Eyehategod
Eyehategod

After years without a full-length release, NOLA’s most famous sludge sons Eyehategod are back with a new, self-titled full-length, and it’s as if they’ve never been away. You would have thought that these miscreants from New Orleans might have mellowed with age (even just slightly), but they still sound as pissed off as ever.

Much has happened since the release of Confederacy of Ruined Lives, their last studio album was released in 2000. Singer Mike Williams suffered legal and drug problems, the devastating storm of Katrina disrupted and displaced band members, guitarists Jimmy Bower and Brian Patton involved themselves with their other bands (namely Down and Soilent Green respectively), and most recently and tragically founding member and drummer Joey LaCaze passed away.

They’ve had several years on the road to hone these new songs – I saw them in Leeds, England in 2010 and it was about as erratic and authentic as this kind of music gets – Mike Williams handed me the microphone for the chorus of “Sisterfucker” and a few minutes later a shard of glass from a bottle he smashed nearly took my eye out.

On to the new album – so, sonically it’s pretty similar to the ones which made the band one of the most influential in the NOLA sludge scene in the early 90’s – however in no way does it sound forced or dated. Williams has appeared to make a conscious effort to make his lyrics more intelligible – trying to decipher words from albums such as Dopesick was a challenge to say the least. This change is welcome in my eyes, as the man’s neo-Bukowski/Burrows rants are something to be savoured. Songs like “Trying to Crack the Hard Dollar” are bona fide classics that are sure to remain on the setlist for years, and “Parish Motel Sickness” has one of the best choruses the band has written.

The release of Eyehategod is sure to open up the band to a whole new audience, and as well as being a fantastic album in its own right it will serve as a gateway for not only the band’s formidable back catalogue, but may turn people onto other excellent Louisiana bands such as Acid Bath and Crowbar.

[Visit the band's website]
Written by Jack Taylor
June 2nd, 2014

Comments

Leave a Reply

Privacy notice: When you submit a comment, your creditentials, message and IP address will be logged. A cookie will also be created on your browser with your chosen name and email, so that you do not need to type them again to post a new comment. All post and details will also go through an automatic spam check via Akismet's servers and need to be manually approved (so don't wonder about the delay). We purge our logs from your meta-data at frequent intervals.

  • Earthburner - Permanent Dawn
  • Carnosus - Wormtales
  • Loudblast - Altering Fates and Destinies
  • Deivos - Apophenia
  • Molder - Catastrophic Reconfiguration
  • Sedimentum - Derrière les Portes d’une Arcane Transcendante EP
  • Slaughter The Giant - Abomination EP
  • Ashen Tomb - Ecstatic Death Reign
  • Symphony Of Heaven - Ordo Aurum Archei
  • Fupa Goddess - Fuckyourface
  • Ensiferum - Winter Storm
  • Mercyless - Those Who Reign Below
  • Kings Never Die - The Life & Times
  • Maul - In the Jaws of Bereavement
  • Nasty Savage - Jeopardy Room