Posts Tagged ‘2018’
Posted in Reviews, Reviews › N on Tuesday, April 17th, 2018
After a demo and a 7”, Kentucky’s psycho-sludge duo Nest return with a pulverizing, drugged-out LP, Metempsychosis, an album that breaks all of the rules and sends dirge lovers on a harrowing trip through the nastiest recesses of the human mind. As thick as many of the dirtiest 4 to 5 member sludge bands with […]
Tags: 2018, Jay S, Nest, Review, Self-Released
Posted in Frontpage Feature, Reviews, Reviews › P on Monday, April 16th, 2018
Album number 9 from Ireland’s favorite sons see the band stick doggedly to the now perfected cragged, epic metal but also sees the band become a more tempered, somber act that results in an album that continues the band’s legacy, but seems to have a strange air of exasperation and despondency to it that I […]
Tags: 2018, E.Thomas, Metal Blade Records, Primordial, Review
Posted in Reviews, Reviews › A on Friday, April 13th, 2018
Well call me a sucker for French Black Metal bands garbed in plague masks. Abduction return with their 2nd full length record. “Sous les Cendres et la Pierre” opens up the album with some lovely clean guitar lines and accompanying tom rolls from the percussion section. The song continues to build and transitions effortlessly for […]
Tags: 2018, Abduction, Finisterian Dead End, Nick K, Review
Posted in Reviews, Reviews › R on Thursday, April 12th, 2018
Any one of my death metal brothers and sisters in the scene know by now I feel Germany’s Revel in Flesh have been one of my favorite death metal fans for the last 5-6 years. Their brand and take on the classic heavy Swedish death metal sound is pulverizing. With four (4) killer albums […]
Tags: 2018, Frank Rini, Revel in Flesh, War Anthem Records
Posted in Reviews, Reviews › G on Wednesday, April 11th, 2018
If you like your death metal cavernous, oppressive, miasmal and distinctly Australian, then the excellent self released debut from Sydney’s Golgothan Remains is right up yer ally. With a clear Incantation backbone with murky, discordant hints of Ulcerate and country mates Portal, the aptly named Perverse Offerings to the Void delivers something that fans of Dark […]
Tags: 2018, E.Thomas, Golgothan Remains, Review, Self-Released
Posted in Reviews, Reviews › P on Tuesday, April 10th, 2018
Album number 2 from Norwegian, classic doom trio Purple Hill Witch does everything a sophomore album follow-up should do. Their LP debut, a monstrously grooved Self-Titled on stalwart label The Church Within was an ode to the first 6 Sabbaths, the glory days of Hellhound Records (and Maryland doom in general) with a touch of […]
Tags: 2018, Jay S, Purple Hill Witch, Review, The Church Within Records
Posted in Frontpage Feature, Reviews, Reviews › N on Monday, April 9th, 2018
When it comes to discordant, atonal, nightmarish, murky, chaotic, atmospheric death metal, Canada has Gorguts , Poland has Redemptor, England has Abyssal, Spain has Altarage, Portugal has The Ominous Circle, The Netherlands has Dodecahedron, Denmark has Phrenelith, Finland has Corpsessed, New Zealand has Ulcerate, Australia has Portal, Switzerland has Schammasch And now the US has Nightmarer. With the aptly […]
Tags: 2018, E.Thomas, Nightmarer, Review, Season of Mist
Posted in Reviews, Reviews › L, Reviews › N on Friday, April 6th, 2018
Capping off a trifecta of killer sludge releases I had on the chopping block for review, this next one is a nascent split vinyl EP from nihil. Minneapolis lunatics No Funeral occupy side 1 with their crustified slug-stomp sleaze while side 2 offers up one long bomber from their same city mates, Livid. Both bands […]
Tags: 2018, Jay S, Live Fast Die Recordings, Livid, No Funeral, Review, Sludge Metal
Posted in Reviews, Reviews › B on Thursday, April 5th, 2018
