Posts Tagged ‘2018’
Posted in Reviews, Reviews › A on Tuesday, March 13th, 2018
Whew… talk about a tongue twister of a band and album name!! Vocalist Eston Brown, has a killer voice and his vocals on his former band Gigan’s Multi-Dimensional Fractal-Sorcery and Super Science are outstanding. Rounding out Abolishing the Ignominious is Joseph Lusciano on all the instruments. Russia’s brutal slam gore death metal label Coyote Records […]
Tags: 2018, Abolishing the Ignominious, Coyote Records, Frank Rini, Review
Posted in Frontpage Feature, Reviews, Reviews › S on Monday, March 12th, 2018
Despite being one of the least productive bands around (at least when it comes to albums), England’s Solstice is still one of the more revered bands in the traditional/Epic/Classic Doom/ heavy metal genre, largely on the strength of their last full length sophomore album 1998′ New Dark Age. Since that release, the band has released […]
Tags: 2018, Dark Descent Records, E.Thomas, Epic Doom Metal, Review, Solstice
Posted in Reviews, Reviews › D on Friday, March 9th, 2018
Cut from the same cloth as such old school classic death metal bands bands like Entombed, Dismember, and Grave, Netherlands quartet Deathmarch have put together a pretty tasty little debut EP. It consists of 5 tracks that total right at 21 minutes and is a perfect fix when you want to get back to basics. […]
Tags: 2018, Black Lion Records, Death Metal, Deathmarch, Kevin E, Review, Swedish
Posted in Reviews, Reviews › A on Thursday, March 8th, 2018
So about 8 years ago and for another webzine, I reviewed the second album from Australia’s Arkheth, IX & I: The Quintessence of Algaresh, a sprawling, brilliant, epic 2 CD , 10 song, 150 minute album of Symphonic black metal in the vein of Emperor, Keep of Kalessin, Dimmu Borgir et al. Well, apparently my review […]
Tags: 2018, Arkheth, Avant-Garde/Experimental, Black Metal, E.Thomas, Review, Transcending Obscurity Records
Posted in Reviews, Reviews › G on Wednesday, March 7th, 2018
Finland’s Galvanizer waste no time in cranking up the Boss HM-2 Pedals and blast-beating your souls away with their debut full length Sanguine Vigil. Having released some demo material and been around since 2013 these guys could give Rotten Sound or Nasum a run for their money. I love the cover artwork done by TG […]
Tags: 2018, Everlasting Spew Records, Galvanizer, Grindcore, Nick K, Review
Posted in Reviews, Reviews › S on Tuesday, March 6th, 2018
Based on the cover, name and album title, I was fully bracing for some thrash metal here, but it turns out Massachusetts’ Scalpel are a death metal band with a fondness of older 90s death metal and East Coast Death metal. There’s not much that needs to much explanation here. Scalpel’s second effort of no […]
Tags: 2018, Death Metal, E.Thomas, Review, Scalpel, Self-Released
Posted in Frontpage Feature, Reviews, Reviews › H on Monday, March 5th, 2018
Finland’s Hooded Menace have been slogging their brand of doom death metal for over a decade now and continue to hone their craft and get stronger with each release. Ossuarium Silhouettes Unhallowed, their 5th full length is such a monstrous release, I do not know where to begin. Adding more band members seems to add […]
Tags: 2018, Death/Doom Metal, Frank Rini, Hooded Menace, Review, Season of Mist
Posted in Reviews, Reviews › M on Friday, March 2nd, 2018
Hailing from the tiny country of Luxemborg, Mindpatrol’s third album is an ambitious, solid, concept based album of extreme/progressive melodic death metal that might appeal to fans of Opeth, Loch Vostok, Ne Obliviscaris and other ‘kitchen sink’ bands. As with most progressive bands, Mindpatrol’s Vulture City has a deep concept with this effort being about the […]
Tags: 2018, E.Thomas, Extreme Progressive Metal, Mindpatrol, Review, Self-Released
Posted in Reviews, Reviews › F on Thursday, March 1st, 2018
“Hailing from Melbourne, Australia, Faceless Burial are a power trio of unimaginable death metal might. Theirs is an unremittingly dark and dexterous sound which draws in a variety of death metal traditions: the gooey grind of early ’90s Finland, the spiraling surge of classic Tampa, the bazooka-blown fury of old Brazil, the atonal angularity ushered […]
