Posts Tagged ‘2022’
Posted in Reviews, Reviews › M on Friday, February 18th, 2022
Man… now that is an album cover. In the annals of heavy metal/extreme music, the writings of JRR Tolkien have long resided in largely black metal (Summoning), power metal (Blind Guardian), ‘garb-core’ (Battlelore) and even death metal (Khazaddum). But what the world was clearly lacking was some Tolkien-based, technical, blackened deathcore. Well, here comes Washington […]
Tags: 2022, Deathcore, Erik T, Mines of Moria, Reality Fade, Review, Technical Death Metal
Posted in Reviews, Reviews › S on Thursday, February 17th, 2022
Over the last few years, metalhead jack-of-all-trades Ben Murray (Light This City, Heartsounds, Darkness Everywhere, No Chemistry) has built Creator-Destructor Records into quite the diverse little powerhouse of a label. Representing everyone from legendary punk rockers A Wilhelm Scream, to Beatdown bruisers like Sunami and Kruelty, to filthy Death Metal acts like Dismemberment and Spinebreaker. […]
Tags: 2022, Creator-Destructor Records, Death Metal, Hardcore, Metallic Hardcore, Slowbleed, Steve K
Posted in Reviews, Reviews › A on Wednesday, February 16th, 2022
2022, comin’ in HAWT. You know it’s true because of the way I spelled it. I already have 3-5 albums which are sure year end contenders and I’m writing this sentence on the last day of January. I’m not one to complain about an embarrassingly high amount of excellent metal, but it’s already been difficult […]
Tags: 2022, Abhoria, Black Metal, J Mays, Prosthetic Records, Review
Posted in Frontpage Feature, Reviews, Reviews › I on Monday, February 14th, 2022
Holy crappers- Acts of God is Immolation’s eleventh album. Man, I feel like time has flown right by me. It seems like only yesterday I was at Spark’s on Long Island, NY watching them headline once Dawn of Possession was released. I remember speaking with the entire band, buying merch. I would bring said DOP […]
Tags: 2022, Death Metal, Frank Rini, Immolation, Nuclear Blast Records, Review
Posted in Reviews, Reviews › H on Thursday, February 10th, 2022
I do not need music to help me achieve a depressed state, Hangman’s Chair, okay? I do very well with that as my default, thank you very much. However, if you’re unlike me (for your own sake, let’s hope), maybe you just need that nudge or like to feel miserable sometimes. If so, A Loner, […]
Tags: 2022, Doom Metal, Hangman's Chair, J Mays, Nuclear Blast Records, Review, Stoner Metal
Posted in Reviews, Reviews › V on Wednesday, February 9th, 2022
Germany’s Vorga burst into the scene about 6 years ago and released an EP, but Striving Toward Oblivion is their debut full length album and showcases a trailblazing style of black metal. Opening this 8 song 45 minute album is “Starless Sky” and what an opening ripper of a lead off song. Massive blasting equipped with […]
Tags: 2022, Atmospheric Black Metal, Frank Rini, Review, Transcending Obscurity Records, Vorga
Posted in Reviews, Reviews › W on Tuesday, February 8th, 2022
I try and keep myself open to covering things that normally don’t float my boat, hence me taking a break from deathcore and technical death metal to take stab at the third album from the UK’S black/crust act Wolfbastard. But they had a couple of things going for them; ‘Wolf’ and ‘Bastard’ are two of […]
Tags: 2022, Clobber Records, Erik T, Review, Wolfbastard
Posted in Frontpage Feature, Reviews, Reviews › A on Monday, February 7th, 2022
A well-respected colleague of mine once advised me that it was a bad idea to stay with a job or company for more than 10 years – and even that long was pushing it. The idea being, after a certain amount of time in the same setting, you begin to lose your passion for the […]
Tags: 2022, Amorphis, Atomic Fire Records, Folk Metal, Halo, Melodic Death Metal, Progressive Metal, Steve K
Posted in Reviews, Reviews › L on Friday, February 4th, 2022
Listen, if you guys want me to stop reviewing material from Transcending Obscurity Records, you’re going to have to tell them to calm it down with the excellent new releases… Don’t, though. That brings us to the new, excellent album from a band with an intriguing name, The Last of Lucy. I didn’t like it […]
Tags: 2022, J Mays, Technical Death Metal, The Last of Lucy, Transcending Obscurity Records
Posted in Reviews, Reviews › M on Thursday, February 3rd, 2022
If you have the balls to say “chilling-yet-breathtaking ruminations harken to the golden days of melodic, nature-inspired black metal, back during the mid ’90s. Names invoked include old Borknagar, Kvist, Arckanum, Old Man’s Child, Norway’s Gehenna, and even earliest Dimmu Borgir” in your promotional materials, you had better fucking back it up, and luckily the […]
Tags: 2022, Erik T, Melodic Black Metal, Primitive Reaction, Review, The Mist From The Mountains
Posted in Reviews, Reviews › D on Wednesday, February 2nd, 2022
OK soooooooooooo listen – I’m not exactly what anyone would call an expert in the world of electronic music, or even more metal-leaning industrial music, for that matter. No hate or disrespect or anything like that at all, it’s just not an avenue I’ve gone down much to this point in my life. With that […]
Tags: 2022, Dance With The Dead, Darkwave, Electronic Music, Heavy Metal, industrial, Power Metal, Steve K, Synthwave
Posted in Reviews, Reviews › H on Tuesday, February 1st, 2022