Oh man this is good! Rumbling, tumbling sludge with a burly death metal back bone and tangible nods to the likes of Lurk, Warcrab, Yellowtooth, Crowbar, latter Gorefest , early Mastodon, label/country mates Demonic Death Judge, and for a super obscure reference, now defunct Michigan act, If He Dies, He Dies. Apparently starting out as a more […]
Tags: 2018, Black Royal, E.Thomas, Review, Sludge Metal, Suicide Records
Posted in Reviews, Reviews › N on Wednesday, April 4th, 2018
Forgive me if you will, for as much as I like to use band comparisons for the ease and convenience of conveyance, I don’t want to be that guy who constantly mentions one band while reviewing another…but I’m gonna be that guy who constantly mentions one band while reviewing another. Though in the case of […]
Tags: 2018, Death Metal, Kristofor Allred, Neoceasar, Review, Xtreem Music
Posted in Reviews, Reviews › G on Tuesday, April 3rd, 2018
2017 year was a pretty good year for lesser know folk/viking metal. While Ensiferum continued to stale with Two Paths, and Wintersun, delivered yet another bloated over hyped release, bands liked Wolfchant, Tersivel , Atlas Pain and Nordheim, Incursed released some really good albums that actually deserved more attention. Well, early in 2018, Dalriada ( my new […]
Tags: 2018, Despotz Records, E.Thomas, Grimner, Review, Viking/Folk Metal
Posted in Frontpage Feature, Reviews, Reviews › S on Monday, April 2nd, 2018
California’s Skeletal Remains have composed and performed one of the year’s best death metal albums with their 3rd studio full length record Devouring Mortality. The attention to detail exhibited is outstanding. Starting off with Dan Seagrave’s brilliant cover artwork (Morbid Angel, Entombed, Malevolent Creation), these guys clearly wanted to present the look of an early […]
Tags: 2018, Dark Descent Records, Death Metal, Nick K, Old School, Review, Skeletal Remains
Posted in Reviews, Reviews › B on Friday, March 30th, 2018
In the grand tradition of underrated, fellow Chicagoans, Forest of Impaled, Blood of the Wolf erupt from the Midwest with a stellar sophomore release of pummeling, blood pumping blackened, death/war metal and it’s a god damn scorcher. I have not heard the band’s debut I: The Law of Retaliation, but you can bet I’ll be rectifying […]
Tags: 2018, Black/Death Metal, Blood of the Wolf, E.Thomas, Review, Self-Released
Posted in Reviews, Reviews › I on Thursday, March 29th, 2018
If you need a bit of an energy jolt for that one writing project you can’t quite finish and you don’t want another can of RedBull, may I suggest listening to the latest from Infected Dead? I will say this upfront, Just by looking at the cover, I was expecting a standard run of the […]
Tags: 2018, Death Metal, Hostile Media, Infected Dead, Review, Will 'Bones' Lee
Posted in Reviews, Reviews › L on Wednesday, March 28th, 2018
When you’re trying to keep up with all of the heavy stuff, rock n’ roll and dirty music you can handle, you’re going to be bound to miss something. In my case I miss a lot, but I’ll be goddamned by the Pope himself if I don’t try. Slovenian sludge crew Leechfeast totally missed my […]
Tags: 2018, Dry Cough Records, Jay S, Leechfeast, Review, Sludge Metal
Posted in Reviews, Reviews › M on Tuesday, March 27th, 2018
So two major label, modern tech death metal bands are going to be vying for your attention this spring. On Metal Blade we have Rivers of Nihil and their ambitiously evolved Where Owls Know My Name, on Prosthetic Records, we have Orlando’s ‘philosophical’ (not all of the band members are Christian), progressive death metal new comers, […]
Tags: 2018, E.Thomas, Monotheist, Prosthetic Records, Review, Technical Death Metal
Posted in Frontpage Feature, Reviews, Reviews › M on Monday, March 26th, 2018
It seems like every year there is a handful of massive funeral doom albums that are so meticulous that they take numerous listens to analyze. Funeral doom in and of itself can vary depending on artist and approach to instrumentation. This writer was caught a bit off guard in discovering Mournful Congregation’s fifth full […]
