Posts Tagged ‘2024’
Posted in Reviews, Reviews › S on Wednesday, January 15th, 2025
Śmierć (‘Death’, ‘End of life’) is a long-running Swedish band paying to Polish hardcore with Polish titles and such. Opór (‘Resistance’) is their third effort and they were kind enough to reach out to the site directly and send me a copy of the LP, with its gorgeous artwork and all. The album is co-released […]
Tags: 2024, Crust, D-Beat, Erik T, Nikt Nic Nie Wie, Prank Records, Punk, Review, Śmierć
Posted in Blog, Features, Frontpage Feature on Monday, January 6th, 2025
We at Teeth of the Divine have had our ears full of tons of new releases for 2024. There’s been a lot going on in music as well as the world in general. Whether it’s in the USA with a changing of the guard as our next POTUS, set to take office in January to the celebrities wanting to exit our country. Have you heard about the four year cruise that is in flux with a cruise ship set to be out in the ocean waters for the next four years, before returning, after our next POTUS’ four year reign? – it is a sight to behold.
Let’s see what else. Well we have seen some major bands not touring overseas due to the rising fuel costs, especially in Europe where the Diesel prices are astronomical, and …well you’ve read all the band members left As I Lay Dying again as the singer tries to put the band back together again. The memes and GIF’s have been pretty funny to say the least.
Tags: 2024, Staff Picks
Posted in Reviews, Reviews › D on Friday, December 27th, 2024
Darkness Everywhere: “Hey guys! I think, we might have released the best Light This City/Darkest Hour-influenced melodic death metal of 2024 with To Conquer Eternal Damnation, I mean c’mon, we have current and ex-Light This City members in the band!!!!” Druparia: “Hold My Beer”. Seriously, first off, go check out Darkness Everywhere‘s debut album To Conquer […]
Tags: 2024, Druparia, Erik T, Melodic Death Metal, Review, Self-Released
Posted in Reviews, Reviews › N on Thursday, December 26th, 2024
The debut album from Denmark’s Neckbreakker is a deathcore album. Unless you’re the boss, that may be a dirty word. I haven’t found much to like in what is inconceivably still the “it” genre. Don’t get me wrong, though. This is not THAT kind of deathcore. This is death metal with a heavy emphasis on […]
Tags: 2024, Deathcore, Hardcore, J Mays, Metalcore, Neckbreakker, Nuclear Blast Records, Review
Posted in Reviews, Reviews › M on Thursday, December 26th, 2024
I received a Mother of Graves shirt through the Metalhead Box a while back and whenever I get a shirt from them I’ll check out the band (most of the time it’s bands I’ve never heard of). Which brings me to the new album from these Indianapolis purveyors of monumental Death/Doom. The Periapt of Absence […]
Tags: 2024, Death/Doom Metal, Jeremy Beck, Mother of Graves, Profound Lore Records, Review
Posted in Reviews, Reviews › M on Wednesday, December 25th, 2024
I’m thankful for Death Metal. The crushing heaviness of daily life is magically mutilated with each blast beat and sick as fuck riff. Moss Upon the Skull has been the soundtrack to my life for the past week. They’ve been in the game since 2010 and released their “Imperial Summoning” single back in 2014 followed […]
Tags: 2024, Death Metal, I Voidhanger Records, Jeremy Beck, Moss Upon the Skull, Review
Posted in Reviews, Reviews › X on Tuesday, December 24th, 2024
I love the Alien film franchise—yes, even Alien 3 and Alien Resurrection. I also love brutal slamming death metal/deathcore. Italy’s Hideous Divinity mixed the two on their LV426 EP back in 2021, but France’s Xenotheory has entered the fray with their second album does to the genre what Aliens did to the films. Their 2022 […]
Tags: 2024, Brutal Death Metal, Deathcore, Erik T, Review, Self-Released, Slam, Xenotheory
Posted in Reviews, Reviews › P on Tuesday, December 24th, 2024
Sweden’s Paganizer returns with their 13th album, Flesh Requiem. This is one of Rogga Johansson’s main acts in the numerous amount of bands he is actively in, which is a lot!! Paganizer has morphed over the years into a quality Swedish death metal act, with the HM-2 buzzsaw guitar sound. It is not as bludgeoning […]
