 11th, 2016
Norway’s Blood Red Throne return with their eighth studio album. For those of you that are not familiar with this group was started by Dod (Satyricon) and Tchort (Emperor) and have been around since 1998 and they play a murderously American style of brutal old school death metal. Union of Flesh and Machine opens with “Revolution […]
Tags: Blood Red Throne, Candlelight Records, Nick K, Review, Spinefarm Records
Posted in Frontpage Feature, Reviews, Reviews › I on Monday, April 11th, 2016
The lone traveler on the cover of Arktis, Ihsahn’s sixth solo release, may as well be the man himself. Ever since departing Emperor, Ihsahn has charted his own paths across rough and largely unknown terrain. Previous album Das Seelenbrechen veered off into particularly strange and challenging territory – even for me, a die-hard fan of his work […]
Tags: 2016, Candlelight Records, Extreme Progressive Metal, Ihsahn, Jordan Itkowitz, Review
Posted in Reviews, Reviews › D on Tuesday, August 11th, 2015
I am one for concept albums especially when they revolve around late 1970’s Horror Films and that is exactly what Demon Lung’s A Dracula is. Produced by Billy Anderson (Neurosis, High on Fire) A Dracula has a fantastically heavy and sludgy production. I was not too familiar with Demon Lung when I choose to do […]
Tags: 2015, Candlelight Records, Demon Lung, Nick K, Review
Posted in Reviews, Reviews › S on Friday, July 31st, 2015
Sigh. It’s been awhile. This is a band that I was once totally in love with; going all the way back to the release of their 1997 album, Hail Horror Hail. Sigh have always been a completely fearless musical entity; even from their formative, moribund Venom necro-worship on Scorn Defeat, they were already taking chances […]
Tags: 2015, Candlelight Records, Graveward, Review, Timothy D White
Posted in Reviews, Reviews › K on Thursday, June 18th, 2015
I really enjoyed Bite Your Head Off, the 2012 debut album from Australia’s King Parrot. It was a fun and rollicking blast which hybridized grind, thrash and punk into a fresh and unique sound, spiked with a refreshing sense of humor. Apparently a lot of other folks enjoyed it as well judging by the rising […]
Tags: 2015, Candlelight Records, King Parrot, Luke Saunders, Review
Posted in Reviews, Reviews › V on Monday, April 13th, 2015
Do you remember the first time you heard City by Strapping Young Lad? Can you also remember trying to describe it to your friends? You’re going to have the same problem with London. But, you won’t be able to say it sounds like City, because for the most part, it doesn’t. So, why am I […]
Tags: 2015, Adam Palm, Candlelight Records, Review, Voices
Posted in Reviews, Reviews › T on Monday, February 23rd, 2015
When covering the newest release from a group with a storied back catalogue, the question of how to approach the writing always exists. Of course each album should be judged based on its own merits, but within that set of boundaries other issues arise: how it compares to the last record, how it compares to […]
Tags: 2015, Candlelight Records, Dark Essence Records, Jodi Van Walleghem, Review, Taake
Posted in Reviews, Reviews › F on Tuesday, February 17th, 2015
The debut Where Distant Spirits Remain, from Glasgow’s Falloch was an interesting post rock/black metal/grey metal opus with Agalloch-ian hues. However it was the work of a duo, Andy Marshall and Scott Mclean, and Marshall since left the band (creating more atmospheric black/Celtic metal with Saor, which I highly recommend) leaving McLean to rebuild, and rebuild he has […]
Tags: 2014, Candlelight Records, E.Thomas, Falloch, Review
Posted in Reviews, Reviews › W on Monday, December 22nd, 2014
One of the things that makes black metal so interesting as a genre is it unique ability to capture the essence of a particular place and use the listeners imagination to take them there. Winterfylleth is a band that has always made good use of their English surroundings for inspiration and do so again on […]
Tags: 2014, Candlelight Records, Dan Wrathburn, Review, Winterfylleth
Posted in Reviews, Reviews › K on Thursday, October 2nd, 2014
I must confess I am not well versed in Krieg‘s back catalogue, being more familiar with Neil Jameson’s work with Twilight. I enjoyed The Black House but I haven’t listened to it in years. However, Krieg is a key USBM band that stands alongside the likes of Leviathan, Mutiilation, and Nachtmystium in terms of importance […]
Tags: 2014, Candlelight Records, J.D. Anderson, Krieg, Review
Posted in Reviews, Reviews › P on Wednesday, August 6th, 2014
