Discontent with the waves of false metal plaguing our great nation, the members of Gravehill joined forces to school all in the realm of true death metal, and they’ve done exactly that since their inception. Ringleader Mike Abominator chatted with Teeth about Gravehill’s role in the takeover of the metal world, the band’s plans to dominate at Maryland Deathfest next year, and various other topics involving leather, steel, blood and carnage.

Tom Gabriel Warrior has much to celebrate. It’s been a busy and productive few years since the return of Celtic Frost ended in a storm of animosity and a lack of shared vision. But Warrior has before seen one band dissolve only to give way to something greater, and as he graciously gave a good, long block of his time from the road (after I’d been lucky enough to see Triptykon’s New York debut), he spoke—as he often has—about the dissolution of Frost… but he also made it clear, both in stated terms and in the tone of satisfaction he’s experiencing at the moment, that Triptykon, while rooted in his past, is a band of the here and now—and of the future.

Keep it coming, baby! I’m talking about the gurgling, coughing, crackling, and crushing sounds of old school Swedish death metal! The good stuff; not the weak imitations. There has been a resurgence of the filth these last couple of years in terms of new bands forming, old bands reuniting (or simply coming off long hiatuses), and an increased level of recognition for the forefathers. Sweden’s Interment is one of those “old” (circa 1988) Swedish death spine snappers that saw fit to reunite years later, releasing a gnarly split with the lordly Funebrarum in 2006 and knocking one out of the park with this year’s Pulverised Records’ release Into the Crypts of Blasphemy. Here is what guitarist/vocalist Johan Jansson (ex-Centinex, Demonical) had to say about it.

After reviewing and enjoying the debut album from Jaldaboath, I thought it might be entertaining to conduct an interview with Sir Jaldabaoth, the Grand Guitarist Inspector and Grand Sovereign Songwriter General of the self-proclaimed Hammering Heraldic Metal act (aka James Fogarty). Feeling that such issues as his split with The Meads of Asphodel, fellow British metal acts, cross cultural comedic boundaries and their current album Rise of the Heraldic Beasts warranted serious investigative journalism. Of course I should have expected that a knight responsible for crafting such songs as “Bash the Bishop” and “Axe Weilding Nuns” would not turn out to be a typical journalistic foray, and quickly descended into an uninformative but amusing episode of Black Adder…

In the overly pissed-in kiddie pool that is today’s heavy metal music, it’s nice to see a mean, smirking heavyweight like Chicago’s Cardiac Arrest land a cannonball right in the center and, with a sonic blastwave, send so many thumb-sucking weaklings flying. I mean, it really warms the heart. Thanks to the wonders of modern technology, three of four members of said band were recently able to communicate with Teeth of the Divine about everything just short of My Little Pony and brain surgery. Read on for the gory details.

Similar to the intestinal parasite that must be removed from the punctured gut by being wound around a stick and sucked slowly from the wound, Humangled churn and slurp at the innards, and can only be removed forcibly. Admit it: you’re hungry now, aren’t you?! These sick Italian deathsters bring forth Fractal, their punishing 2010 release. Contact was made with founding members Andrew Goreds and Luke Scurb, who were eager to let TOTD pick their brains.

Six Pack Witchcraft? Huh? Yeah, that’s right, motherfuckers. Määx (pronounced may-axe) is rumblin’ through your speakers, moshin’ through your flower bed, and guzzlin’ all your beers, and when they’re done with all that, they’ll probably be bonin’ your wife. And you’ll like it! Six Pack Witchcraft is their newest lo-fi, low class offering on Abyss Records, and it’s full of venom, denim and booze. Members James Brown and Brett Schlagel corresponded with Teeth of the Divine in between chanting and hell-raising.

Infectious Grooves are back on the road, taking their own special brand of Funk, Punk and insane musicians, starting with the SOUNDAWAVE festival across Australia! I had the pleasure of talking to guitarist, Dean Pleasants about Infectious Grooves, his projects and any of their plans in the near future.

On a relatively steamy July afternoon, Italian guitar wizard Luca Turillia of symphonic power metal masters Rhapsody of Fire called this Teeth-scribe from an enchanted forest of unicorns, and we spoke in detail about the group’s latest masterpiece, The Frozen Tears of Angels, Luca’s own incredibly detailed lyrical and musical concepts, and the band’s collaboration with horror movie legend Christopher Lee.

You folks in the metal-know might’ve heard of a little band called Skeletonwitch out of Athens, Ohio. And chances are, if you’ve seen a metal tour in the past four years, you’ve seen them blow up on stage, inciting madness and mayhem in metal fans the world over. Their latest, “Breathing the Fire,” was met with acclaim and landed a spot on the Billboard charts. And, as would befit a group of excellent metal players, they happen to be excellent metal dudes. In my fifth overall interview with the band, I stood outside the Rock in Tucson, Arizona with guitarist Scott Hedrick, with cameo appearances from brothers Nate and Chance Garnett, as well as Derrick “Mullet Chad” Nau, who explains what it really means to be crushed beyond dust.

