Last House on the Left
Among Flies

In my line of work, I’m all about first impressions. I will generally make a snap judgment about a person and determine their veracity within about 30 seconds. Luckily, this does not apply to metal albums and reviews, because if I had simply relied on first impressions, Among Flies would have been album of the year.

With the Simon Bisely (DC and Marvel Comics) artwork and the simply fucking epic intro “Overture of the Maleficia” alone, Last House on the Left gave me a musical boner, however once the album gets going I came to realize that Among Flies was really just a very solid American melodeath/metalcore album with a stout production, decent riffs and solos and and not much else.

Like recent releases by say Adversary, Mirror of Dead Faces, A Breath Before Surfacing, The Classic Struggle and other recent similar releases, the back bone of LHOTL is the slicing style of The Black Dahlia Murder, with a dose of thrash, some keyboards and some heavy death metal breakdowns-all rendered with dual vocals (high pitched black scream and deep death metal roar), a razor sharp guitar tone and competent but hardly awe inspiring song writing. Still, like those releases, there’s nothing really wrong with the material, especially if you simply can’t get enough of this stuff.

That being said, the later stages of the album certainly do deliver the goods after a pretty by the numbers first half. Starting with the synths and solos that appear towards the solid climax of “Blackest Grain”, LHOTL just appear to be more “on” that the albums first 5 tracks. The title track has a sense of melodic urgency and a stern groove while the 6 and a half minute “Liath Loinneach” lurches and lopes with menace before an evil, almost black metal mid song tangent. The last two Wolf themed tracks are short bursts controlled aggression, with the beefy “”In the Name of the Wolf” and introspective instrumental “Lupus Occasus” providing fitting album closure.

Though doing nothing groundbreaking, LHOTL seem to be far more grounded in ‘real’ than their teeny, tight pants peers and more concerned with the music than their image, so I hope they continue to develop and maybe add a little more character and individuality to their sound and break from the current pack.

[Visit the band's website]
Written by Erik T
December 23rd, 2008

Comments

  1. Commented by: elguerosinfe

    What do you do for work Erik – is it true that you’re a cop?


  2. Commented by: Erik Thomas

    Criminal Investigator


  3. Commented by: vegard

    pretty solid album…but i enjoyed the production on their previous ep a whole lot more than this.


Leave a Reply

Privacy notice: When you submit a comment, your creditentials, message and IP address will be logged. A cookie will also be created on your browser with your chosen name and email, so that you do not need to type them again to post a new comment. All post and details will also go through an automatic spam check via Akismet's servers and need to be manually approved (so don't wonder about the delay). We purge our logs from your meta-data at frequent intervals.

  • Earthburner - Permanent Dawn
  • Carnosus - Wormtales
  • Loudblast - Altering Fates and Destinies
  • Deivos - Apophenia
  • Molder - Catastrophic Reconfiguration
  • Sedimentum - Derrière les Portes d’une Arcane Transcendante EP
  • Slaughter The Giant - Abomination EP
  • Ashen Tomb - Ecstatic Death Reign
  • Symphony Of Heaven - Ordo Aurum Archei
  • Fupa Goddess - Fuckyourface
  • Ensiferum - Winter Storm
  • Mercyless - Those Who Reign Below
  • Kings Never Die - The Life & Times
  • Maul - In the Jaws of Bereavement
  • Nasty Savage - Jeopardy Room