San Francisco’s progressive metal band Hammers of Misfortune released their debut album The Bastard in 2001. They would go on to release 5 more incredible albums, their last one the phenomenal Dead Revolution in 2016. HOM is an eclectic band with influences ranging from Manilla Road, Fates Warning, Iron Maiden, Solstice (UK). But they have […]
Tags: 2022, Frank Rini, Hammers of Misfortune, Progressive Metal, Review, Self-Released
Posted in Frontpage Feature, Reviews, Reviews › B on Monday, January 31st, 2022
As I’ve stated many times before in these very pages, I’m very picky about my heavy/power metal. It’s not a genre I generally really enjoy or get into, but I’ve certainly come to appreciate the likes of Blind Guardian, WindRose, Dragony, Fairyland, Thy Majestie, Grail Knights, Pathfinder, Twilight Force, and the 23 Rhapsody related bands, […]
Tags: 2022, Battle Beast, Erik T, Heavy Metal, Nuclear Blast Records, Power Metal, Review
Posted in Reviews, Reviews › A on Friday, January 28th, 2022
One of my favorite albums of 2021 was the fantastic Decadence and Decay from Oregon’s Silver Talon, an album and a band that certainly have plenty going for themselves on their own merit, but the album was an immediate hit for me not because it was something I’d never heard before – but instead it […]
Tags: 2022, Age of Apocalypse, Closed Casket Activities, Grim Wisdom, Hardcore, Metalcore, Metallic Hardcore, Post-Hardcore, Steve K
Posted in Reviews, Reviews › S on Thursday, January 27th, 2022
January of 2020, specifically January 14th, was quite the day for deathcore. You had releases from Worm Shepherd, Fit For An Autopsy, Enterprise Earth, and a new Ingested single, as well as album number four from Connecticut’s Shadow of Intent, one of symphonic deathcore’s top bands As with 2019s excellent Melancholy, which tackled mental health […]
Tags: 2022, Deathcore, Review, Self-Released, Shadow of Intent, Symphonic
Posted in Reviews, Reviews › L on Tuesday, January 25th, 2022
Deathcore is having another moment. This new wave is being led by such heavyweights from last year such as Worm Shepherd, Osiah, Mental Cruelty, Signs of the Swarm, and Bound in Fear, and looks to be off to a good start with new Worm Shepherd and Shadow of Intent due out in January along with […]
Tags: 2022, Deathcore, J Mays, Review, The Last Ten Seconds of Life, Unique Leader Records
Posted in Frontpage Feature, Reviews, Reviews › W on Monday, January 24th, 2022
I’m pretty new to Wilderun’s form of symphonic classical, folk, and progressive, heavy metal/death metal smash-up, with the reissue of 2019s Veil of Imagination being my first exposure to the band to which I then picked up their more folk-tinged prior records. I described the band as a mix of Opeth, Dream Theater and Blind […]
Tags: 2022, Century Media Records, Erik T, Melodic/Progressive Death Metal, Review, Symphonic Metal, Wilderun
Posted in Reviews, Reviews › B on Friday, January 21st, 2022
I grabbed this 5 song EP for review for 1 simple fact; Jon Huber. The former vocalist of I Declare War, Pathology, and I Detest ( as well as live vocals for Whitechapel back on the day), has been one of my favorite vocalists for a while now since I heard his blast furnace of […]
Tags: 2022, Bludgeoned, Brutal Death Metal, Erik T, Review, Vile Tapes
Posted in Reviews, Reviews › F on Thursday, January 20th, 2022
It’s a shame when a band, especially one so far into their career, doesn’t know who or what they want to be. With a discography in the range of good to great, unfortunately it feels like this is where we find deathcore veterans Fit For An Autopsy. I’ll explain… While the opening track, which is […]
Tags: 2022, Deathcore, Fit For An Autopsy, J Mays, Nuclear Blast Records, Review
Posted in Reviews, Reviews › M on Tuesday, January 18th, 2022
My first 2022 release review is the self-released and self-titled album from Canada’s Maule. This four-piece act plays straight up balls to the wall heavy metal. 9 songs just shy of the 40 minute mark. “Evil Eye” opening up the album and Iron Maiden are a true inspiration for this band – think vintage Maiden, […]
Tags: 2022, Frank Rini, Heavy Metal, Maule, Review, Self-Released
Posted in Frontpage Feature, Reviews, Reviews › W on Monday, January 17th, 2022
Symphonic or blackened deathcore blew the fuck up in 2021. Though it was certainly a thing before 2020, After the success of Lorna Shore‘s Immortal in 2020, the genre simply exploded with already established and new bands like Mental Cruelty, Shadow of Intent, Sin Deliverance, Dead World Reclamation, Darker By Design, Carnifex, Assemble the Chariots, […]
Tags: 2022, Deathcore, Erik T, Review, Symphonic Metal, Unique Leader Records, Worm Sheperd
Posted in Reviews, Reviews › S on Friday, January 14th, 2022
Back before the internet, we metalheads used to rely on a few different methods in hearing and procuring our aural fix. One of these was the blind purchase. Sometimes the payoff was immeasurably fantastic. Sometimes the gamble was nothing less than horrific. Most of the time though, the results tended to fall somewhere in that […]
Tags: 2022, Death Metal, Kristofor Allred, Maggot Stomp, Review, Sarcoughagus
Posted in Reviews, Reviews › C on Thursday, January 13th, 2022
Potentially the greatest perk of writing for a metal site (if you call what I do writing) is getting to connect with underground artists such as Crawl Below’s Charlie Sad Eyes. Not long after his previous album and personal year-end lister, 9 Mile Square was released, he mentioned to me that the next Crawl Below […]
Tags: 2022, Crawl Below, Doom Metal, J Mays, Lawnmower Jetpack Records, Review