Resurrected death metal unit Pestilence are poised to descend upon the land of the free and home of the brave for a month-long spree of mind-bending tech death mayhem — a tour also featuring Vital Remains, Warbringer, Enfold Darkness and Sacrificial Slaughter ― beginning with a stop at this year’s Maryland Deathfest. This will mark the band’s first appearance Stateside in over 16 years. Pestilence mastermind Patrick Mameli recently chatted with Teeth of the Divine about the new lineup, getting back into the groove of things, and, even though we tried to confuse him and didn’t do our research, he trampled our puny questions like a true champ.

German power metal pioneers Gamma Ray, founded by former Helloween’er Kai Hansen, have been in existence just as long as the giggling gal who eagerly whips out her ID at the bar for the first time. And just as the 21st birthday is a milestone in the life of a young American adult, it’s also a milestone for Gamma Ray’s members, who have undoubtedly seen themselves grow from young bucks into elder statesmen of the heavy metal world since the creation of Heading for Tomorrow in 1989. Drummer Dan Zimmermann, member since 1997, spoke to this Teeth scribe from his hotel room in Mexico on an off-date from the band’s world tour promoting To the Metal!, the awesome foursome’s first full-length since 2007’s Land of the Free II.

Katon W. DePena is an intense individual. As the driving force behind one of Thrash Metal’s most tenacious and long-standing bands Hirax, he lives and breathes Heavy Metal music and culture. Aggressively DIY, he has taken Hirax to places other bands can only dream of going. Their latest album El Rostro De La Muerte is yet another scorcher in the Hirax catalog and the band plays to it’s loyal fans every single chance it gets. I had the privilege of a few minutes of his time recently and here is what he had to say.

We had the opportunity to talk with Biohazard’s main man, hardcore-extraordinaire, Evan Seinfeld. And oh boy, has he kept busy. Not only is Biohazard in the process of putting out a new album, Seinfeld himself is still preaching hardcore on film with some of the hottest chicks in all adult entertainment. Unfortunately our discussion with Evan was shadowed by the sudden death of his good friend, icon and a fellow Brooklynite, Peter Steele. But ultimately, as it became evident with talking to Evan, life will triumph. No doubt about it. Plus, we present you pussies with the largest collection of Not Safe for Work links in Teeth of the Divine’s history.

Ten years is a long time. Ten “band years” is an eternity when you’re talking about no new album, no tours, etc. Not that the members of Armored Saint haven’t kept busy. Bassist Joey Vera has become a vital part of Fates Warning as well as popping up in session positions for the likes of OSI, Chroma Key, Seven Witches and Anthrax. Singer John Bush was unceremoniously ousted from Anthrax in 2004, only to rejoin the band on stage in 2009 (his status with the band is currently up in the air). But, this isn’t about any of those bands…this is about Armored Saint. The name alone just screams Heavy Metal. The band’s last studio album, 2000’s Revelation (which was their first since 1991’s Symbol Of Salvation) was a fantastic piece of work. La Raza only continues to cement the band’s reputation as world class American Heavy Metal. I’ll let Joey Vera take it from here…

On Another Breath’s The God Complex it is all about the energy. And we’re talking nuclear-powered energy on this hard rockin’ hardcore/metal gem. It is an album on which the group also takes a deeply philosophical view into questions of faith; the answers found not necessarily uplifting or especially optimistic. The Fulton, NY crew has created what is sure to be one of the year’s best and, in all likelihood, most overlooked hardcore records. Your mission then is to check it out and see what all this raving is about. Vocalist Ted Winkworth answers the questions.

When I first listened to Sybreed’s latest album The Pulse of Awakening, I didn’t know how I felt about the band’s Marty McFly shenanigans (read: ’80s influence). While it was different compared to their previous two albums—Slave Design and Antares—the band’s sound had still remained somewhat intact… go figure. And figure out I did as I got to interview the main man behind the controversy, lead singer Benjamin.

The last chapter has been written and the book of Catholicon has been closed. The Baton Rouge band, which formed in 1994, has disbanded with some members going on to form Heir to the Throne. Throughout Catholicon’s career, which includes four full-length albums and multiple demos, the unique, creative, blasphemous, and downright diabolical style of black/death metal has not only gotten better with each release, it has stood the test of time. The culmination of that improvement comes in the form of Of Ages Past, the final Catholicon album and one that features the act’s best songwriting to date within the quasi-parameters of its unconventional, yet more refined/conventional (relatively speaking, of course) this time around, brand of sonic sacrilege that chills to the bone and melts the face. The release comes with a DVD-ROM containing a veritable treasure trove of material from across the band’s career (more on that below). With that I present to you a Q&A session with Chad Kelly (a.k.a. Blasphyre) the former Catholicon member who was an integral part of the creative/professional process and who has chosen to simply let sleeping dogs lie, rather than continue on in a new incarnation (ala Heir to the Throne) of it.

