Posts Tagged ‘2014’
Posted in Reviews, Reviews › A, Reviews › G on Friday, March 21st, 2014
Wow, my first review for TOTD, and I just happen to pick a split album. Spawn of the Sacrilege? Hmmmm, sounds interesting. Now, normally I like split albums, especially with HPGD since they usually put out some pretty quality ones, but every once in awhile I’ll get one that just doesn’t work out as possibly […]
Tags: 2014, Arduous Task, Gravewurm, Horror Pain Gore Death Productions, Review
Posted in Reviews, Reviews › I on Thursday, March 20th, 2014
Back in 2009 I reviewed the second album, The End of an Era from this Tennessean melodic black/death metal act. It was a solid The Black Dahlia Murder inspired slab of shredding metal, but nothing that really upped the game at all. Well, with a significant lineup change (now with even more former and current […]
Tags: 2014, E.Thomas, Inferi, Review, The Artisan Era
Posted in Reviews, Reviews › S on Wednesday, March 19th, 2014
Apparently a few of the strange Swedes in experimental black metal act, Bergraven, felt like doing something more traditional when they teamed up with their buddy, A. Peterson of De Arma and Lönndom to form Stilla. The project’s 2013 debut, Till stilla falla, was a nice surprise of cold, Polish-sounding (Furia, Mgła) black metal. Ensamhetens […]
Tags: 2014, Adam Palm, Nordvis Produktion, Review, Stilla
Posted in Reviews, Reviews › N on Tuesday, March 18th, 2014
It’s pretty simple really- if you look me/my site up, ask politely and personally for a review, send a CD and follow up equally as politely, chances are I will give your album a few listens and publish my worthless opinion on it, good or bad. And the Brothers Guzman, did just that for their […]
Tags: 2014, E.Thomas, No Trust, Review, Self-Released
Posted in News on Monday, March 17th, 2014
From Arch Enemy’s facebook Page: “In early June 2014, ARCH ENEMY will unleash their 9th studio album, War Eternal, worldwide via Century Media Records and Trooper Entertainment in Japan. With this upcoming release, the band will introduce a new member to their ranks: Alissa White-Gluz, former vocalist of Canadian extreme metallers THE AGONIST. Angela Gossow, […]
Tags: 2014, Arch Enemy, News
Posted in Reviews, Reviews › T on Monday, March 17th, 2014
Hailing from Philadelphia, PA, Trenchrot’s debut for Dark Descent Records imprint Unspeakable Axe, is an old school death/thrash record that culls from all the old school acts of the late 80s and early 90s from both the US and Europe. Like the recent release from Roarback, it’s a raucous, simple, fun, skeletal affair that makes no […]
Tags: 2014, E.Thomas, Review, Trenchrot, Unspeakable Axe Records
Posted in Reviews, Reviews › A on Monday, March 17th, 2014
Firstly, my apologies to the band for not punching out the review of this early year release a little sooner. Tardiness aside, the debut album from Sweden’s Astrophobos taps into the melodic black metal vein, championed by the likes of Dissection and Naglfar in the 90’s, and does a very capable job of refreshing what […]
Tags: 2014, Astrophobos, Luke Saunders, Review, Triumvirate Records
Posted in Blog, Frontpage Feature on Monday, March 17th, 2014
The fine, if balding folks at Clawhammer PR, one of our very favorite PR companies is in a giving mood for spring. And one lucky, randomly picked TeethoftheDIvine.com reader will get some serious musical loot from some of Clawhammer’s finest clients; Old school Thrashers Omnivore, dusty death metal mavens Trenchrot from Unspeakable Axe Records, brutal French tech death metal crew Insain from Kaotoxin Records, USBM act Shroud of Despondency (Independent) and Black/Thrash Brits Cultfinder (Eldritch Lunar Miasma Records).