Tags: 2024, Death Metal, Frank Rini, Paganizer, Review, Transcending Obscurity Records
Posted in Reviews, Reviews › C on Monday, December 23rd, 2024
For 4 albums since 2020 , Sweden’s Carnal Savagery has been one of those solid to decent Swedish Death metal bands that I have enjoyed, purchased albums, etc, but never truly loved or considered an heir apparent to the legends of the genre. Despite members coming out of the genre’s birth in the early 90s […]
Tags: 2024, Carnal Savagery, Death Metal, Erik T, Moribund Records, Review, Swedish Death Metal
Posted in Frontpage Feature, Reviews, Reviews › H on Monday, December 23rd, 2024
Back in 1987 I was still discovering what Thrash Metal was. I was familiar with Metallica and Megadeth and when the opportunity came, I found myself buying Helloween’s Keeper of the Seven Keys part 1 at the local mall in Shreveport, Louisiana. Holy shit, not only were these guys fast as a fucking shark; they […]
Tags: 2024, Helloween, Jeremy Beck, Power Metal, Reigning Phoenix Records, Review
Posted in Reviews, Reviews › F on Friday, December 20th, 2024
There are crazy bands and then there are bands that throw logic out the window with the fucking baby. They twist sounds out of their instruments that sound like screaming robots one minute and then erupt into mindgasms that show the limits of electronics shattered one note at a time. Enough hysterical talk aside, Furze […]
Tags: 2024, Black Metal, Devoted Art Propaganda, Furze, Jeremy Beck, Polytriad Fingerprints, Review
Posted in Reviews, Reviews › O on Thursday, December 19th, 2024
I love surprises, mainly good ones. And ones involving symphonic black metal bands I’ve never heard of before, who turn out to fucking brilliant, are even better. Opus Irae hails from Germany, and Into The Endless Night is their debut album. It was mixed and mastered by Dan Swano, who needs no introduction, and the artwork is […]
Tags: 2024, Endtime Productions, Erik T, Opus Irae, Review, Symphonic Black Metal
Posted in Reviews, Reviews › R on Wednesday, December 18th, 2024
Rotpit are a filthy death metal band featuring members residing in Sweden and Germany. Ralf Hauber on vox (Revel in Flesh, Heads For the Dead), Jonny Petterson on guitars/bass (Heads For the Dead, Wombbath) and Erik Barthold on drums (Darklands) return with their second full-length album and have managed to make this a tad […]
Tags: 2024, Death Metal, Frank Rini, Review, Rotpit, War Anthem Records
Posted in Reviews, Reviews › A on Tuesday, December 17th, 2024
I have an unequivocal love for themed Death Metal bands. VHS, Fulci, Fluids, Satanic Tea Company and Surfin Bird Death Metallers Kólga. I mean, yeah there’s Alestorm but they’re sort of becoming a ‘party, party, drink, drink’ band like Steel fucking Panther and less fun than when they were keelhauling motherfuckers instead of getting plowed […]
Tags: 2024, A La Carte, Death Metal, Jeremy Beck, Review, Self-Released
Posted in Frontpage Feature, Reviews, Reviews › M on Monday, December 16th, 2024
Back in 2020, along with fellow revered 90s Black Metal acts Naglfar and ..And Oceans, Sweden’s Mörk Gryning returned after a long hiatus to deliver Hinsides vrede, and it was, like their peers, a killer return to the fray. delivering a perfect 90s throwback to…. themselves? and of course, the other two bands mentioned above. […]
Tags: 2024, Erik T, Melodic Black Metal, Mörk Gryning, Review, Season of Mist
Posted in Reviews, Reviews › Y on Friday, December 13th, 2024
I’ve followed Yoth Iria for several years now, and reviewed their debut ep Under His Sway, in 2020. Since then this Greek black metal band released a killer debut album in 2021 As the Flame Withers. Last year they put out an interesting two-song ep Flame of the Whirling Swords that was more ethereal and […]
Tags: 2024, Atmospheric Black Metal, Edged Circle Productions, Frank Rini, Review, Yoth Iria