Tags: 2018, Doom Metal, Mournful Congregation, Nick K, Osmose Productions, Review
Posted in Reviews, Reviews › U on Friday, March 23rd, 2018
Stockholm’s The Ugly are back with album number three and follow up to 2015s decent Decreation. Not much has changed as the band still has ties to Marduk (whose Fredrik Widigs plays drums and the mastering/mixing was handled by guitarist Devo), and thusly the sound shows it with a frosty, razor sharp, slightly melodic take on blistering black […]
Tags: 2018, Black Metal, E.Thomas, Review, The Ugly, Vici Solum Productions
Posted in Reviews, Reviews › M on Thursday, March 22nd, 2018
Milwaukee Wisconsin’s Morta Skuld released their fourth album, Surface, in 1997 on the now defunct record label System Shock. The band had been pounding away at their grooving and punishing style of death metal for several years and guitarist/vocalist, Dave Gregor, Jason O’Connell-guitar, Jason Hellman-bass and Kent Truckenbrod showed no signs of letting up on […]
Tags: 2018, Frank Rini, Morta Skuld, Repulsive Echo Records, Review
Posted in Reviews, Reviews › V on Wednesday, March 21st, 2018
As LBGQT rights remain in the forefront of today’s political climate, so it creeps furthermore into extreme music. Mina Caputo of Life of Agony and Kat Shevil (Winds of Genocide) have been out front of the movement in metal for a while now, but it appears to be picking up. Just this month I received […]
Tags: 2018, Doom Metal, E.Thomas, Halo of Flies Records, Post-Metal/Sludge, Review, Vile Creature
Posted in Reviews, Reviews › A on Tuesday, March 20th, 2018
Spain’s Ataraxy has had some real nice prior releases. Their 2010 ep, Curse of the Requiem Mass and their debut album Revelations of the Ethereal are pretty crushing death doom albums. After a 6 year break, the band return with their second full-length album-Where All Hope Fades. There are only 6 true songs, as the […]
Tags: 2018, Ataraxy, Dark Descent Records, Frank Rini, Review
Posted in Frontpage Feature, Reviews, Reviews › V on Monday, March 19th, 2018
Back in 2015 I discovered this Indonesian atmospheric black metal act and their second album, Homeward Path was my favorite album of that year….by a long shot. So I’ve been eagerly awaiting the follow up since they announced it last year, and like Homeward Path, the sound has developed just a tad since the Black […]
Tags: 2018, Atmospheric Black Metal, E.Thomas, Northern Silence Productions, Review, Vallendusk
Posted in Reviews, Reviews › S on Friday, March 16th, 2018
Sentient Horror‘s debut 2016 album, Ungodly Forms was a killer release of Stockholm styled death metal that gave the likes of Entrails a run for their money, despite hailing from New Jersey. And now the band is back with a 5 track, 20 minute, stop gap EP between albums, and it shows a slightly different […]
Tags: 2018, Death Metal, E.Thomas, Old School, Redefining Darkness Records, Review, Sentient Horror, Swedish
Posted in Reviews, Reviews › N on Thursday, March 15th, 2018
I must say I enjoy listening to albums of groups like Necrophobic. I started becoming a fan of underground music as a teenager and Dark Funeral Secrets of The Black Arts was one of the first Swedish black metal albums that really resonated with me. Blackmoon’s influence on Dark Funeral added to the strength of […]
Tags: 2018, Black Metal, Century Media Records, Necrophobic, Nick K, Review
Posted in Reviews, Reviews › B on Wednesday, March 14th, 2018
I’ve been on a Bongzilla kick of late, and If you are unfortunate enough to be my friend on Facebook, you will know I recently asked for some recommendations similar to Bongzilla. I was craving more fuzzed out , nasty sludge with harsh vocals. The recommendations were solid with Dopethrone, Eyehategod and Demonic Death Judge being the […]
Tags: 2018, Beldam, E.Thomas, Horror Pain Gore Death Productions, Review, Sludge Metal