Posts Tagged ‘2019’
Posted in Reviews, Reviews › G on Thursday, May 23rd, 2019
Anders Biazzi (ex Amon Amarth, ex Blood Mortized, Just Before Dawn) and his arguably more busy Just Before Dawn cohort Jonny Pettersson (Wombbath Ashcloud, Nattravnen, Henry Kane, Heads for the Dead,) and drummer Brynjar Helgetun (Crypticus. Megascavenger, Just Before Dawn, Putrevore) are back with the second album under the Gods Forsaken moniker. However, some new […]
Tags: 2019, Death Metal, E.Thomas, Gods Forsaken, Review, Soulseller Records
Posted in Reviews, Reviews › D on Wednesday, May 22nd, 2019
Part II of my Destruction reissue review series focuses on Mad Butcher, Release from Agony and Cracked Brain. Part I contained Sentence of Death, Infernal Overkill and Eternal Devastation. In 1987, 1 year removed from their amazing second album, Eternal Devastation, Destruction graced us with the Mad Butcher ep. Years ago it was usually common for bands to release eps between full length albums and this ep marked an improvement in the production […]
Tags: 2019, Destruction, Frank Rini, Review, thrash metal
Posted in Frontpage Feature, Reviews, Reviews › E on Monday, May 20th, 2019
Bear with me me here…….. back in 1992, whilst in college, I read in Pitch Weekly ( a free, alternative Kansas City paper) , that Entombed were playing at a local VFW. Of course, I was going, so that night, I loaded up up beers and other substances and headed out with a friend. Well, […]
Tags: 2019, Death Metal, E.Thomas, Entombed, live, Review, Threeman Recordings
Posted in Reviews, Reviews › A on Friday, May 17th, 2019
Richmond Virginia’s Appalling return with their second full length album Inverted Realm out on Redefining darkness records. I must admit I was not familiar with this group until reading the band’s bio in which Angel Corpse was mentioned as an influence. Appalling play quite a catchy form of blackened death thrash that reminds me of […]
Tags: 2019, Appalling, Black/Death Metal, Nick K, Redefining Darkness Records, Review
Posted in Reviews, Reviews › E on Thursday, May 16th, 2019
When stacked against the barren wasteland of the 2018 thrash metal scene, comparatively, 2019 is off to a much stronger start. The likes of Critical Defiance, Inculter and Exumer have dropped solid albums thus far. And now, up and coming Detroit band Euphoria Ω return with the follow-up to their impressive 2016 debut, Operation: Genesis. […]
Tags: 2019, Euphoria Ω, Luke Saunders, Review, thrash metal
Posted in Reviews, Reviews › P on Tuesday, May 14th, 2019
I’m a little overdue on this one and frankly I didn’t really feel like chiming in with a review on Pig Destroyer’s latest platter of pain until some of the usual hype that comes with their releases died down. They’re pretty much a love it or hate it proposition for most people at this point […]
Tags: 2019, Grindcore, Jay S, Pig Destroyer, Relapse Records, Review
Posted in Frontpage Feature, Reviews, Reviews › A on Monday, May 13th, 2019
Over the course of the Amon Amarth‘s 10 album, 20+ year career, they have been one of the most consistent bands in metal. If you were to plot a line with their albums on it, they are almost all certainly in a straight line when it comes to quality with a couple that go over […]
Tags: 2019, Amon Amarth, E.Thomas, Melodic Death Metal, Metal Blade Records, Review, Viking/Folk Metal
Posted in Reviews, Reviews › B on Thursday, May 9th, 2019
I’m not much of a traditional metal sort of guy. Of course plenty of exceptions have popped up over the years, but generally my tastes are aligned in different directions. However, Chicago’s Black Sites impressed with their deft mix of old school values and modern sensibilities with classic heavy metal and prog influences on their […]
Tags: 2019, Black Sites, Hoove Child Records, Luke Saunders, Progressive Metal, Review
Posted in Frontpage Feature, Reviews, Reviews › W on Monday, May 6th, 2019
