Posts Tagged ‘2017’
Posted in Reviews, Reviews › F on Thursday, November 16th, 2017
I got pretty into Sweden’s crusty, forward-minded sludge thrashers Galvano during their demo days, so much so that I gladly did a press release for them when the opportunity came about. From those lo-fi (though sonically noteworthy) demos to their piledriving, farewell full-length, Trail of the Serpent, Galvano were a gem of a doom-y metal […]
Tags: 2017, Firebreather, Jay S, Review, Suicide Records
Posted in Reviews, Reviews › C on Wednesday, November 15th, 2017
What we have here as an impressive self released debut of Lovecraft themed melodic black/death metal from Denver’s Crafteon. Eschwing the usual Lovecraftian throes (churning miasmal chaos or deep complex, atmospheric black metal), Crafteon go for a cleaner, sharper sound more akin to Dissection, Dimmu Borgir or Ancient’s better output. The guitars have a crisp clean […]
Tags: 2017, Crafteon, E.Thomas, Review, Self-Released
Posted in Reviews, Reviews › D on Tuesday, November 14th, 2017
Canada’s death metal scene is much like many death metal scenes in other countries in that there are dozens of groups across the country putting their own spin on their own sound and approach. Enter Canada’s Deity with their debut album Deity. I could have very easily missed this release this year but after reading […]
Tags: 2017, CDN Records, Deity, Nick K, Review
Posted in Frontpage Feature, Reviews, Reviews › D on Monday, November 13th, 2017
Finland’s Desolate Shrine return with their fourth album, Deliverance from the Godless Void. 8 songs in 56 minutes. Yes they still write long songs. The guitar tone on this album, is maybe not as formidable as prior releases, but it’s still there. It could be due to the mix, on the album. A bit wonky […]
Tags: 2017, Dark Descent Records, Desolate Shrine, Frank Rini, Review
Posted in Reviews, Reviews › P on Friday, November 10th, 2017
Though a Milwaukee super group of sorts, featuring current and ex members of new black metal act Prezir (who I highly recommend) , gloomy hardcore act Protestant and crust mongers Enabler, Pig’s Blood would have you believe they come from South America, by way of Pete Helmkamp’s (Angelcorpse) fever dreams with a debut album of bestial, snarling, barbaric black/death […]
Tags: 2017, Godz Ov War Productions, Pig's Blood, Review
Posted in Reviews, Reviews › N on Thursday, November 9th, 2017
Greece’s Necrovorous have been around since 2005. When the Dark Descent sampler came out and there was a preview for one of the tunes off this new album I was impressed. I saw DDR had the band’s 2011 debut Funeral for the Sane in their distro section. I ordered that and the new album, Plains […]
Tags: 2017, Dark Descent Records, Necrovorous, Review
Posted in Reviews, Reviews › K on Wednesday, November 8th, 2017
I’m not sure how much, you the readers may be following the issues recently happening in Spain, Barcelona about the Catalan Independence, in particular with some marches, protests and much of the tense situation that is happening. I won’t go into details, this is a music site, not a political one, so suffice it to […]
Tags: 2017, Hells Headbangers, Kristofor Allred, Krossfyre, Review
Posted in Frontpage Feature, Reviews, Reviews › C on Monday, November 6th, 2017
If there was one band I feel like I could copy and paste a review from a prior release, change to song titles and call it good, it would be Cannibal Corpse. And sometimes that’s not necessarily bad thing, and that’s the case with Cannibal Corpse‘s 14th studio album. Despite all the pre album talk […]
Tags: 2017, Cannibal Corpse, E.Thomas, Metal Blade Records, Review
Posted in Reviews, Reviews › D on Friday, November 3rd, 2017
Well this is a most unrelentingly brutal release to get us moving into the fall season. Italy’s Daemusinem debut with their first release Thy Godly Defiance released by Willowtip Records. I was excited to hear about this project in being a fan of the group Putridity. Daemusinem is in no way like Putridity other than […]
Tags: 2017, Daemusinem, Nick K, Review, Willowtip Records
Posted in Reviews, Reviews › D on Thursday, November 2nd, 2017
Damnation Defaced are a German quintet that touts groove as a major selling point to their death metal sound, and I gotta say they are right on with that description. After going through the album a few times, the main comparison that jumped out was Kataklysm, only with a bit more of the aforementioned groove. […]
Tags: 2017, Apostasy Records, Damnation Defaced, Kevin E, Review
Posted in Reviews, Reviews › D on Wednesday, November 1st, 2017
What do H. G. Wells, Doctor Who, Emmett Lathrop Brown, Bill S. Preston, Esquire, Ted “Theodore” Logan, and Chile’s Demoniac, and their debut full-length album, Intemperance, all have in common? Time travel of course, you silly gooses. In fact, Intemperance may be the closet thing any of us actually get to achieving time travel here […]
Tags: 2017, Demoniac, Kristofor Allred, Review, Witches Brew
Posted in Reviews, Reviews › R on Tuesday, October 31st, 2017
I really couldn’t claim that I knew a lot of Norwegian doom until Purple Hill Witch’s debut long player crushed my heart in that early Hellhound Records’/Count Raven style that always alternated effortlessly between melodic and flesh ripping riffage (with vocals and rhythmic crunch to match). Their mates of state Red Mountains won me over […]
Tags: 2017, All Good Clean Records, Jay S, Red Mountains, Review
Posted in Frontpage Feature, Reviews, Reviews › S on Monday, October 30th, 2017
Well you may not know but 75% of Spectral Voice are also in Blood Incantation. If you did not know that, well then you learned something new today, so be happy. Spectral Voice have been around for 5 years and their Necrotic Doom ep is what really started making the underground take notice. I saw […]
