Posts Tagged ‘2017’
Posted in Reviews, Reviews › A on Friday, April 28th, 2017
Marquee Records owner, Armando Pereira truly knows his metal music. No disrespect to Finnish thrash metal band, Angel of Sodom, but I had never heard of them, up until recently. Upon gazing out the album cover for Divine Retribution you would think this is more geared towards classic or power metal, but no, it’s thrash […]
Tags: 2017, Angel of Sodom, Frank Rini, Marquee Records, Review
Posted in Reviews, Reviews › W on Thursday, April 27th, 2017
Hailing from the fertile metal lands of Stockholm, Sweden, unsung melodic black metal outfit Wormwood appear poised to raise their modest profile on the back of their hugely impressive debut LP. Taking cues from melodic black metal legends Dissection and Naglfar and blending these influences with traces of melancholic folk and pagan metal, Wormwood’s stellar […]
Tags: 2017, Luke Saunders, Non Serviam Records, Review, Wormwood
Posted in Reviews, Reviews › O on Wednesday, April 26th, 2017
Back in 2015, I ordered a Solium Fatalis CD from Canada’s Galy Records, as part of the order, I was granted a free bonus CD. I chose Ordoxe’s May Death Be My Shepard as a completely arbitrary, blind selection. As it turns out, I really enjoyed the band’s super melodic take on Scandinavian black metal, so […]
Tags: 2017, E.Thomas, Horror Pain Gore Death Productions, Ordoxe, Review
Posted in Reviews, Reviews › S on Tuesday, April 25th, 2017
First things first; hats off to Spectral Descent for being able to pique my interest in such a way that I damn near couldn’t wait to hear their debut album, Descending the Astral Plane. You see friends, like many of you, I love death metal. Love it! Luckily, I was a present and accounted for […]
Tags: 2017, Horror Pain Gore Death Productions, Kristofor Allred, Review, Spectral Descent
Posted in Frontpage Feature, Reviews, Reviews › W on Monday, April 24th, 2017
I loved everything Tuomas Saukkonen did with his Before the Dawn and Black Sun Aeon projects as well as Wolfheart, his latest endeavor. The band’s first two albums, Winterborn and Shadow World are near classics of Finnish melodic death metal that immediately put the band in the same conversation as as Insomnium and Amorphis, just without the lengthy discography. So here is album […]
Tags: 2017, E.Thomas, Review, Spinefarm Records, Wolfheart
Posted in Reviews, Reviews › M on Friday, April 21st, 2017
What better music to review post intestinal surgery, than classic-style death metal. Morbid Flesh play no-nonsense death metal rooted in 90’s European styles of which we are all familiar. Coming from Barcelona you can hear they absorbed bits from the various metal epicenters around Europe. You’ll hear the groove of the Netherlands, sinister crawl of […]
Tags: 2017, Mars Budziszewski, Morbid Flesh, Review, Unholy Prophecies
Posted in Reviews, Reviews › C on Thursday, April 20th, 2017
Truth be told, the review you are reading almost didn’t come to fruition. Not because I am a lazy procrastinator, (even though I am a lazy procrastinator) but because I could never seem to make it through the first track of The Committee‘s second full-length album, Memorandum Occultus, before I was just bored to tears […]
Tags: 2017, Folter Records, Kristofor Allred, Review, The Committee
Posted in Reviews, Reviews › R on Wednesday, April 19th, 2017
Atlanta’s Royal Thunder have developed into quite the rock outfit. I enjoyed their last album Crooked Doors that came out back in 2015. WICK has quite a different vibe from previous efforts, and this is shown right away with the opening track, “Burning Tree.” Opening up with some trancy, psychedelic-type guitar chord progressions, Mlny Parsonz […]
Tags: 2017, Nick K, Relapse Records, Review, Royal Thunder
Posted in Reviews, Reviews › C on Tuesday, April 18th, 2017
I’ve been a fan of Colorado’s Call of the Void, since their 2013 Dragged Down A Dead End Path debut and then the band following it up with Ageless in 2015. Both releases on Relapse Records. COTV play a blistering combination of crusty grind, with some hardcore/punk influences. Super aggressive and pissed off music. […]
Tags: 2017, Call of the Void, Frank Rini, Review, Translation Loss Records
Posted in Frontpage Feature, Reviews, Reviews › G on Monday, April 17th, 2017
So yeah, Ghost Bath is from North Dakota, not China. Let’s move past that and get right to the issue at hand- the band’s 3rd full length album and one which sees founder Dennis Mikula add members from the band’s first 2 releases as opposed to go it alone as he did on 2015s Moonlover, my […]
Tags: 2017, E.Thomas, Ghost Bath, Nuclear Blast Records, Review
Posted in Reviews, Reviews › M on Friday, April 14th, 2017
I have to admire Arizona’s Murkocet. They are stuck firmly in the early 00s American/thrash/groove slightly Nu metal scene, firmly influence by the likes of Lamb of God, Slipknot, Machine Head (circa The Burning Red/Supercharger), Devildriver, Chimaira, God Forbid and such. It’s a scene I wasn’t totally into, ( I never really got into Lamb […]
Tags: 2017, E.Thomas, Murkocet, Review, Self-Released
Posted in Reviews, Reviews › C on Friday, April 14th, 2017
Swiss brutal death metal band Carnal Decay is a name I have ran across a few times over the years, but honestly couldn’t recall any of their albums. When their new one came out I thought it would be a good chance to dive in and check them out, and unfortunately I dove head first […]
Tags: 2017, Carnal Decay, Kevin E, Review, Rising Nemesis Records
Posted in Reviews, Reviews › S on Thursday, April 13th, 2017