For a while, Whitechapel were the true darlings of deathcore’s peak, with 2008s This Is Exile being the genre’s arguable apex along with All Shall Perish‘s The Price of Existence. However, since then, the band hasn’t quite been on the same level; a ‘dumbing down’ of the lyrics, a simplification of the music into a […]
Tags: 2019, Deathcore, E.Thomas, Metal Blade Records, Review, Whitechapel
Posted in Reviews, Reviews › C on Friday, May 3rd, 2019
Remember in Rocky IV when Ivan Drago beat the beloved Apollo Creed to literal death? Do you remember the brutality of the beatdown and the shock and awe of witnessing what had just occurred? Well friends, I do. I remember it well, and the feeling I get from listening to Moscow, Russia’s Critical Extravasation is […]
Tags: 2019, Critical Extravasation, Death Metal, Kristofor Allred, Redefining Darkness Records, Review
Posted in Reviews, Reviews › Y on Thursday, May 2nd, 2019
Buffalo New York’s smog spitters Yanari are some cool ass cats; if you email them they will send you a copy of their Marine Leg EP for free. As TOTD’s resident sludge nut I had to jump on the offer and find out the scoop. Free swill isn’t the reason this is getting a good […]
Tags: 2019, Crust, Doom Metal, Jay S, Self-Released, Yanari
Posted in Frontpage Feature, Reviews, Reviews › K on Monday, April 29th, 2019
Warning: I am going to say the words Bal-Sagoth, a record breaking number of times in this review… Man, I haven’t had this much anticipation for an album in a looooooong time. Why? Well friends, Let me tell you of an Age undreamed of…. Back in the 1990s a band called Bal-Sagoth arose from the […]
Tags: 2019, Black Lion Records, Kull, Review, Symphonic Black Metal
Posted in Reviews, Reviews › W on Friday, April 26th, 2019
Well this is most definitely a front runner for EP of the year. Wow! Chicago’s Wounds have got my tech death appetite drooling with their debut EP Light Eater. I had heard from word of mouth from other bands in my area here in Minnesota regarding this incredible band. I had been hearing the name […]
Tags: 2019, Everlasting Spew Records, Nick K, Review, Technical Death Metal, Wounds
Posted in Reviews, Reviews › B on Thursday, April 25th, 2019
At its onset, the third album from Norway’s Blodhemn, (a new act to me) is an odd beast that’s not sure if it wants to be a more enigmatic and off kilter type of black metal akin of Enslaved, or a more vitriolic and melodic entity in the vein of Grafvitnir, and after a while […]
Tags: 2019, Black Metal, Blodhemn, E.Thomas, Soulseller Records
Posted in Reviews, Reviews › A on Tuesday, April 23rd, 2019
North Carolina heavyweights The Asound have been cutting a swath through the underground building a growing following with their tree-topping musical might, a string of consistently kick ass releases and plenty of action on the live-front. Some of these crud riffers with shifty songwriting ideals are heathens that have served in cult institutions Seven Foot […]
Tags: 2019, Doom Metal, Jay S, Rusty Knuckles, Stoner Metal, The Asound
Posted in Frontpage Feature, Reviews, Reviews › A on Monday, April 22nd, 2019
I was curious as to how After the Burial would follow up the emotional 2016 album, Dig Deep, the tragedy laden homage to deceased former guitarist Justin Lowe. Having come up with bands like Born of Osiris, Periphery, The Faceless and such, After the Burial have arguably been the most consistent in their delivery since […]
Tags: 2019, After the Burial, E.Thomas, Progressive Metal/Djent, Sumerian Records
Posted in Reviews, Reviews › H on Friday, April 19th, 2019
Willowtip Records have to be one of the most diverse underground metal labels out there. With over a half dozen new releases on deck for 2019 Jason Tipton has built quite the label lineup of diverse talent (Ceremony of Silence, Vale of Pnath,). New Jersey’s Hath are no exception. Debuting way back in 2015 these […]