Tags: 2017, Dark Descent Records, Frank Rini, Review, Spectral Voice
Posted in Reviews on Friday, October 27th, 2017
Nashville, Tennessee’s Laser Flames on the Great Big News may not have an easily digestible name but their motor revving, road ready blend of proto-metal guitar grandeur, infectious vocal trade-offs between Stevie Bailey (guitar/vocals) and John Judkins (guitar vocals), rough n’ tumble punk-inspired rhythms, psychotic murder metal touches and the auxiliary keyboard support of producer […]
Tags: 2017, Jay S, Laser Flames on the Great Big News, Review, Self-Released
Posted in Reviews, Reviews › A on Thursday, October 26th, 2017
In the last decade, a band hell-bent on causing total annihilation has emerged from the murky underground to deliver just that. All Pigs Must Die has become nothing less than a force of nature, destroying everything in its path with some of the most violent music in recent history. The group’s ferocious riffs and psychotic […]
Tags: 2017, All Pigs Must Die, Benjamin Cedotal, Review, Southern Lord Recordings
Posted in Reviews, Reviews › B on Wednesday, October 25th, 2017
During past Halloweens, I’ve set the mood for trick-or-treaters by playing horror movie music – The Exorcist, Halloween, Poltergeist – and baroque Cradle of Filth instrumentals out of the windows. If I really wanted to terrify our visitors this year though, I could switch it up for the new Blut Aus Nord. Then again, it might […]
Tags: 2017, Atmospheric/Ambient, Blut Aus Nord, Debemur Morti Productions, Jordan Itkowitz, Review
Posted in Reviews, Reviews › B on Tuesday, October 24th, 2017
Despite switching from FDA Rekotz to FDA Records, the German label has stayed true to delivering old school death metal, especially the Swedish/Stockholm style finding bands from Germany like Endseeker, Revel in Flesh, Lifeless as well from as other countries like Funeral Whore, Fatalist, Ending Quest and Massive Assault. Well, add Italy to the list in […]
Tags: 2017, Blood of Seklusion, E.Thomas, FDA Records, Review
Posted in Frontpage Feature, Reviews, Reviews › E on Monday, October 23rd, 2017
Contextually, this album was a challenge for me to write. As a fifteen year old some twenty two years ago I was fortunate enough to Bergen Norway’s Enslaved at Mirage in Minneapolis along with fellow Osmose Productions label mates at the time, Absu. Unfortunately for me Mirage in Minneapolis has not existed for many years […]
Tags: 2017, Enslaved, Nick K, Nuclear Blast Records, Review
Posted in Reviews, Reviews › R on Friday, October 20th, 2017
I’m not sure what it was that made me choose to cover The Netherlands’ based act, River of Souls, and their debut album, The Well of Urd. Maybe it was divine intervention from the metal gods themselves. Whatever it was that drove me toward the band, I am glad it did, as River of Souls […]
Tags: 2017, Kristofor Allred, Review, River of Souls, Self-Released
Posted in Reviews, Reviews › B on Thursday, October 19th, 2017
Amidst the myriad of styles and cross-genre pollination, sometimes it’s nice just to get back to the bare basics of what draws many of us to metal in the first place: speed, aggression and riffs, riffs, riffs. Australia’s Bloodlust keep things lean, mean and appropriately nasty with their violent brand of old school blackened […]
Tags: 2017, Bloodlust, Caverna Abismal Records, Luke Saunders, Review
Posted in Reviews, Reviews › L on Wednesday, October 18th, 2017
There is a host of bands vying for the throne left vacant by Dismember. The likes of Infected Chaos, Brutally Deceased, Harm, Blood of Seklusion, Evocation, Endseeker, Massive Assault, Fatalist, Interment and Germany’s Lifeless are certainly near the top of the list. I’ve cowered the bands prior two efforts, 2010 Beyond the Threshold of Death and […]
Tags: 2017, E.Thomas, FDA Records, Lifeless, Review
Posted in Reviews, Reviews › P on Tuesday, October 17th, 2017
After hanging out with David Mikkelsen, from Undergang, during their recent US tour, he mentioned he was also in Phrenelith, from Denmark and their debut album, Desolate Endscape was out on Dark Descent Records, but that the music was different than Undergang. Obviously on Dark Descent Records, for me is going to be an immediate […]
Tags: 2017, Dark Descent Records, Frank Rini, Phrenelith, Review
Posted in Reviews, Reviews › B on Monday, October 16th, 2017
First, hats off to Mariusz Lewandowski, who created the cover art for Bell Witch‘s third album, for it was this striking artwork that got me to check out this otherwise new to me band. Second, holy. fuck. I have not been utterly moved by a Funeral Doom album for a few years, probably since Funeral’s From […]
Tags: 2017, Bell Witch, E.Thomas, Profound Lore Records
Posted in Blog, Frontpage Feature on Monday, October 16th, 2017
Sauna Open Air shut down a few years ago after some financial hurdles, so we were surprised to see the name pop up again in 2017. Rebranded as “Sauna Classic,” the festival has returned to its roots with a more traditional and local heavy metal line-up. Naturally, Teeth went in to find out how this scaled-down operation is working now.
Tags: 2017, Gig Report, Mikko, Sauna Classic, Sauna Open Air
Posted in Reviews, Reviews › S on Friday, October 13th, 2017
Iceland’s black metal scene has seen an absolute explosion of fantastic releases in recent years. It seems that new frostbitten collectives are emerging almost daily to deliver what has become an unheavenly new standard in blackened insanity. One of the obvious frontrunners in this movement is Sinmara, a five-piece band that crosses the barrier from […]
Tags: 2017, Benjamin Cedotal, Review, Sinmara, Terratur Possessions