Posted in Reviews, Reviews › S on Thursday, December 12th, 2024
Man, back in the late 90s and early 00s Germany’s Folk/Celtic-themed melo-death act Suidakra was one my absolute favorite bands. Early albums Auld Lang Syne and Lays From Afar were my jam. And even with some ups (Caledonia, Book of Dowth, The Arcanum) and downs (Command to Charge, Realms of Odoric, Cimbric Yarns), some of […]
Tags: 2024, Erik T, MDD Records, Melodic Death Metal, Review, Suidakra
Posted in Reviews, Reviews › C on Wednesday, December 11th, 2024
The last time I ran across German black metal act Chaos Invocation, I wasn’t particularly kind to them. I reviewed their 2009 Debut, In Bloodline with the Snake, and hailed it ‘predictable, generic’ and with an utterly forgettable first half. Oof. What a dick. So why did I grab the promo for the band’s 5th […]
Tags: 2024, AOP Records, Black Metal, Chaos Invocation, Erik T, Review
Posted in Reviews, Reviews › A on Wednesday, December 11th, 2024
My bud Alex, the owner of Dolorem Records, has sent me another promo for one of his bands and this time it’s for Ad Vitam Infernal, a death metal band hailing from France. The album cover is quite striking and with all of his releases this is the best one yet. with the Devil and […]
Tags: 2024, Ad Vitam Infernal, Death Metal, Dolorem Records, Frank Rini, Review
Posted in Frontpage Feature, Reviews, Reviews › A on Monday, December 9th, 2024
Switzerland’s Aara return with their sixth full-length album and marks the end of their Triade trio of releases. I reviewed the last one in the series, Triade III: Nyx, in 2023 and Eiger, continues forth with the same stable lineup, as their prior albums. Boasting a very cold and depressing album cover ( “Eiger” is […]
Tags: 2024, Aara, Black Metal, Debemur Morti Productions, Frank Rini, Review
Posted in Reviews, Reviews › M on Friday, December 6th, 2024
2024 has been the year of the EP. I think I might have covered more EPs this year than in previous and that’s not a bad thing. They’re bite sized albums, five maybe six tracks; half an hour tops. Yet within those handfuls of tracks, magic (albeit a dark, blood soaked and decapitated rabbit) can […]
Tags: 2024, Death Metal, Jeremy Beck, Mammoth Grinder, Relapse Records, Review
Posted in Reviews, Reviews › W on Friday, December 6th, 2024
Sweden’s Wretched Fate has released 2 fine albums of Swedish-styled death metal, with their debut Fleshletting, back in 2019, and their 2023 follow-up, Carnal Heresy. Both put them near the top of the conversation as one of the bright newcomers in the genre. To remind us they are still a major player in the genre, […]
Tags: 2024, Death Metal, Erik T, Redefining Darkness Records, Review, Swedish Death Metal, Wretched Fate
Posted in Reviews, Reviews › K on Thursday, December 5th, 2024
Italy’s Kaivs released the Horrend ep last year and all those songs have been re-recorded for their debut album – After the Flesh. The Dan Seagrave type of striking artwork drew me into this album. The color hues of yellow, purple, blue and red really is eye-catching. It’s all fun and games with cool album […]
Tags: 2024, Brutal Records, Death Metal, Frank Rini, Kaivs, Review
Posted in Reviews, Reviews › W on Wednesday, December 4th, 2024
Witnesses man Greg Schwan told me before the release of Joy that it is his best album. That’s bold considering I hold his releases in high regard, but especially Doom II. It’s certainly because it’s the first album I heard. I like bold statements though because confidence makes me pay attention. To begin the album, […]
Tags: 2024, Doom Metal, J Mays, Review, Self-Released, Witnesses
Posted in Reviews on Tuesday, December 3rd, 2024
Mythbegotten is a folk metal band with epic metal qualities that combine brutality with black metal-ish musical moments. The band hails from the New England/Upper areas of New York. Over the last several years I have increased my knowledge of this genre and there are many various acts I enjoy with folk moments such as: […]
Tags: 2024, Fol, Folk Metal, Frank Rini, Mythbegotten, Review, Self-Released