Tags: 2014, Clawhammer PR, Cultfinder, Giveaway, Insain, Omnivore, Shroud of Despondency, Trenchrot
Posted in Reviews, Reviews › G on Monday, March 17th, 2014
Hailing from AustraliaGaped is 1 man death metal project, from Ryan Huthnance, & is some killer death metal. He was formerly in Mortal Sin and my forthcoming interview with him will delve into how he does all the instruments, etc… The Murderous Inception is a 6 song ep that all lovers of Chris Barnes era […]
Tags: 2014, Frank Rini, Gaped, Lacerated Enemy Records, Review
Posted in Reviews, Reviews › V on Friday, March 14th, 2014
Formerly known as Bolero, Toronto’s newly remaned Vesperia are part of a suddenly surprisingly strong Canadian folk/Viking metal scene that includes the likes of Will of the Ancients, Crimson Shadows, Valfreya, Trollwar, Nordheim, Battlesoul, and of course Blackguard just to name a few. I’m not sure why the canucks have latched into the sound and delivered […]
Tags: 2014, E.Thomas, Review, Self-Released, Vesperia
Posted in Reviews, Reviews › T on Thursday, March 13th, 2014
How this band isn’t more well-known is beyond me. In a world of musical styles being constantly blended, theirs seems to be a sound wholly their own. A slight mix of down tempo grunge and what could be misconstrued as shoegaze, they manage to not only be consistently rhythmic but also, in a cerebral sense, […]
Tags: 2014, Chris S, Relapse Records, Review, True Widow
Posted in Reviews, Reviews › I on Wednesday, March 12th, 2014
Switzerland’s Impure Wilhemina have been dark since 2008s excellent Prayers and Arsons, where the band delivered a gorgeous take on elegant post rock a la Burst and The Ocean. However, the band has undergone a large line up shift, resulting in a bit of a style change since that release, and tempered their sound a bit, […]
Tags: 2014, E.Thomas, Hummus Records, Impure Wilhemina, Review
Posted in Reviews, Reviews › C on Tuesday, March 11th, 2014
The transatlantic collaborative beast known as Culted is back with album number two for Relapse. Their 2009 debut Below the Thunders of the Upper Deep was a heavy, fuzzed out dagger of blackened doom and sophomore effort Oblique to All Paths continues the established formula of shambling guitar and thick layers of distorted vocals. A […]
Tags: 2014, Chuck Kucher, Culted, Doom, Relapse Records
Posted in Reviews, Reviews › L on Monday, March 10th, 2014
Rounding out Dark Descent’s excellent trio of early 2014 releases (inc. Corpsessed and Lvcifyre) in the sophomore album from Finland’s long running death metalers, Lie In Ruins (formerly Dissected back in the 90s). And while not as crushing or cavernous as their label mates above, Lie In Ruins still deliver a powerful if more traditional, […]
Tags: 2014, Dark Descent Records, E.Thomas, Lie In Ruins, Review
Posted in Reviews, Reviews › N on Monday, March 10th, 2014
2008 saw the emergence of this Arizona based guttural death metal act, that due to line-up troubles saw the band almost breaking up. Necrambulant put the pieces back together and their signing to Lacerated Enemy Records helped bring about Infernal Infectious Necro-Ambulatory Pandemic, their debut album. If you have bands like Epicardiectomy, Abominable Putridity or […]
Tags: 2014, Frank Rini, Lacerated Enemy Records, Necrambulant, Review
Posted in Features, Frontpage Feature, Interviews, Interviews › V on Sunday, March 9th, 2014
Vulvectomy is a brutal gore/grind band from Italy. They have 3 albums under their belts and their latest album that came out last year, Abusing Dismembered Beauties, on Sevared Records is their best one yet. Showing more maturity in their writing and song structures. With drum machines, it can be a hit or a miss, but Vulvectomy really goes the extra mile in making sure it sounds close to organic as possible and they do an excellent job of this. I swear listening to their latest album, there were times, that it feels like a human drummer. Really if you love ultra brutal music, with tons of memorable slams and if you have failed to buy a Vulvectomy cd, than you need to be given a beating.