I’ve been following the development of this project for a while now, as for a small label and one man band, Dusktone and Scuorn‘ founder Guilian have thrown and a lot of resources and money at promoting and producing this project. And it apepars to have paid off. Touting it sound as ‘Parthenopean Epic Black Metal’, […]
Tags: 2017, Dusktone, E.Thomas, Review, Scuorn
Posted in Reviews, Reviews › B on Wednesday, April 12th, 2017
This here release, I will readily admit, I completely got because of the cover artwork alone. I being a artist, was hugely influenced by Conan The Barbarian, both in novel and comic form. All the artists that worked on the Savage Sword of Conan, definitely set me on my artistic path. So upon seeing this […]
Tags: 2017, Barbarian Swords, Cimmerian Shade Recordings, Review, Will 'Bones' Lee
Posted in Reviews, Reviews › H on Tuesday, April 11th, 2017
It looks like we have another burgeoning Rogga Johannsson in the making by way of Sweden’s Johnny Pettersson. Not only did he feature in the reactivated Wombath, he is in Ashcloud, Gods Forsaken, Human Harvest, Just Before Dawn, Syn;Drom, Skineater, Vholdghast and produces/mixes or masters in all of those projects. On Henry Kane (The creepy […]
Tags: 2017, E.Thomas, Henry Kane, Review, Transcending Obscurity Records
Posted in Frontpage Feature, Reviews, Reviews › P on Monday, April 10th, 2017
From a very early point in their career it was evident that much lauded Arkansas doomers Pallbearer were something special. Debut LP Sorrow and Extinction brought doom to the masses with its spellbinding mix of traditional doom topped with powerful vocal melodies, an intense emotional pull and enough modern sensibilities to appeal to a broader […]
Tags: 2017, Luke Saunders, Pallbearer, Profound Lore Records, Review
Posted in Reviews, Reviews › D on Friday, April 7th, 2017
Finland’s Demonic Death Judge is one of those bands that attracted me on name alone. Their debut LP The Descent was the first one that I heard and it made me an instant kneeler at their altar of godless, unholy sludge. The Judge’s sound is steeped in filthy bayou blues with the dirty, metallic […]
Tags: 2017, Demonic Death Judge, Jay S, Review, Suicide Records
Posted in Reviews, Reviews › G on Thursday, April 6th, 2017
After 2 fine albums on Les Acteurs de l’Ombre Productions in 2012s Al Azif, and 2014s Teliki-Li, I was curious how this fast rising Lovecraft themed black metal act would fare after the jump to the big leagues on Season of Mist. Well, after a while to grasp the effort, it seems the result is a […]
Tags: 2017, E.Thomas, Review, Season of Mist, The Great Old Ones
Posted in Reviews, Reviews › G on Wednesday, April 5th, 2017
Goatmoon have little web presence, only recently creating a Facebook page and managed by an affiliate of the band. They show little interest in interviews, or articulating their ideologies, opinions, or musings beyond the music they release. In fact, I can already hear him spouting dismissal and obscenities in harsh Finnish, “Critics and reviewers can […]
Tags: 2017, Hells Headbangers/Werewolf Records, Mars Budziszewski
Posted in Reviews, Reviews › C on Tuesday, April 4th, 2017
Condition Critical hail from New Jersey band and play a brutal form of thrash metal. They do have some death metal elements with some snarled vocal tones every so often and some of the riffs, but by and large they’re thrash. They have been essentially nicknamed and aptly so, Demolition Hammer Jr. Due to Demolition […]
Tags: 2017, Condition Critical, Frank Rini, Marquee Records, Review
Posted in Reviews, Reviews › F on Monday, April 3rd, 2017
Maine’s Falls of Rauros improved greatly from their 2011 debut, The Light That Dwells in Rotten Wood, to 2014s Believe in No Coming Shore, which made my 2014 year end list. And now with album number four, I feel these guys have absolutely reached elite status, as Vigilance Perennial, isn’t just going to be on my […]
Tags: 2017, Bindrune Recordings, E.Thomas, Falls of Rauros, Review
Posted in Blog, Frontpage Feature on Monday, April 3rd, 2017
Welcome back to one of our few traditions here at TeethoftheDivine (if you can call 3 years a tradition) – our annual Fillings and Cavities feature. Here, our staff open wide and revisit 2016 to select releases that we failed to review or mention in our year-end lists. Don’t forget to floss afterwards.
Tags: 2017, Fillings and Cavities
Posted in Reviews, Reviews › B on Friday, March 31st, 2017
I’ve been listening to France’s Benighted ever since I reviewed 2004s Insane Cephalic Production for Digitalmetal.com and it blew me away. And it struck me as I prepared for this review that the band is 8 albums and 17 years into their career and all the albums are simply killer (how many current, active death […]
Tags: 2017, Benighted, E.Thomas, Review, Season of Mist
Posted in Reviews, Reviews › M on Thursday, March 30th, 2017
Living around the Pittsburgh area means the spoils of heavy, overcast riff rock are always within my reach. The area around me seems to be thriving harder than ever in terms of punishing rock n’ roll groove and here to set that example in concrete is Monolith Wielder. This mutinous crew of scene vets aren’t […]
Tags: 2017, Argonauta Records, Jay S, Monolith Wielder, Review
Posted in Reviews, Reviews › N on Wednesday, March 29th, 2017
Man, Season of Mist are consistent in their ability to find amazingly diverse artists to add to their roster. Nidingr’s Third Full length record The High Heat Licks Against Heaven is another prime example of Season of Mist being able to deliver amazing releases. Teloch and company continue to develop their unique style of perverted […]
Tags: 2017, Nick K, Nidingr, Review, Season of Mist