Tags: 2018, Blood Harvest Records, Death Metal, Faceless Burial, Iron Lung Records, Kristofor Allred, Review
Posted in Reviews, Reviews › H on Wednesday, February 28th, 2018
I was first exposed to Harm’s Way many years ago when I saw them open for Hate Eternal (if I recall right). I remember being blown away by their energy and their killer beatdown hardcore style, and the nasty vocal style of their oft-shirtless lead man (who looks like he could be a professional powerlifter). […]
Tags: 2018, Hardcore, Harm's Way, Kevin E, Metal Blade Records, Review
Posted in Reviews, Reviews › S on Tuesday, February 27th, 2018
As it goes, I found myself in a part of my music cycle where the lowest tuned riffs written by the lowest forms of subterranean life is what I seek. So I go get lost in the pit of decaying offal that is the Slam Worldwide YouTube channel until I find something new that hits […]
Tags: 2018, Agonal Breathing, Brutal Death Metal, Lord of the Sick Recordings, Mars Budziszewski, Review
Posted in Reviews, Reviews › G on Monday, February 26th, 2018
If you enjoyed Temple of Void‘s Lords of Death last year, Washington D.C’s Genocide Pact will make you happy with their second album, their Relapse Records debut, Order of Torment as it present the same sort of simple, groove based mid tempo doom/death metal, just with a little less experimentation. As with Temple of Void, […]
Tags: 2018, Death Metal, E.Thomas, Genocide Pact, Relapse Records, Review
Posted in Reviews, Reviews › A on Friday, February 23rd, 2018
Sacramento’s Alterbeast are bringing in the New Year with their 2nd full length release Feast. I really have to hand it to Unique Leader they waste absolutely zero time transitioning from year to year and continue to find outstanding groups with outstanding musicianship. With that being said opening up an album with a piano instrumental […]
Tags: 2018, Alterbeast, Nick K, Review, Technical Death Metal, Unique Leader Records
Posted in Reviews, Reviews › B on Thursday, February 22nd, 2018
The question of whether you really need to check out Boia, and their debut EP, Chivalry of Death, is simply this: “How much do you bleed for Altars of Madness?” Now don’t get me wrong, any self-respecting metalhead has at least one copy of the seminal debut from Morbid Angel in their collection, but that […]
Tags: 2018, Boia, Calligari Records, Death Metal, Kristofor Allred
Posted in Reviews, Reviews › R on Wednesday, February 21st, 2018
California’s Ruin have been around since 1991 with an array of cassettes, Demos and splits under their belt. There are rumors of the band being arrested and institutionalized and they are clouded in mystery. But finally released they their debut album in 2017, Drown in Blood in the spring of last year, and it was […]
Tags: 2018, Death Metal, E.Thomas, Horror Pain Gore Death Productions, Review, Ruin
Posted in Reviews, Reviews › V on Tuesday, February 20th, 2018
I’m not familiar with California’s Valdur other than they started out as a standard USBM band back about a decade ago and this very site reviewed their 2009 split with Fellow Californians Lightning Swords of Death, whom i have heard. So I was in fact expecting some black metal, but what I got was an […]
Tags: 2018, Black/Death Metal, Bloody Mountain Records, E.Thomas, Review, Valdur
Posted in Blog, Frontpage Feature on Monday, February 19th, 2018
What do you know? It’s still winter! Don’t believe us? Just look at all those fine specimen competing in South Korea! No? How about this then: We’ve teamed up with Transcending Records and Clawhammer PR for a WINTER GIVEAWAY where you can win, not just one, but two actual VINYL releases and 4 CDs from acts such as Cardiac Arrest, Rotting Obscene, Affasia, Vesperian Sorrow, Monolith Cult and Frost Giant. That’s a pretty big package Santa forgot to deliver. So what do you need to win this 2 LP + 4 CD package? Click on to find out!