Tags: 2014, Frank Rini, Interview, Vulvectomy
Posted in Reviews, Reviews › P on Friday, March 7th, 2014
If you’re a death metal fan, one of the Dutch scene in particular, you’ve likely heard of the band Prostitute Disfigurement. In addition to their catchy name, they’ve managed to produce some pretty good albums. The last one of theirs I got into was 2008’s Descendants of Depravity, but then the band broke up in […]
Tags: 2014, Kevin E, Prostitute Disfigurement, Review, Willowtip Records
Posted in Reviews, Reviews › A on Friday, March 7th, 2014
Back in 2002, 7 years before Fleshgod Apocalypse‘s debut Oracles, before Scrambled Defuncts, before. Ex Deo, The Monolith Deathcult, there was a brutal death metal band from the US called Agiel and they were using full on orchestration in their death metal. Now, bands like Hollenthon and Septicflesh were using orchestration and such, but Agiel were […]
Tags: 2014, Agiel, Deepsend Records, E.Thomas, Review
Posted in Reviews, Reviews › M on Thursday, March 6th, 2014
Like many FDA Rekotz bands, California’s Morfin play old school death metal but, rather than the Swedish/Stockholm old school sound played by Harm, Wound, Revel in Flesh, Massive Assault etc , Morfin went right for an older, American influence similar to Skeletal Remains, Slaughterday, Deus Otiosus, and Chapel of Disease: good ol’ Death. And let […]
Tags: 2014, E.Thomas, FDA Rekotz, Morfin, Review
Posted in Reviews, Reviews › M on Wednesday, March 5th, 2014
Rogga Johansson is ubiquitous, numerous bands, numerous projects. Are they really necessary? Let’s look at the music – this man knows his Death Metal, he’s doing nothing wrong. He’s not diluting the essence, so to speak, he’s not doing anything ridiculous. Yes, he’s prolific but he’s keeping it interesting between his projects, be it say Revolting, Paganizer […]
Tags: 2014, Chaos Records, Kunal Choksi, Megasvavenger, Review
Posted in Features, Frontpage Feature, Interviews, Interviews › C on Monday, March 3rd, 2014
Back in 2012 I interviewed Carnifex drummer and founder Shawn Cameron before a show they were opening for Fleshgod Apocalypse and All Shall Perish. The dude was polite, friendly and more importantly unwilling to go into too many details and throw then label Victory Records under the bus (on the record anyways…) . Almost two years later and a lot has changed. The band is gearing up to release their fifth album, Die Without Hope on new label Nuclear Blast Records, and embark on a headlining US tour. I caught up with Mr. Cameron again to see how much better things are for the band in 2014
Tags: 2014, Carnifex, E.Thomas, Interview
Posted in Reviews, Reviews › C on Monday, March 3rd, 2014
I actually feel a little happy for Carnifex. Despite playing the much maligned deathcore and spending time on Victory Records, I met the guys back in 2012 and they were some of the nicest metal dudes I’ve met and were obviously frustrated with their label at the time. Well, they told me they had a […]
Tags: 2014, Carnifex, E.Thomas, Nuclear Blast Records, Review
Posted in Reviews, Reviews › C, Reviews › G on Monday, March 3rd, 2014
Heavy metal, and its various extreme offshoots, can be a serious game. Searing bouts of rage-filled abrasiveness, disenchantment with society, bleak subject matter, and of course unrelenting aggression are some of the defining attributes that we associate with the backbone of extreme music. And really, we wouldn’t have it any other way, which makes the […]
Tags: 2014, Cannabis Corpse, Ghoul, Luke Saunders, Review, Tankcrimes
Posted in News on Thursday, February 27th, 2014
Italian death metal troupe, BLOODTRUTH, is pleased to join Unique Leader Records’ expanding realm of extreme. Initially forged in 2009 as the side project of Fleshgod Apocalypse members Francesco Paoli and Paolo Rossi, and now featuring the updated lineup of vocalist Luigi Valenti, guitarist Stefano Rossi Ciucci, bassist Riccardo Rogari and drummer Giacomo Torti, BLOODTRUTH heave forth […]
Tags: 2014, Bloodtruth, News, Unique Leader Records
Posted in Reviews, Reviews › T on Thursday, February 27th, 2014
Temple Nightside is an Australian black metal band that venture quite a bit into the ambient atmospheric textures of music. Their 2011 ep, Prophecies of Malevolence can best be described as extremely raw black metal with a production that is so low fi, it makes early Dark Throne sound like it was recorded at Morrisound […]
Tags: 2014, Frank Rini, Nuclear Winter Records, Review, Temple Nightside