I won’t blather on about how Exodus is one of the greatest thrash bands of all time or that over their last several albums they’ve proved to be better than ever at delivering violent thrash metal. We all know this and if you don’t, you better find out soon, lest you miss out on the excellence that is Exodus. Instead, we thought that an update on the band after the release of the outstanding DVD, Shovel Headed Tour Machine: Live at Wacken (and other assorted atrocities) and before The Atrocity Exhibition: Exhibit B – The Human Condition drops in May. I caught up with iron man guitarist Gary Holt at his band’s Tyrants of Evil tour stop in Seattle.

I last interviewed Overkill vocalist Bobby “Blitz” Ellsworth for the Killbox 13 album in 2003 and since that time have held the man in even higher esteem, not only for his steely resolve and unwavering devotion to thrash metal, but also for the enthusiastic and amiable way he comes across. Why I waited seven years to interview him again is beyond me. His is an interview to which you look forward because you just know it’ll meet the gold standard. This time was no different.

After many, many years stuck in the wilderness, the UK is finally getting back into the Death Metal arena with legions and legions of quality bands. Despite the intricate nuances of these new minions, they all comfortably sit under the encompassing banner of “Death Metal,” be it the blitzkrieg insanity of Infected Disarray, the guttural perfection of Embryonic Depravity or the freakishly bizarre Crepitation and Amputated, these bands are Death Metal to the bone. Ingested, produced one of my favourite (and most played) albums of 2009, they are another cast iron example that extreme music is healthy and vibrant on these shores. Ingested first came to my attention as the standout band of the North-West Slam Fest 3 way split extravaganza that was released in 2007. The potential demonstrated on that juicy entrée was mouth watering, and they satisfyingly outdid themselves on their full length. I spoke with drummer Lynn Jeffs, on whom the band’s guttural insanity is pivoted, he had plenty to say on the scene, his tenure in Annotations of an Autopsy, and the future plans for Ingested.

After two excellent splits, UK-based pagan black metal outfit Wodensthrone has delivered one of the most impressive debut albums I’ve heard in years. Grand, savage, epic and beautiful, Loss has not only found itself high on my year-end list, but it’s also quickly become one of my favorite albums in the genre. Much of this has to do with the sweeping songcraft, but it’s the evocative, atmospheric nature of the music that really transports the listener. No surprise, given that these guys take their history, their heritage and their philosophy quite seriously. Read on and you might even learn a few things…

I’ll get straight to it. One of my favorite releases of the year, and indeed of the last few years is the debut from California’s Fatalist, “The Depths of Inhumanity”. Why? well, I’m a sucker for old school Swedish Death Metal, and Fatalist, right down to the logo, song titles and even some promo photos are Entombed incarnate. I caught up with band founder Neil Burkdoll to take The Left Hand Path and discover The Truth Beyond….

Vetis Monarch – vocalist/guitarist/leader of Canada’s Weapon – is a thoughtful sort and one whose art cannot simply be explained by alter ego\ or the commonly accepted conventions of artistic expression. Weapon is his living, breathing personification. Taking a far deeper philosophical approach to concept/lyrical development, Monarch’s worldview is somewhat atypical for black metal in that it is based not on a Christian, and ultimately anti-Christian background, making the exploration of Satanic philosophies far more refreshing. But it is the music of Drakonian Paradigm that sucked me right in and kept me coming back for more, making the album an immediate 2009 Top 10 selection in the waning weeks of the year. Black metal at its core, yet not solely traditional in a tremolo-picked and blast-beaten sense, Drakonian Paradigm brilliantly mixes in elements of thrash, death, and even traditional metal, in the process creating memorable songs and varied arrangements all wrapped up in the kind of palpable genuineness and sinister atmosphere that is lacking on so many BM releases. And now to answer my feebly probing questions, I give you Vetis Monarch.

Like the deadly bacteria lying dormant at the bottom of your gut, Witchmaster sits and waits until the time is right for them to resurface in a choking, splattering, sickly mess that ruins your golf game or whatever the fuck else you had planned for the day. Their last grime-encrusted offering, a self-titled album released on Agonia Records, came out five years ago, and now the wait is over for Trucizna, a hellacious, gnashing beast that saw its US release in November courtesy of the invulnerable Ibex Moon Records. Axe-slinger and original member Kali talks about the new album, Polish extreme metal, and just not giving a fuck.