The oddly named Pet Slimmers of the Year have released one of the best post-rock/metal albums I’ve heard in a long time, and it’s thanks in part to incorporation of elements not commonly found in post-rock: clean vocals, a sincere sense of melancholy usually reserved for gothic rock, and a thorough understanding of what makes […]
Tags: 2014, Candlelight Records, J.D. Anderson, Pet Slimmers of the Year, Review
Posted in Reviews, Reviews › K on Tuesday, April 22nd, 2014
Bite Your Head Off, the debut album from Australian extreme metal troupe King Parrot, was released domestically back in 2012 amidst largely positive reactions. Now after deservedly landing a multiple record deal with Candlelight Records, and currently carving their path through a string of shows in North America, King Parrot are making significant waves and […]
Tags: 2014, Candlelight Records, King Parrot, Luke Saunders, Review
Posted in Reviews, Reviews › P on Tuesday, December 17th, 2013
Ok, here is a brief history of Pestilence & some out there may have similar viewpoints. Their first 3 albums are legendary in my book, therefore pointless to comment on. The 1993 release of their progressive, jazz-fusion hybrid death metal album, Spheres, polarized their fan base so much that fans dropped off the face of […]
Tags: 2013, Candlelight Records, Frank Rini, Pestilence, Review
Posted in Reviews, Reviews › I on Monday, October 28th, 2013
“Art of the ugly soul. One is limiting art much too severely when one demands that only the composed soul, suspended in moral balance, may express itself there. As in the plastic arts, there is in music and poetry an art of the ugly soul, as well as an art of the beautiful soul; and […]
Tags: 2013, Candlelight Records, Experimental, Ihsahn, Jordan Itkowitz, Review
Posted in Reviews, Reviews › D on Wednesday, October 23rd, 2013
It would be easy to assume that a band who takes their name from an Electric Wizard song would fit in nicely with the bleary eyed stoner doom bands roaming metal’s landscape nowadays. It’s an easy assumption, but a wrong one. Despite the implication of their moniker, Las Vegas’ Demon Lung stands out as a […]
Tags: 2013, Candlelight Records, Chuck Kucher, Demon Lung, Doom, Review
Posted in Reviews, Reviews › C on Monday, June 3rd, 2013
It’s one thing to have some kickass tunes loaded up on your album. It’s another thing entirely to have kickass tunes loaded with more energy than a pack of hyenas. For Scotland’s Cnoc An Tursa, the relative newcomers have delivered an album that is overflowing with hooks, melodies, grooves and an endless surplus of raw […]
Tags: 2013, Candlelight Records, Cnoc An Tursa, Mike Sloan, Review
Posted in Features, Frontpage Feature, Interviews, Interviews › C on Friday, April 26th, 2013
It goes without saying that the United Kingdom has birthed some of the greatest acts the rock and metal world has ever heard. Pink Floyd. Led Zeppelin. Black Sabbath. Iron Maiden. Napalm Death. Carcass. Cradle of Filth. The list is seemingly endless, though the majority of what many believe to be the best of the best hail from England. Yes, Ireland has had its fair share of terrific musicians/bands over they years but there’s one country that is hardly, if ever, mentioned as even a hive of metal: Scotland. With their debut full length The Giants of Auld just released last month, black/folk metal act Cnoc An Tursa are hoping to change that.
Tags: 2013, Candlelight Records, Cnoc An Tursa, Interview, Mike Sloan
Posted in Reviews, Reviews › K on Friday, March 29th, 2013
Over the course of the past few years, Iceland has become a hotbed (or cold bed; however you want to say it) of metal. Skalmold, Dynfari, Ophidian I, Solstafir and others all call Iceland home and all have their own uniqueness to stand out in front of the growing pack. Though it’s not about to […]
Tags: 2013, Candlelight Records, Kontinuum, Mike Sloan, Review
Posted in News on Wednesday, January 23rd, 2013
Candlelight Records today confirms April 23 as the North American release date for Withdrawal, the third album from black metallers WOE. Produced by vocalist/guitarist Chris Grigg and mastered by Colin Marston, the album features seven new songs with a running time of 43 minutes. It is the first new material by the band since 2010’s […]
Tags: 2013, Candlelight Records, News, Woe
Posted in Reviews, Reviews › N on Monday, January 21st, 2013
First off, I am most honored to be writing for Teeth of the Divine. Instead of routinely misspelling the URL (long domain names are a problem spot for me), I can now have it saved to my favorites and see my work alongside some rather top-notch writers. Prior to this, I was editor for Blistering.com, […]
Tags: 2013, Candlelight Records, David E. Gehlke, Nine Covens, Review