Tags: 2019, Black/Death Metal, Hath, Nick K, Review, Willowtip Records
Posted in Reviews, Reviews › O on Thursday, April 18th, 2019
If you are reading this review, I’m going to assume you know this history behind this veteran Louisiana brother act. If you don’t, here is the cliff notes version: Two brothers from Louisiana form a band called Incubus and band release two pretty influential releases in Serpent Temptation (1988) and Beyond the Unknown ( 1990) […]
Tags: 2019, Death/Thrash Metal, E.Thomas, High Roller Records, Opprobrium, Review
Posted in Reviews, Reviews › I on Tuesday, April 16th, 2019
I was pretty impressed with my first exposure to Stephane Thirion and his third album, A fleur de peau, from his one man project, In Shadows And Dust. It delivered black metal rendered with a Stockholm death metal guitar tone with good effect, and apparently the guys over at Redefining Darkness were also impressed, enough to […]
Tags: 2019, Black Metal, Crust, E.Thomas, In Shadows and Dust, Redefining Darkness Records, Review
Posted in Frontpage Feature, Reviews, Reviews › R on Monday, April 15th, 2019
Greek Metal Masters Rotting Christ have returned with another fantastic release with their 13th album The Heretics. The Tolis brothers Themis and Sakis, fresh off their recent arrest for Terrorism (not that kind-the fearful religious kind) in Georgia (the country, not the state) have given a spirited middle finger to organized religion once again. Although, […]
Tags: 2019, Review, Rotting Christ, Season of Mist, Symphonic Black Metal, Will Maravelas
Posted in Reviews, Reviews › N on Friday, April 12th, 2019
Every once and a while a band manages to make a few lineup changes and all of the sudden their sound has been elevated. Thus is the case with Nordjevel’s latest effort Necrogenesis coming out latest this year on Osmose Productions. Holy hell! Does this album pair well with -50 degree weather! I must say […]
Tags: 2019, Black Metal, Nick K, Nordjevel, Osmose Productions, Review
Posted in Reviews, Reviews › A on Thursday, April 11th, 2019
Remember in the mid/late 1990s when metal took a hard lean to Gothic overtures and bands like Sentenced, Anathema, Tiamat, Katatonia, Samael, Cemetery, Paradise Lost, Rotting Christ softened up and bands like Godgory, Sculpture, Crematory, Agathodaimon were a dime a dozen on Nuclear Blast Records? Well, Finland’s Asphodelus are here to remind you of that […]
Tags: 2019, Asphodelus, Death/Doom Metal, E.Thomas, Gothic, Review, Terror from Hell Records
Posted in Reviews, Reviews › G on Tuesday, April 9th, 2019
Canada’s Gomorrah impressed greatly with their industrial-tinged death metal debut, 2016’s The Haruspex. The album packed Anaal Nathrakh-styled intensity with killer grooves and dynamic song-writing. Three years later the duo returns with a self-titled platter that looks set to raise the stakes for top notch death metal in 2019. Gomorrah expands and improves on nearly […]
Tags: 2019, Death Metal, Gomorrah, Luke Saunders, No Light Records, Review
Posted in Reviews, Reviews › S on Friday, April 5th, 2019
I’ve said in prior reviews from this new-ish Ohio based label, I really like the direction the label is headed with a real focus of real death and black metal and some very cool forays into HM 2 boss styled death metal such as Inoculated Life, In Shadows and Dust, upcoming Nocturnal Hollow album and […]
Tags: 2019, Death Metal, E.Thomas, Redefining Darkness Records, Review, Six of Swords
Posted in Reviews, Reviews › S on Thursday, April 4th, 2019
Well I’ll be damned, color me impressed. Brescia, Italy’s, The Scars in Pneuma, and their debut album, The Path of Seven Sorrows, really caught me by surprise with its mature sound and songwriting. While the band cites influences from the likes of Rotting Christ, Mgla, Dissection, Be’lakor and others, in the end it’s just a […]
Tags: 2019, Kolony Records, Kristofor Allred, Review, Symphonic Black Metal, The Scars in Pneuma