Tags: 2018, Giveaway, Transcending Records
Posted in Reviews, Reviews › F on Friday, February 16th, 2018
US based folk/epic/viking metal is somewhat of a rarity. I’d have to go back to maybe Hammer Horde to find one that really hit everything on the head. But here comes Pennsylvania’s Frost Giant and their ambitious and often down right brilliant debut. Listen- there is a lot going on here- not just epic folk […]
Tags: 2018, E.Thomas, Folk Metal, Frost Giant, Review, Transcending Records, Viking/Folk Metal
Posted in Reviews, Reviews › A on Thursday, February 15th, 2018
Okay, here I am venturing outside my normal realms and diving into more black metal. Auðn hail from Iceland and my bud, Graham, Deepsend Records owner, sent me their s/t debut a few years ago and I was hooked. The band sings in their native language and the best way to describe them is atmospheric […]
Tags: 2018, Auðn, Black Metal, Frank Rini, Review, Season of Mist
Posted in Reviews, Reviews › R on Wednesday, February 14th, 2018
I would imagine that the members of River of Souls have been called many things within their life and career, though I highly doubt that the term “slackers” has ever been one of them. Having just released their debut full-length, The Well of Urd, upon listeners just a mere few months ago, the band have […]
Tags: 2018, Kristofor Allred, Review, River of Souls, Self-Released
Posted in Reviews, Reviews › V on Tuesday, February 13th, 2018
Vvilderness is the brain child of one Hungarian man, Vvildr, and Devour the Sun is his Vvilderness debut (he has some other purely instrumental bandcamp releases under the moniker ‘Release the Longships’). Originally independently released on bandcamp last year, Russia’s Casus Belli and Australia’s Beverina Records has picked up the rights and is releasing a […]
Tags: 2018, Atmospheric Black Metal, Casus Belli Musica, E.Thomas, Review, Vvilderness
Posted in Reviews, Reviews › M on Friday, February 9th, 2018
I’m not a big ‘stoner’ metal guy, but I do like me some big fuzzed out riffs and sludgy guitars, and the press sheet for Outlander, the second album from Norway’s Mammüth dropped both, so I checked it out on a whim. I’m glad I did- though outside of my usual musical strike zone, Mammüth deliver a pretty […]
Tags: 2018, E.Thomas, Mammüth, Negative Vibe Records, Review
Posted in Reviews, Reviews › D on Wednesday, February 7th, 2018
For three albums now, Finland’s Decaying have delivered their Bolt Thrower/Asphyx take on war themed death metal with solid results. But with the switch from Hellthrasher Productions to FDA Records, the band appear to have deiced to change things up a bit and spread their creative wings a little. Not that the band still does […]
Tags: 2018, Death Metal, Decaying, E.Thomas, FDA Records, Review
Posted in Frontpage Feature, Reviews, Reviews › G on Monday, February 5th, 2018
I’ve been impressed with new label Raw Skull Recordz and their early releases from Bullcreek and Graceless, but the debut full length from Sweden’s Gravestone is clearly the label’s best effort so far (at least until the new Just Before Dawn?) . You know exactly what you are getting here as the band features Penki Samuelsson from […]
Tags: 2018, Death Metal, E.Thomas, Gravestone, Old School, Raw Skull Recordz, Review
Posted in Reviews, Reviews › M on Friday, February 2nd, 2018
Without question Metallica’s Master of Puppets, in 1986, is one of the all-time greatest thrash metal records ever to be released. This is the album that platooned them into super stardom. Along with their US tour with Ozzy, Metallica then began to rise to a popularity that many groups only have dreams of. Last year, Metallica […]
Tags: 2018, Blackened Recordings, Frank Rini, Metallica, Reissue, Review, thrash metal